Francis Beaumont

Red Bull Theater in association with Fiasco Theater will present The Knight of the Burning Pestle, through Saturday May 13th only at the newly renovated Lucille Lortel Theatre.

The RED BULL THEATER (Jesse Berger, Founder and Artistic Director) and FIASCO THEATER (Jessie Austrian, Noah Brody, Ben Steinfeld Co-Artistic Directors, B.J. Evans, Managing Producer) production of The Knight of the Burning Pestle, an Elizabethan comedy by Francis Beaumont, opened tonight, April 27th at the newly renovated Lucille Lortel Theatre. Check out what the critics have to say!

Get a first look at Red Bull Theater and Fiasco Theater's production of The Knight of the Burning Pestle.

RED BULL THEATER has announced the cast for The Knight of the Burning Pestle, opening April 27th at the newly renovated Lucille Lortel Theatre.

RED BULL THEATER and FIASCO THEATER have announced the cast for The Knight of the Burning Pestle opening April 27th at the newly renovated Lucille Lortel Theatre. 

RED BULL THEATER and FIASCO THEATER have announced the cast for The Knight of the Burning Pestle at the Lucille Lortel Theatre.

RED BULL THEATER begins performances tonight for the first of its two Off-Broadway productions, Arden of Faversham, at the newly renovated Lucille Lortel Theatre.

RED BULL THEATER has announced the cast for the first of its two Off-Broadway productions, Arden of Faversham, opening this Spring at the newly renovated Lucille Lortel Theatre.

RED BULL THEATER has announced details of its two Off-Broadway productions, Arden of Faversham and The Knight of the Burning Pestle opening this Spring at the newly renovated Lucille Lortel Theatre.

Red Bull Theater has announced details of its 20th season, including two Off-Broadway productions; a new season of OBIE Award-winning Revelation Readings (offered both in-person and online), and much more.

Fiasco Theater has announced its 2022-2023 season! Check out the full lineup here!

ISC’s unique brand of Shakespeare in the park has long been a summertime favorite for Angelenos of all ages. PESTLE is a work of Francis Beaumont, not the Bard, but as adapted and staged by director Melissa Chalsma, this loopy bit of play-within-a-play meta is every bit a comic winner.

Independent Shakespeare Co. (ISC) announces the anticipated return of an entire summer (10 weeks) of the Griffith Park Free Shakespeare Festival following 2020's virtual season and 2021's shortened season. The location is the Dell at the top of the Old Zoo near the intersection of Crystal Springs Drive and Griffith Park Drive.

So four playwrights walk into a bar and the first one says …. sound like the setup for a joke?  No, it’s actually the premise for Shakespeare in Revue, the delightful second presentation by Joshua Tree’s Theatre Under the Stars.

RED BULL THEATER today announced that its 2020-21 offerings will continue with a special event benefit reading of Frances Burney’s The Woman Hater, directed by Everett Quinton. The reading will  feature Bill Army, Arnie Burton, Veanne Cox, Rebecca S'Manga Frank, Cherie Corinne Rice, Matthew Saldivar, Jenne Vath, and Nick Westrate.

RED BULL THEATER today announced that its fall offerings will continue with a benefit reading of A King and No King by Francis Beaumont & John Fletcher, directed by José Zayas and featuring Rajesh Bose, Robert Cuccioli, Edmund Donovan, Franchelle Stewart Dorn, Topher Embrey, Chukwudi Iwuji, Teresa Avia Lim, Cara Ricketts, Socorro Santiago, and more.

Red Bull Theater (Jesse Berger, Artistic Director | Jim Bredeson, Managing Director) today announced the cast for the next of the 2019-'20 season of REVELATION READINGS, its OBIE Award-winning series: Beaumont & Fletcher's Love Lies A-Bleeding, directed by Carl Cofield and featuring Zach Appelman, Susan Heyward, Ezra Knight, Dela Meskienyar, Howard Overshown, Bhavesh Patel, Amelia Pedlow, Cara Ricketts and more to be announced. This one-night-only event will take place on Monday December 16th at 7:30pm at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).

The Knight of the Burning Pestle is rarely produced, and it certainly deserves the occasional outing, if only as a reminder that our forbears were just as interested in trying experiments with theatrical genre and form as we are.

What a year for theatre 2019 has been! Remembering all of the amazing shows as part of the build-up to the BroadwayWorld UK Awards has been a complete joy, and it is my pleasure to present some thoughts about the shows that have left a distinct impression on my stagey mind.