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KILL THE MAGISTRATE Comes to Boston Playwrights' Theatre as Part of the Jack Welch Developmental Residency


Boston Playwrights' Theatre has announced the first recipient of the Jack Welch Developmental Residency, Boston University Playwriting alumna Abbey Fenbert for her play Kill the Magistrate.

Review: HOW I LEARNED TO DRIVE Is Finely Tuned Vehicle For Actors' Shakespeare Project


What did our critic think of HOW I LEARNED TO DRIVE at Roberts Theatre, Calderwood Pavilion At Boston Center For The Arts?

Cast & Creative Team Announced for THE ART OF BURNING World Premiere at The Huntington


The Huntington will present the world premiere of The Art of Burning, a new play from acclaimed Boston playwright Kate Snodgrass and directed by Melia Bensussen, in association with Hartford Stage.

Gloucester Stage Company Will Present MR. FULLERTON, BETWEEN THE SHEETS


The summer will quickly heat up at Gloucester Stage Company with its season's second production, MR. FULLERTON, BETWEEN THE SHEETS, running from July 1 to 24. Directed by Judy Brahaº, it is a turn-of-the-century tale of unbridled passion by Massachusetts playwright Anne Undeland.

BWW Review: THE BOOK OF WILL at Lyric Stage Company of Boston is a Fun Night out at the Theatre


William Shakespeare no doubt changed the world of theatre and helped to shape it into the art form that it is today. In his short fifty-two years of life, he wrote at least thirty-seven plays and collaborated on more. Without the work of two of his friends, those plays could have been long lost and forgotten.

VIDEO: First Look At The Lyric Stag's THE BOOK OF WILL


The Book of Will, by Lauren Gunderson and directed by Lyric Stage Artistic Director, Courtney O'Connor is an intimate backstage pass about a group of friends (Shakespeare's nearest and dearest in this case) who make the impossible happen and forever change the way great works of the theater are preserved for generations to come. Get a first look at the cast in action!

The Lyric Stage Company of Boston to Present THE BOOK OF WILL


The Book of Will, by Lauren Gunderson and directed by Lyric Stage Artistic Director, Courtney O’Connor is an intimate backstage pass about a group of friends (Shakespeare’s nearest and dearest in this case) who make the impossible happen and forever change the way great works of the theater are preserved for generations to come.

WE ALL FALL DOWN Announces Extension At Huntington Theatre Company


Huntington Theatre Company has announced the extension of We All Fall Down written by Boston area playwright and Huntington Playwriting Fellow Lila Rose Kaplan and directed by Obie Award winner and artistic director of Hartford Stage Melia Bensussen. 

Huntington Theatre Company Announces Casting For World Premiere Of WE ALL FALL DOWN


Huntington Theatre Company has announced the casting for We All Fall Down, a new comedy about a family trying out tradition for the first time, written by Boston area playwright and Huntington Playwriting Fellow Lila Rose Kaplan. Directed by Obie Award winner and artistic director of Hartford Stage Melia Bensussen, We All Fall Down will begin performances at the Calderwood Pavilion at the BCA (527 Tremont Street, Boston) on Friday, January 10, 2020 and runs through Sunday, February 9, 2020. The official press opening night will be Wednesday, January 22, 2020. Tickets are on sale now.

BWW Review: THE AMERICA PLAYS: World Premiere at Mount Auburn Cemetery


Playwright Patrick Gabridge, the 2018-2019 Mount Auburn Cemetery Artist-In-Residence, is presenting THE AMERICA PLAYS, the second series of site-specific plays, following THE NATURE PLAYS produced in June. Whereas the earlier work explored the richness of the natural environment at the Cemetery, this series of five short plays brings to life the founder, sculptors, strong women of the era, and a compelling immigrant story about some of Mount Auburn's Armenian denizens. Guiding the audience from site to site through the lush grounds enhances their connection to the elements of the stories being told and grounds the drama in the flora and fauna of the landscaped jewel.

THE AMERICA PLAYS Set to Premiere at Mount Auburn Cemetery


Announcing the world premiere of the The America Plays, the second series of site-specific short plays by Mount Auburn Cemetery's Artist-in-Residence, playwright Patrick Gabridge. The America Plays will run from September 12-22, 2019, for 11 performances at Mount Auburn Cemetery, 580 Mt. Auburn Street, Cambridge, MA.

Greater Boston Stage Company Presents The World Premiere Of THE SALONNIÈRES


Greater Boston Stage Company proudly announces the second Don Fulton New Play Project, The Salonnieres. By acclaimed playwright, Liz Duffy Adams, The Salonnieres, set in pre-Revolutionary Paris, is an evening filled with fairytales, facades, and the feminist revolution. Directed by Producing Artistic Director Weylin Symes, performances run October 25 - November 11, 2018. The Press Opening is Saturday, October 27, 2018 at 3:00pm.

BWW Review: EXIT THE KING: Desperate Despot


Actors' Shakespeare Project opens its 14th season, The Downfall of Despots, with a comedy about a narcissistic despot who is having difficulty accepting his mortality. Director Dmitry Troyanovsky has the good fortune to work with a stellar ensemble, lead by the inimitable Richard Snee, and Sarah Newhouse and Jesse Hinson as his two dissimilar wives. Rounding out the cast are Dayenne Walters, Rachel Belleman, and Gunnar Manchester.

Actors' Shakespeare Project to Open 14th Season with Eugene Ionesco's EXIT THE KING


Actors' Shakespeare Project begins Season 14 with Eugene Ionesco's Exit The King, a parable on ego and mortality offering comedic respite from real-life woes that some may find topical, even cautionary.

Actors' Shakespeare Project to Open 14th Season with Eugene Ionesco's EXIT THE KING


Actors' Shakespeare Project begins Season 14 with Eugene Ionesco's Exit The King, a parable on ego and mortality offering comedic respite from real-life woes that some may find topical, even cautionary.

BWW Review: MRS. PACKARD: Nevertheless, She Persisted


Before Senator Elizabeth Warren, another Elizabeth spoke out, despite being warned and threatened with commitment to an insane asylum. Bridge Repertory Theater, in a co-production with Playhouse Creatures, presents Emily Mann's MRS. PACKARD, a drama inspired by true events, chronicling one woman's fight for the right to freely express her opinion, even if it differed from that of her husband. Under the direction of Emily Ranii, a cast of eighteen actors, lead by Olivia D'Ambrosio, Joseph Rodriguez, and Steven Barkhimer, stages a vivid and compelling interpretation of Mann's play.

Actors' Shakespeare Project presents A MIDSUMMER NIGHT'S DREAM


Actors' Shakespeare Project closes its 13th season with the definitive Shakespearean recipe for mirth and magic. Start with equal parts poetry and wit, add one misapplied love potion, stir in a feuding celestial couple, and finish with the most unintentionally awful play-within-a-play ever created, and you get A Midsummer Night's Dream. Directed by Patrick Swanson (Revels' Artistic Director), the production features Resident Acting Company members Steven Barkhimer* (Bottom), Sarah Newhouse* (Puck), and Paula Plum* (Titania) (Picture left by Nile Scott Shots.) Performances are May 10 - June 4, 2017 (Press Performance Saturday, May 13, 2017, 8 PM) at Multicultural Arts Center, 41 Second Street, Cambridge. For tickets and more information, visit actorsshakespeareproject.org.

Bridge Rep and Playhouse Creatures Team for Emily Mann's MRS. PACKARD


After the acclaimed LIBERTINE, Bridge Rep and Playhouse Creatures are teaming up for Emily Mann's MRS. PACKARD, inspired by true events.

BWW Review: REGULAR SINGING: The Apple Family's Last Supper


New Repertory Theatre presents the Boston area premiere of the final component of Richard Nelson's four-play cycle. Weylin Symes, the producing artistic director of Stoneham Theatre, returns to the helm with the stellar six-member cast of Joel Colodner, Laura Latreille, Karen MacDonald, Paul Melendy, Bill Mootos, and Sarah Newhouse. The actors are the strength of the production, providing a master class on working as an ensemble. REGULAR SINGING is a feel good drama, but, at two hours, less would be more.

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