W. Somerset Maugham

Legendary drama professor, esteemed historian, celebrated director, and award-winning writer Amnon Kabatchnik has penned a new volume in his critically-acclaimed award-winning reference series.

Out of the Box Theatre Company will open its 2023-24 season with the classic comedy 'The Constant Wife' by W. Somerset Maugham. Join them for live performances in New York City from November 1-5. Tickets available now.

Catalina Museum for Art & History will present the exhibition Tall Tiki Tales: Catalina as a South Seas Island, exploring Catalina Island's contribution (as a film set) in the evolution and popularization of tiki culture—tracing the origins from adventure books, their adaptations into Hollywood films, to the subsequent South Seas-themed restaurants and bars that dotted the country beginning in the mid-1930s.

Steep Theatre's second summer production is the US premiere of Tony Award-winning playwright Simon Stephens' Light Falls set to open July 8th. Stephens, Steep's Associate Playwright, will make his fifth production with Ensemble Member Robin Witt once again serving as director. Witt has also directed Stephen's Wastwater, Motortown, Pornography and Harper Regan, Steep's bestselling production.

North Carolina Opera has been awarded a grant from the National Endowment for the Arts to produce a staged version of Paul Moravec and Mark Campbell's acclaimed oratorio Sanctuary Road.

Griffin Theatre Company is pleased to continue its 31st season with W. Somerset Maugham's classic war drama FOR SERVICES RENDERED, directed by ensemble member Robin Witt*, playing May 19 - July 6, 2019 at The Den Theatre(Upstairs Main Stage), 1331 N. Milwaukee Ave. in Chicago's Wicker Park neighborhood. Tickets are currently available atwww.griffintheatre.com or by calling (773) 697-3830. 

Griffin Theatre Company is pleased to continue its 31th anniversary season with W. Somerset Maugham's classic war drama FOR SERVICES RENDERED, directed by ensemble member Robin Witt*, playing May 19 - July 6, 2019 at The Den Theatre (Upstairs Main Stage), 1331 N. Milwaukee Ave.

Go behind the scenes with Marissa McGowan of The Denver Center for the Performing Arts's The Constant Wife tomorrow, October 6th as she takes over the BroadwayWorld Instagram! McGowan will show followers what a two show day is like.' McGowan stars as 'Maria-Louise Durham' in the production.

The Denver Center for the Performing Arts (DCPA) is proud to announce full casting and creative team for the Theater Company's production of The Constant Wife by W. Somerset Maugham. Constance Middleton cheerfully plays her traditional role as the intelligent, charming housewife of a successful doctor. As her friends and family keep secrets close to their chest, she has nothing to hide - and everything to gain.

A painting degree, experience in storytelling and a 100-year-old book about the artist Gaughin all influenced playwright Lynne Cullen of Portland when she wrote "The Pavement Artist," a drama with humor opening Aug. 31 at the Players' Ring in Portsmouth.

A painting degree, experience in storytelling and a 100-year-old book about the artist Gaughin all influenced playwright Lynne Cullen of Portland when she wrote "The Pavement Artist," a drama with humor opening Aug. 31 at the Players' Ring in Portsmouth.

To present the world premiere of a re-discovered play written by Great War veteran and poet Robert Graves in the centenary year of the First World War is something of a coup for the tiny Finborough Theatre. But It Still Goes On is an exploration of familial and romantic  relationships played out in a society still reeling from the effects of the war. It features lust, infidelity, repressed homosexuality and mental illness.

In a production commissioned by the Finborough Theatre, a world premiere from the author of Goodbye To All That and I Claudius, Robert Graves' "post-catastrophic comedy", But It Still Goes On, directed by Fidelis Morgan, opens at the Finborough Theatre for a four-week limited season today, 10 July 2018 (Press Nights: Thursday, 12 July 2018 and Friday, 13 July 2018 at 7.30pm) as part of the Finborough Theatre's THEGREATWAR100 series commemorating the centenary of the First World War.

In a production commissioned by the Finborough Theatre, a world premiere from the author of Goodbye To All That and I Claudius, Robert Graves' "post-catastrophic comedy", But It Still Goes On, directed by Fidelis Morgan, opens at the Finborough Theatre for a four-week limited season on Tuesday, 10 July 2018 (Press Nights: Thursday, 12 July 2018 and Friday, 13 July 2018 at 7.30pm) as part of the Finborough Theatre's THEGREATWAR100 series commemorating the centenary of the First World War.

We continue the 150th birthday year of the Finborough Theatre building with three plays - Finishing the Picture, Arthur Miller's final play in only its second production anywhere in the world; But It Still Goes On by poet and novelist Robert Graves which has never been performed anywhere in the world; and Homos, or Everyone in America, the European premiere of a new American play by Jordan Seavey in his UK debut.

The Denver Center for the Performing Arts (DCPA) is proud to announce the 40th season of their Tony-Award winning Theatre Company, the first to be led by incoming Artistic Director Chris Coleman and the 8th season for their unconventional line of programming, Off-Center. The new season kicks off performances on July 11 and will feature 13 productions across seven different venues at the Denver Performing Arts Complex and beyond.

A Triumphant CONSTANT WIFE. Buffalo's Irish Classical Theatre continues it's season of comedies with a splendid production of W. Somerset Maugham's THE CONSTANT WIFE. In lesser hands the story of a wife who appears to turn a blind eye to her husband's infidelities could come across as a dreadfully dated and unbelievable drawing room comedy of 1926. This period in theatrical history allowed love to be proclaimed to the mountains, despite who was in earshot- where a woman's place was in the home, lest it be thought that her husband was unable to provide for her- where rest cures in far off countries were the panacea to every ailment- and where propriety was tantamount.

'So what the hell is this?!,' John Lithgow quizzically quips to the audience at the outset of his Broadway solo stint.

Virtuosity and imagination combine in one utterly unique event, as Tony and Emmy Award winner John Lithgow creates a singularly intimate evening.

No Time for Comedy is unlike anything you have ever seen, I feel sure. It is funny and clever - much of the dialogue is of Jane Austen caliber - but it joyfully refuses to go any of the places you think it probably might. It is political, and pointed, but never preachy, except to call attention to the motives of those who would preach. It is at once a parody of a witty Broadway comedy of the nineteen-twenties, -thirties, and -forties, and the apotheosis of it; and a part of it also contains a convincing and fairly furious repudiation of itself. For this 1939 play seems well aware that its very style is about to be subsumed by world conflict…