Peggy Gannon

The MAP Theatre gang is back, Dear Readers, and as usual they’re not ones to shy away from the bizarre with their latest offering, “Blood Countess” by Kelleen Conway Blanchard. This gothic, horror, sex, comedy doesn’t pull any punches. I just question if it needed all the punches it landed.

Radial Theater Project will present a free reading of My Body No Choice, a collection of eight new monologues by eight great American playwrights. The reading will take place on Monday, October 24 @ 7:30pm at 18th & Union.

Three sisters in an East Texas town have a dark family secret. As their relationship weaves from past to present, coping means finding a balance between escape and facing the truth. Spanning twenty years, WHAT WE WERE mixes procedural mystery with memory as these sisters learn that home isn't just where your heart is. 

Seattle's critics' circle announces Nominees of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in the myriad of professional theater productions that we reviewers attend in a year.

A wheeler-dealer charlatan has taken control of the country… and everybody underestimated him. Seattle Shakespeare Company launches its 2018-2019 season with a masterclass in political intrigue, Shakespeare's Richard III. The production is a collaboration with upstart crow collective, and features an all-female acting company. Richard III will be directed by Rosa Joshi, and previews September 12 and 13, opens September 14, and runs through October 7 at the Leo K. Theatre.

A wheeler-dealer charlatan has taken control of the country… and everybody underestimated him. Seattle Shakespeare Company launches its 2018-2019 season with a masterclass in political intrigue, Shakespeare's Richard III. The production is a collaboration with upstart crow collective, and features an all-female acting company. Richard III will be directed by Rosa Joshi, and previews September 12 and 13, opens September 14, and runs through October 7 at the Leo K. Theatre.

A wheeler-dealer charlatan has taken control of the country… and everybody underestimated him. Seattle Shakespeare Company launches its 2018-2019 season with a masterclass in political intrigue, Shakespeare's Richard III. The production is a collaboration with upstart crow collective, and features an all-female acting company. Richard III will be directed by Rosa Joshi, and previews September 12 and 13, opens September 14, and runs through October 7 at the Leo K. Theatre.

On the surface Olivia Dufault's "Year of the Rooster" doesn't seem like a fun night out filled with laughs. A play about a failed trainer for cock fights. And to be honest it packs an ending that will not send you whistling into the street filled with hope for tomorrow. But this is MAP Theatre, and as their mission statement says, "We favor local work and comedy that hurts a bit" and this one does hurt. But at the same time, it's filled with stunning performances and more than a few laughs in this absurd yet all too grounded world director Peggy Gannon and the cast and crew have created over at 18th and Union.

Year of the Rooster is a dark and funny play about the underground culture of cock-fighting, and about the consuming drive to be a winner; a comedic attack on rural poverty, animal cruelty and toxic masculinity in America.

The winners of the 2017 Gypsy Rose Lee Awards are announced by the Seattle critics circle, Seattle Theater Writers!

Seattle's critics announce the Nominees of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in as much professional theater as we reviewers can attend in a year. Named in honor of the famed theater entrepreneur and Seattle native, Gypsy Rose Lee, and in a nod to the vast numbers or theater practitioners forced to travel the country to earn their living, the Gypsys seek to acknowledge the excellence of the Seattle theater community.

Dear Readers, it's been quite a year and, hopefully, we've come through it unscathed. God knows we've needed some shows to help us escape and others to make us think. But through it all we've had several shows that have proven to shine as some of the best of the year. Out of all the shows I was fortunate enough to see this year, I've selected a few that stood out. Here are those stand outs, a few honorable mentions and a few special mentions about which I just couldn't help myself but to mention in their own special way.

I always hated mowing the lawn as a kid but it was one of the chores with which I was saddled. So, if someone told me they invented a grass that only needed mowing once a year I'd be all over that. But some might not appreciate this new revelation and do anything to stop it. This utterly absurd premise is the crux of new play written by Seattle favorite R. Hamilton Wright and being offered by MAP Theatre. And while the premise may be absurd what's not absurd is the clever writing and fantastic performances in a show that'll have you reeling with laughter.

Here in Seattle we are blessed to have an abundance of bad ass female theater professionals some you might even go so far as to call local theater royalty. Well now Seattle Shakespeare Company in collaboration with Upstart Crow Collective have taken those bad ass women and dropped them in a traditionally male dominated play, Shakespeare's Henry VI Trilogy which they have turned into a two parter and labeled "Bring Down the House".

From chaos springs opportunity. No one knows this better than the scheming noble families in the houses of York and Lancaster. The power struggle for the crown of England thunders onstage with an all-female ensemble. From battlefield betrayals to court deceptions, the collapse of a kingdom gets re-imagined in this epic premiere adaptation of Shakespeare's Henry VI trilogy.

It's been a crazy year, Dear Readers. Lots of ups, lots of downs, and LOTS of emotions. And I'm not just talking about on stage. But let's not dwell on the bad things that may have happened in the world and focus on some of the amazing things Seattle theater companies gave us this past year, and let me tell you there were quite a few. So many in fact that in some categories I simply had to call out more than the usual Honorable Mentions as some performances just needed to be noted. You'll see what I mean especially when you get to the female categories as the ladies were certainly bringing it this year. But let's get started shall we? Out of the myriad shows I saw this year in Seattle, here are the shows and performances that truly stood out to me.

Dear Readers, there's not much I can tell you about Nassim Soleimanpour's searing play, 'White Rabbit Red Rabbit' currently having it's Northwest Premiere at 18th and Union from Radial Theater Project. I'm unable to tell you about the play not because I don't remember but because you shouldn't know in advance. That's part of the show. I urge you not to Google any information about the show. But I also equally urge you to move hell or high water to catch this one, as it's a thrilling emotional journey unlike anything you're likely to have seen before.

MAP Theatre may not be one of the most prolific companies out in Seattle. In fact they tend to do only one or two shows a year. But what we have come to expect from them is certainly more quality than quantity as they invest tremendous amounts of thought and talent into those few shows. Their latest offering, Amy Herzog's "Belleville" currently playing at 12th Ave Arts is no exception. What looks to be a simple relationship drama, when viewed through the lens of the folks at MAP, quickly evolves into a taut psychological thriller.

Broadway-bound new musical, Come From Away, presented by Seattle Repertory Theatre, wins four Gypsys, tying with another new musical, Lizard Boy, also produced by Seattle Repertory Theatreand also with four Gypsys, a company that has been known for years as a powerhouse dramatic straight-play playhouse!