BWW Review: CROSS THAT RIVER at 59E59 Theaters is Enthralling Storytelling with Superb Music
An exhilarating production, Cross That River, is now onstage at 59E59 Theaters through December 31st.
Off-Broadway Theater Reviews
The latest reviews and critic recommendations from Off-Broadway.
BWW Review: Mia Oh My! SO LONG BOULDER CITY Dazzles at Subculture Theatre
When we think of a person bound for success, dedicated to personal fulfillment and happiness gained through their craft, one such person who comes to mind is an actor.
BWW Review: Company XIV's Erotic Holiday Treat NUTCRACKER ROUGE Christens Their New Brooklyn Home
For over a decade, the unquestionably brilliant director/choreographer Austin McCormick's Company XIV has been dazzling audiences with unexpected wonders.
BWW Review: Sarah DeLappe's Pulitzer Finalist THE WOLVES Moves To Lincoln Center
The almost completely circular, arena style seating of Lincoln Center's Mitzi E.
BWW Review: Jocelyn Bioh's SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY Addresses Issues of Beauty and Skin Tone
Though the teenage girls at the center of Jocelyn Bioh's endearing and poignant SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY all have wonderful qualities that should be appreciated and nurtured during their years at Aburi Girls Boarding School in central Ghana, there is one quality that prevents th
BWW Review: THE BRIEFLY DEAD at 59E59 is an Inventive World Premiere
59E59 Theaters is now presenting the world premiere of 'The Briefly Dead' through December 10th.
BWW Review: THE MAD ONES at 59E59 Theaters Is an Exceptional New Musical
Simply stated, you'll love 'The Mad Ones.
BWW Review: Lisa Lampanelli's Poignant and Funny STUFFED Explores Body Image and Relationships With Food
Though her aggressive style of dishing out insults has earned her the title of standup comedy's Queen of Mean, Lisa Lampanelli comes somewhat closer to being the Empress of Empathy in her comedy revue about the serious subject of food and body image, STUFFED.
BWW Review: Christopher Wheeldon Stages a Thrilling City Center Mounting of Lerner and Loewe's Sumptuous BRIGADOON
Like the city where it was born and nurtured, the American musical play differs from similar stage entertainments because it was developed by a combination of cultures merging into a unique new art form.
BWW Review: TOYS: A DARK FAIRY TALE at 59E59 Theaters is Engaging and Unforgettable
The New York City premiere of TOYS: A Dark Fairy Tale, written by the renowned Romanian playwright, Saviana Stanescu and directed by Gabor Tompa is being performed at 59E59 Theaters through November 26.
BWW Review: One Says Consensual, The Other Says Rape in Anna Ziegler's ACTUALLY
Sex is sex and rape is rape.
BWW Review: Everett Quinton is a Master of The Ridiculous in Charles Ludlam's CONQUEST OF THE UNIVERSE or WHEN QUEENS COLLIDE
To watch New York stage treasure Everett Quinton engaged in his classic brand of silliness - or, to be more accurate, ridiculousness - is just as fulfilling a cultural experience as watching a great tragedian immersed in a dramatic Shakespearean role.
BWW Review: Julia Cho's Urgent and Sensitive OFFICE HOUR Calls For Compassion To Combat Gun Violence
he sudden act of violence that occurs early on in on Julia Cho's urgent and sensitive drama OFFICE HOUR, is certainly not unexpected.
BWW Review: David Greenspan Flies Solo in Eugene O'Neill's STRANGE INTERLUDE
To give credit where it's due, Eugene O'Neill's Pulitzer-winning STRANGE INTERLUDE is perhaps the best play imaginable about women's sexuality that could have been written by a 35-year-old American man in 1923.
BWW Review: The McKittrick Hotel Presents AT THE ILLUSIONISTS TABLE-A Marvelous Magical Evening
The art of illusion meets the art of fine dining.
BWW Review: Bryce Pinkham and Denee Benton Mix Love and Politics in MasterVoices' OF THEE I SING
Back in 1931, when the firm Kaufman, Ryskind, Gershwin & Gershwin had the novel idea to infuse that stodgy old music/theatre entertainment, the Broadway operetta, with the jauntiness of showtune and a chaotic mixture of comedic highbrow and lowbrow to tell the tale of an unqualified, but charismatic
BWW Review: FRIENDS! THE MUSICAL PARODY Cleverly and Lovingly Pokes Fun at the Iconic Sitcom
Perhaps the most surprising thing about FRIENDS!THE MUSICAL PARODY was the average age of the audience at St.
BWW Review: Matthew Bourne Brings Screen Dance Classic THE RED SHOES To The Stage
As anyone who has ever seen A CHORUS LINE will tell you, Michael Powell and Emeric Pressberger's screen classic THE RED SHOES has been tantalizing young dancers with dreams of ballet stardom since premiering in 1948.
BWW Review: Jason Alexander and Sherie Rene Scott as Would-Be Lovers in John Patrick Shanley's THE PORTUGUESE KID
If the spot-on hilarity of first scene of director/playwright John Patrick Shanley's THE PORTUGUESE KID could be replicated for the play's remaining three-quarters, this review would be happily exclaiming that New York has got a solid, old-school sexy romantic comedy in town.
BWW Review: Luis Alfaro's OEDIPUS EL REY Adapts a Classic Text Into a Contemporary Commentary
When Sophocles' OEDIPUS REX was first performed over 400 years B.
BWW Review: OCCUPIED TERRITORIES at 59E59 Theaters is Important and Gripping Drama
The NYC premiere of Occupied Territories, written by Nancy Bannon and Mollye Maxner, and directed by Mollye Maxner is now being performed at 59e59 Theaters through Sunday November 5.
BWW Review: Cristin Milioti Makes An Unusual Emotional Connection in Zoe Kazan's AFTER THE BLAST
As societies in post-apocalyptic stories go, the one envisioned by playwright Zoe Kazan in her insightful relationship drama AFTER THE BLAST, seems to have it pretty good.
BWW Review: Stephen Adly Guirgis' JESUS HOPPED THE 'A' TRAIN Gains New Relevance In The Era of Alternative Facts
The term 'alternative facts' wasn't part of the popular lexicon when Stephen Adly Guirgis' superb drama of public morality and personal convictions, JESUS HOPPED THE 'A' TRAIN premiered in 2000, but a major point of play is how, in our legal system, a lie can be regarded as truth when believed from
BWW Review: Robert Cuccioli and Jill Paice Star in Gerard Alessandrini's ANYTHING CAN HAPPEN IN THE THEATER: THE SONGS OF MAURY YESTON
It was thirty-five years ago when FORBIDDEN BROADWAY's genius creator/lyricist Gerard Alessandrini first collaborated, so to speak, with Tony-winning composer/lyricist Maury Yeston.
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EN EL TIEMPO DE LAS MARIPOSAS Repertorio (1/07-12/31) |
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LA GRINGA Repertorio (2/08-12/31) |
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Bailey Swilley's Gimme A Sign! Soho Playhouse (9/17-9/17) |
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13 The Musical Griffin Theatre (8/14-8/23) PHOTOS |
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Bailey Swilley's Gimme A Sign! Soho Playhouse (9/20-9/20) |
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LA CASA DE BERNARDA ALBA Repertorio (11/15-12/31) |
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A Baby For Me? No Thank You, Please! Soho Playhouse (9/18-9/19) |