Michael Brusasco

BWW Review: DEATHTRAP at San Luis Obispo Repertory

San Luis Obispo Rep's craftily staged production of Deathtrap, a comedy thriller, delivers on the foreshadowing promise of its opening dialogue: 'One set, five characters. A juicy murder in Act One, unexpected developments in Act Two. Sound construction, good dialogue, laughs in the right places.' Deathtrap's stage action runs like an intricately laid out fox hunt where the audience as the pack of hounds follows continuously forking trails of red herrings. And it's delightful.

BWW Review: THE IMPORTANCE OF BEING EARNEST at Solvang Festival Theatre

PCPA closes its season with one of the sharpest, funniest, cleverest comedies written in the English language--Oscar Wilde's The Importance of Being Earnest. Fans of this Victorian confection of drawing-room comedy will not be disappointed. A beautiful set, designed by Jason Bolen, and sumptuous Victorian costuming, designed by Sara Curran Ice, transport us to a fashionable London flat and a smart country mansion.

Quintessence Theatre Group Presents JULIUS CAESAR & THE WILD DUCK

Quintessence Theatre Group continues its blockbuster Season VIII with The Power and Idealism Repertory: Shakespeare's JULIUS CAESAR presented in rotating repertory with Henrik Ibsen's THE WILD DUCK. Striving for gender parity, Quintessence welcomes an A-list eleven-actor ensemble composed of Quintessence favorites and Philadelphia's best to explore new adaptations of two timely classics. As America's democracy is being tested, and the #metoo movement is challenging us all to reconsider America's complex history with patriarchy and the assault of women, directors Alexander Burns and Rebecca Wright revive these harrowingly relevant dramatic masterpieces to join in the conversation.

Paula Vogel's Pulitzer Prize-winning drama of How I Learned to Drive is currently playing at Syracuse Stage in co-production with the Cleveland Play House. Astutely directed by Cleveland Play House Artistic Director Laura Kepley, this edgy, intermission-less 90-minute production is captivating, deeply thought-provoking, and controversial, and showcases the tremendous talents of the cast.

Come along for the ride as Syracuse Stage presents Paula Vogel's Pulitzer Prize-winning drama How I Learned to Drive.This deeply compassionate play looking into how one woman's courage to face a troubled time in her past leads her to take control of her own life opens April 7 in the Archbold Theatre at the Syracuse Stage/SU Drama Complex, 820 E. Genesee St. There will be two preview performances on Wednesday, April 5, and Thursday, April 6.

The mission of the Cleveland Play House is to produce plays that 'inspire stimulate and entertain.' It further intends to bring bold, necessary, personal stories told in imaginative ways to the public.

Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.

Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the theatre's production of A Christmas Carol - A Ghost Story of Christmas, staged in the newly renovated Hubbard Theatre.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the theatre's production of A CHRISTMAS CAROL - A GHOST STORY OF CHRISTMAS, staged in the newly renovated Hubbard Theatre.