Nathan Whitmer

People, Places and Things are a constant trigger for addiction and anxiety in the probing and intellectually thrilling production of People, Places & Things now playing at the Studio Theatre.  A highly evolved play of substance that really pushes the boundaries of the subject of addiction is a top-notch tour de force courtesy of a very trenchantly observed and written play by Duncan Macmillan, above par technical elements, and excellent acting. 

Beginning on November 9 and running through December 11, Studio Theatre will bring Duncan Macmillan's People, Places & Things to the stage. The play will be directed by Studio Theatre Artistic Director David Muse, making his first in-person directorial appearance since the pandemic, and will be only the second production in Studio Theatre's new Victor Shargai Theatre. 

The Old Globe today announced the cast and creative team of The Old Globe and University of San Diego Shiley Graduate Theatre Program's presentation of William Shakespeare's enchanting comedy classic A Midsummer Night's Dream.

Wit, wisdom, and sometimes overpowering verbosity fill George Bernard Shaws’ Don Juan In Hell, the dream sequence contained within the third act of the Irish playwright’s Man and Superman and sometime performed independently.

Washington Stage Guild will present a 'heavenly' online performance of George Bernard Shaw's DON JUAN IN HELL, the famous dream sequence from his play MAN AND SUPERMAN. Until it's safe to gather in theatres again, they are inviting their audience to savor Shaw's witty, wise play from their own homes. 

Washington Stage Guild will present a 'heavenly' online performance of George Bernard Shaw's DON JUAN IN HELL, the famous dream sequence from his play MAN AND SUPERMAN. Until it's safe to gather in theatres again, we invite our audience to savor Shaw's witty, wise play from their own homes.

Theater J Artistic Director Adam Immerwahr and Managing Director Jojo Ruf have announced Theater J's 30th anniversary season of five plays and two musicals. The nation's largest and most prominent Jewish theater company, Theater J celebrates its anniversary with a season that features all the elements that have become signature to its work: stories that illuminate the Jewish condition, joyfully celebrate humanity, and challenge us to empathize and think more deeply about the world.

The Old Globe today announced its latest cast and creative team as the illustrious actors in The Old Globe and University of San Diego Shiley Graduate Theatre Program expertly perform William Shakespeare's magical comedy Twelfth Night, directed by Jesse Perez, the program's Director of Professional Training and a noted actor (Off Broadway's Party People, the Globe's Romeo and Juliet, La Jolla Playhouse's Seize the King). The classical actors of tomorrow will bring to life a world filled with some of the Bard's most unforgettable characters and memorable moments. Twelfth Night will run November 2a?"10, 2019 in the Sheryl and Harvey White Theatre, part of the Conrad Prebys Theatre Center. Opening night is Saturday, November 2 at 8:00 p.m. Tickets to Twelfth Night are now on sale and can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE, or by visiting the Box Office.

Washington Stage Guild's production of Candida gave life to an extremely charming George Bernard Shaw comedic classic. Bernard Shaw's story follows a tangled romance between a preacher, Reverend Morell, his wife, Candida, and a young poet who wishes to win her heart, Eugene Marchbanks. Nathan Whitmer as Reverend Morell, presents a clergyman as a Christian Socialist dedicated to his work and intending to do right by everyone in his life. Whitmer's interpretation of the character is ruled by the balance between his patience and his passion. Whitmer as Morell also shows a touching fondness for his on and off stage wife, Emilie Faith Thompson as Candida, which added an especially sweet quality to the production. Thompson presents a preacher's wife, mother, and house-maker who navigates such with grace and charm. Thompson approaches the text with tact and careful consideration, successfully portraying the most sensible character in the show. Ben Ribler as Eugene Marchbanks, creates a very anxious, and occasionally manic young poet, drunk in love with the Reverend's wife. Much like his on-stage competitor, Ribler also builds this amazing juxtaposition between his passion and his sensibility, up until his passion overruns all logical thought and he descends into his overwhelming obsession for Candida. The cast is also joined by supporting characters, Ms. Prosperine Garnett, the Reverend's secretary, Reverend Lexy Mill, Morell's curate, and Candida's father, Mr. Burgess. Danielle Scott as Ms. Garnett created a classic busybody secretary, both disciplined and dedicated, and consistently amusing. Danny Beason as Reverend Lexy managed with the little stage time he had to make an impression as a lackadaisical yet dutiful curate to the Reverend Morell, further fortifying the respect people have for the Reverend. The cast is rounded out by seasoned David Bryan Jackson, who portrayed Candida's money-on-the-mind father, Mr. Burgess. Jackson had a particularly acute talent of delivering his performance with comedic ease. The direction of Lauren Ghiradelli, a company member of the Washington Stage Guild, has navigated a dexterous script, chock full of lyricism and the beautiful, clever language of Shaw. And in doing so, raised questions about marriage, the expectations placed on it, and the dynamic between husband and wife in the Victorian era. Overall, the production is lively, wildly amusing, and nothing less than charming.

The Washington Stage Guild returns to the Nobel Prize-winning George Bernard Shaw, with a new production of the first play by GBS ever presented by the Stage Guild, Candida. Subtitled a?oeA Mystery,a?? in it, a preacher and a poet are in love with the same woman. The former is her husband, the latter wants to woo her away, and both are shocked by her ultimate choice and the reasons for it. 

Perhaps the biggest problem with 'The Heiress' is that it's difficult to invest in. It's hard to root for Catherine beyond hoping she tells Morris off, and that's more about dislike of him than support for her. After all, we can all get behind telling off a bad ex. It's just a shame that The Heiress doesn't give us the opportunity to go deeper than that.

Arena Stage presents Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.

Arena Stage at the Mead Center for American Theater announces the full company for Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.

Arena Stage presents Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square.

Arena Stage at the Mead Center for American Theater announces the full company for Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.

The Old Globe invites your participation and coverage as Globe for All returns now through November 20, in its third year on the annual roster, with Shakespeare's searing comedy Measure for Measure. Acclaimed director Patricia McGregor makes her Globe debut, following glowing reviews for The Public Theater Mobile Unit's Hamlet this summer. Scroll down for photos of the cast in action!

The Old Globe invites your participation and coverage as Globe for All returns November 1 - November 20, in its third year on the annual roster, with Shakespeare's searing comedy Measure for Measure.

The Old Globe invites your participation and coverage as Globe for All returns November 1 - November 20, in its third year on the annual roster, with Shakespeare's searing comedy Measure for Measure.

The Old Globe presents the final offering in the 2016 Summer Shakespeare Festival: William Shakespeare's unabashed celebration of innocence, idealism, and the sweet folly of young love, Love's Labor's Lost, directed by three-time Tony Award winner Kathleen Marshall. This delightful romantic comedy will run now through September 18, 2016, in the Lowell Davies Festival Theatre. Opening night is Saturday, August 20. BroadwayWorld has a first look at the cast in action below!

The Old Globe today announced the complete cast and creative team of the final offering in the 2016 Summer Shakespeare Festival: William Shakespeare's unabashed celebration of innocence, idealism, and the sweet folly of young love, Love's Labor's Lost, directed by three-time Tony Award winner Kathleen Marshall. This delightful romantic comedy will run August 14 - September 18, 2016, in the Lowell Davies Festival Theatre. Previews run August 14 - 19. Opening night is Saturday, August 20 at 8:00 p.m. BroadwayWorld has a peek at the company below!