Review: MACBETH IN STRIDE at Shakespeare Theatre Company
They aren’t actually that in Whitney White’s concert cum critique “Macbeth in Stride” at the Shakespeare Theatre Company. But they do backup singing, some choreographed dance moves (by Raja Feather Kelly), reply and advise the lead and never quite leave the stage, itself dressed up like a spangly nightclub revue (set by Daniel Soule, lighting by Jeanette Oi-Suk Yew). In all, it seems perfect for that girl group from Detroit.
Industry Pro Newsletter: Where are the Audiences?
Theatres and arts organizations are back to producing seasons in the way that we were used to before the pandemic. However, the audience hasn’t returned in the same way. In multiple articles in this week's newsletter, we examine the question from a few different angles - where has the audience gone, and how do producing organizations get them back?
BWW Review: MACBETH IN STRIDE at American Repertory Theatre
“What’s the difference between what you’re taught and what you know?” are the first words the audience hears in Whitney White’s “Macbeth in Stride.” This rock concert meets Shakespearean play invites the audience to reflect on this question.
Roger Q. Mason's THE DUAT Premieres With Center Theatre Group
Acclaimed Black Filipinx playwright and Kilroys List honoree Roger Q. Mason (they/them) is currently premiering their play The Duat with the renowned Center Theatre Group in Los Angeles, presented in association with the Obie Award-winning The Fire This Time Festival and Watts Village Theater Company.