MasterVoices: Myths and Hymns - Love at Streaming online
Dates: 4/14/2021 - 6/30/2021
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📍 Theatre: |
1441 Broadway Suite 3024
New York,
Tickets: Free
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MasterVoices, under the artistic direction of Ted Sperling, presents Love, the third chapter of its central project for the 2020-2021 season: a four-part virtual rollout of award-winning composer Adam Guettels theatrical song cycle, Myths and Hymns. Inspired by Greek myths and a 19th-Century Presbyterian hymnal, the 1998 cycle is a kaleidoscopic collection of musical genres as it explores the nature of faith and longing in a secular world. New short musical films illustrate the protagonists attempt to seek answers in four ways through Flight (released January 13), Work (released February 24), Love (to be released April 14), and Faith (to be released May 26). All installments remain available after their premieres for on-demand streaming onMasterVoices YouTube channeluntil June 30, 2021. Love features the MasterVoices chorus and soloists Dianne Drayse Alonso, Nina Bernstein, John Brancy, Dove Cameron, Drew Gehling, Cheyenne Jackson, Shereen Pimentel, and Lori Wilner. Also contributing are directors Victoria Clark and Ted Sperling, visual artist Earl Womack, and orchestrators Don Sebesky and Jamie Lawrence.Love begins with an a cappella vocalese from the chorus, expressing the longing for someone to love, to feel complete with. This flows directly into Hero and Leander, which evokes the sounds of the roiling waves that must be braved for the lovers to unite.Come to Jesusintertwines the story of a young couples dissolution because of an unwanted pregnancy with the haunting hymn text of the title.Medusawill be included inMyths and Hymnsfor the first time, in a new version prepared by the composer. The songrecounts the story of the warrior Perseus who beheaded the formidable Medusa, one of three Gorgon sisters whose gaze turned men to stone. It premiered in 1988 at Home for Contemporary Theater and Artin New York City and has not been performed since then. The chapter ends with the wistfully humorous and self-involvedHow Can I Lose You?
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