Andy Wallach

It's the final week left to vote for the 2023 BroadwayWorld South Carolina Awards! Voting ends on 12/31 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

There's just two weeks left to vote and we have the latest standings as of Monday, December 18th for the 2023 BroadwayWorld South Carolina Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

It's December, and the first standings of the month have been announced as of Tuesday, December 5th for the 2023 BroadwayWorld South Carolina Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

Happy Holidays! The latest wave of standings have been announced as of Monday, November 27th for the 2023 BroadwayWorld South Carolina Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

The latest wave of standings have been announced as of Monday, November 20th for the 2023 BroadwayWorld South Carolina Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

Luckily, for audiences at Crossville's Cumberland County Playhouse (where Elf, The Musical runs through December 21 in a delightful and sparkling production helmed by producing director Bryce McDonald), the role of Buddy is entrusted to Chris Hallowes, who has proven himself the personification of the term a?oesong-and-dance mana?? during his tenure at the Playhouse, and who once again proves his mettle with his latest onstage assignment. Were it not for the fact we've always considered Hallowes a star, we'd say Buddy is a starmaking performance for him.

There's no better way to ease into the hijinks and hubbub of the holiday season than with a nostalgic trip down memory lane with the awesomely talented, tremendously charming and oh-so-delightful quartet, aka the Marvelous Wonderettes, in Roger Bean's confectionary Winter Wonderettes, the seasonal follow-up to his popular The Marvelous Wonderettes, which first introduced us to Cindy Lou, Betty Jean, Suzy and Missy.

Who'd have ever thought a seven-foot-tall, dark, handsome and green chap a?' crafted from the bits and pieces of various fellows gone home to meet their maker, as it were a?' could prove to be so likable, charming and, we daresay, sexy? But leave it to Mel Brooks (and Gene Wilder, his co-writer on the 1974 film) to create such a protagonist and to surround him with memorable characters in a story set to music that's a wonderful homage to the very best of classic Broadway and silver screen musicals!

Now, through August 18, audiences at Crossville's Cumberland County Playhouse have the opportunity to fall in love with Matilda and her ragtag and inspiring band of schoolmates as they take on an adventure that is certain to delight and to engage. Directed by Jess Griffin and featuring a cast of fresh and energetic performers who bring Matilda The Musical to glorious life onstage, CCP has another resounding hit to its credit, which might be quite unlike anything that's come before it and heralds even more technical and design innovation that sets the company apart from all others in the region.

'Based on a true incident' seems a phrase best reserved for a hardboiled television detective series, circa 1954 - perhaps followed by a title card reading, 'A Quinn Martin Production' (if you're of a certain vintage, you'll get my meaning) - but in the case of Bright Star, the Tony Award-nominated musical by Steve Martin and Edie Brickell now onstage at Cumberland County Playhouse through June 6, it's definitely fitting.

Actors Bridge Ensemble's critically acclaimed production of Sarah DeLappe's The Wolves and Cumberland County Playhouse's stunning mounting of Stephen Sondheim and Hugh Wheeler's Sweeney Todd: The Demon Barber of Fleet Street were named as the top shows of the year during Midwinter's First Night, the annual tribute to theater in Tennessee, held at Nashville's The Larry Keeton Theatre Sunday night, January 13.

In anticipation of the gala 30th anniversary celebration of The First Night Awards, Tennessee's best and brightest in live theater were revealed tonight as First Night's Top Ten of 2018 - reviewer and critic Jeffrey Ellis' annual recognition for theater in the Volunteer State - were announced during a Facebook Live presentation from Nashville.

What better way to leave behind the turmoil of the modern world than by indulging in a bright, shiny new musical burnished with the warm glow of nostalgia and featuring a score by the inimitable Irving Berlin? We can't imagine anything more fun - or more timely, for that matter - than a couple of hours or more spent in the audience of Cumberland County Playhouse to experience the company's latest musical treat: Irving Berlin's Holiday Inn.

Fog comes billowing out over the footlights, bringing with it a pervasive sense of foreboding that sets the tone for the next three hours of what is - without any fear of exaggeration - the most satisfying theatrical experience of 2018. Eye-poppingly gorgeous, with a design aesthetic that's perfectly wedded to the source material provided by composer/lyricist Stephen Sondheim and book writer Hugh Wheeler, and featuring some of the most electrifying performances we've ever witnessed at Cumberland County Playhouse (where they know a thing or 100 about staging musicals), Sweeney Todd, The Demon Barber of Fleet Street is spectacular.

Oklahoma Shakespeare in the Park (OSP) presents William Shakespeare's Hamlet directed by D.Lance Marsh, the production runs September 14-30 at the Myriad Gardens.

Oklahoma Shakespeare in the Park presents Noel Coward's classic comedy Private Lives, directed by Emily Heugatter the production runs August 17 through August 27 at 2920 Paseo in the Paseo Arts District. 

Last weekend, CityRep opened MR. BURNS, A POST-ELECTRIC PLAY at the downtown Civic Center. A co-production with Oklahoma City University, featuring up-and-coming student artists and professional Equity actors on equal footing, the CityRep production of Anne Washburn's delightfully unconventional script is one of my favorite shows the company has produced in recent memory. CityRep has a hit on their hands. I hope the lack of familiarity with the title doesn't discourage audience attendance-this play is one of the most-produced in regional theaters around the country this season, and for good reason. The only drawback is that the play is only around for one more weekend. I applaud CityRep and OCU for introducing such thought-provoking art to the heartland, and hope you, dear reader, flock to the theater in droves to experience the magic.

Pryor Rendering, a new musical based on the novel of the same name by Tulsa born author Gary Reed, just finished a run at The Oklahoma City Civic Center Music Hall and heads to The Tulsa Performing Arts Center from tonight, October 13, through October 16.

Pryor Rendering, a new musical based on the novel of the same name by Tulsa born author Gary Reed, will play The Oklahoma City Civic Center Music Hall from tonight, September 30, through October 9 and The Tulsa Performing Arts Center from October 13 - 16.

Pryor Rendering, a new musical based on the novel of the same name by Tulsa born author Gary Reed, will play The Oklahoma City Civic Center Music Hall from September 30 - October 9 and The Tulsa Performing Arts Center from October 13 - 16, it was announced today.