BWW Review: Company XIV's Erotic Holiday Treat NUTCRACKER ROUGE Christens Their New Brooklyn Home
For over a decade, the unquestionably brilliant director/choreographer Austin McCormick's Company XIV has been dazzling audiences with unexpected wonders....
BWW Review: Sarah DeLappe's Pulitzer Finalist THE WOLVES Moves To Lincoln Center
The almost completely circular, arena style seating of Lincoln Center's Mitzi E. Newhouse Theater makes it a perfect venue for The Wolves, Sarah DeLappe's 2017 Pulitzer finalist drama about the individuality hidden beneath the uniformity of a girls soccer team....
BWW Review: Jocelyn Bioh's SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY Addresses Issues of Beauty and Skin Tone
Though the teenage girls at the center of Jocelyn Bioh's endearing and poignant SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY all have wonderful qualities that should be appreciated and nurtured during their years at Aburi Girls Boarding School in central Ghana, there is one quality that prevents th...
BWW Review: THE BRIEFLY DEAD at 59E59 is an Inventive World Premiere
59E59 Theaters is now presenting the world premiere of 'The Briefly Dead' through December 10th. Written by Stephen Kaliski and directed by Elizabeth Ostler, this reimagined Greek tragedy has clever modern touches that create an original theatrical experience....
BWW Review: THE MAD ONES at 59E59 Theaters Is an Exceptional New Musical
Simply stated, you'll love 'The Mad Ones.' The NYC premiere of this musical is now onstage at 59E59 Theaters through December 17. The show features book, music and lyrics by Kait Kerrigan and Brian Lowdermilk, direction by Stephen Brackett, choreography by Alexandra Beller and an exceptional cast....
BWW Review: Lisa Lampanelli's Poignant and Funny STUFFED Explores Body Image and Relationships With Food
Though her aggressive style of dishing out insults has earned her the title of standup comedy's Queen of Mean, Lisa Lampanelli comes somewhat closer to being the Empress of Empathy in her comedy revue about the serious subject of food and body image, STUFFED....
BWW Review: Christopher Wheeldon Stages a Thrilling City Center Mounting of Lerner and Loewe's Sumptuous BRIGADOON
Like the city where it was born and nurtured, the American musical play differs from similar stage entertainments because it was developed by a combination of cultures merging into a unique new art form. It would be difficult to find greater evidence of this fortunate merger than in the musicals of...
BWW Review: TOYS: A DARK FAIRY TALE at 59E59 Theaters is Engaging and Unforgettable
The New York City premiere of TOYS: A Dark Fairy Tale, written by the renowned Romanian playwright, Saviana Stanescu and directed by Gabor Tompa is being performed at 59E59 Theaters through November 26. This two-hander is an engaging play, one that stirs the imagination....
BWW Review: One Says Consensual, The Other Says Rape in Anna Ziegler's ACTUALLY
Sex is sex and rape is rape. That's the cut and dry explanation we often hear nowadays. And while there are obvious instances where any reasonable person would determine that rape has occurred, there are also those instances that straddle the line between one and the other, where human subjectivit...
BWW Review: Everett Quinton is a Master of The Ridiculous in Charles Ludlam's CONQUEST OF THE UNIVERSE or WHEN QUEENS COLLIDE
To watch New York stage treasure Everett Quinton engaged in his classic brand of silliness - or, to be more accurate, ridiculousness - is just as fulfilling a cultural experience as watching a great tragedian immersed in a dramatic Shakespearean role....
BWW Review: Julia Cho's Urgent and Sensitive OFFICE HOUR Calls For Compassion To Combat Gun Violence
he sudden act of violence that occurs early on in on Julia Cho's urgent and sensitive drama OFFICE HOUR, is certainly not unexpected. The opening scene sets up the audience to be prepared for exactly this kind of thing to happen....
BWW Review: David Greenspan Flies Solo in Eugene O'Neill's STRANGE INTERLUDE
To give credit where it's due, Eugene O'Neill's Pulitzer-winning STRANGE INTERLUDE is perhaps the best play imaginable about women's sexuality that could have been written by a 35-year-old American man in 1923....
BWW Review: The McKittrick Hotel Presents AT THE ILLUSIONISTS TABLE-A Marvelous Magical Evening
The art of illusion meets the art of fine dining. The McKittrick Hotel, the home of Sleep No More is now presenting the New York City premiere of At The Illusionist's Table, an all-new intimate magic and dining experience that comes straight from Scotland....
BWW Review: Bryce Pinkham and Denee Benton Mix Love and Politics in MasterVoices' OF THEE I SING
Back in 1931, when the firm Kaufman, Ryskind, Gershwin & Gershwin had the novel idea to infuse that stodgy old music/theatre entertainment, the Broadway operetta, with the jauntiness of showtune and a chaotic mixture of comedic highbrow and lowbrow to tell the tale of an unqualified, but charismatic...
BWW Review: FRIENDS! THE MUSICAL PARODY Cleverly and Lovingly Pokes Fun at the Iconic Sitcom
Perhaps the most surprising thing about FRIENDS!THE MUSICAL PARODY was the average age of the audience at St. Luke's Theater. Friends debuted in 1994, when some in attendance were barely walking, and many others not yet in middle school. I was about to graduate from college when the show first aired...
BWW Review: Matthew Bourne Brings Screen Dance Classic THE RED SHOES To The Stage
As anyone who has ever seen A CHORUS LINE will tell you, Michael Powell and Emeric Pressberger's screen classic THE RED SHOES has been tantalizing young dancers with dreams of ballet stardom since premiering in 1948....
BWW Review: Jason Alexander and Sherie Rene Scott as Would-Be Lovers in John Patrick Shanley's THE PORTUGUESE KID
If the spot-on hilarity of first scene of director/playwright John Patrick Shanley's THE PORTUGUESE KID could be replicated for the play's remaining three-quarters, this review would be happily exclaiming that New York has got a solid, old-school sexy romantic comedy in town....
BWW Review: Luis Alfaro's OEDIPUS EL REY Adapts a Classic Text Into a Contemporary Commentary
When Sophocles' OEDIPUS REX was first performed over 400 years B.C., the Greek chorus that opened the play wore the traditional identical masks. But in Luis Alfaro's contemporary adaptation, OEDIPUS EL REY, the unifying costume piece for the Latino men who make up the choro is the orange jumpsuits w...
BWW Review: OCCUPIED TERRITORIES at 59E59 Theaters is Important and Gripping Drama
The NYC premiere of Occupied Territories, written by Nancy Bannon and Mollye Maxner, and directed by Mollye Maxner is now being performed at 59e59 Theaters through Sunday November 5. The show features inventive staging, riveting dialogue, and an outstanding cast....
BWW Review: Cristin Milioti Makes An Unusual Emotional Connection in Zoe Kazan's AFTER THE BLAST
As societies in post-apocalyptic stories go, the one envisioned by playwright Zoe Kazan in her insightful relationship drama AFTER THE BLAST, seems to have it pretty good....
BWW Review: Stephen Adly Guirgis' JESUS HOPPED THE 'A' TRAIN Gains New Relevance In The Era of Alternative Facts
The term 'alternative facts' wasn't part of the popular lexicon when Stephen Adly Guirgis' superb drama of public morality and personal convictions, JESUS HOPPED THE 'A' TRAIN premiered in 2000, but a major point of play is how, in our legal system, a lie can be regarded as truth when believed from ...
BWW Review: Robert Cuccioli and Jill Paice Star in Gerard Alessandrini's ANYTHING CAN HAPPEN IN THE THEATER: THE SONGS OF MAURY YESTON
It was thirty-five years ago when FORBIDDEN BROADWAY's genius creator/lyricist Gerard Alessandrini first collaborated, so to speak, with Tony-winning composer/lyricist Maury Yeston. That's when he spoofed New York theatre's then obsession with religion-themed played by twisting the lyric of NINE's ...
BWW Review: Michael Urie and Mercedes Ruehl Sing Out Triumphantly in Harvey Fierstein's TORCH SONG
'We opened for an eight-week limited engagement and could not give a ticket away for three weeks.' That's how Harvey Fierstein described the giant leap of faith that, in 1981, brought a trio of his one-act plays that had each premiered separately on East 4th Street at the basement of Ellen Stewar...
BWW Review: Pussy Riot's Maria Alyokhina Joins Belarus Free Theatre in Protest Drama BURNING DOORS
When their current engagement at La MaMa Experimental Theatre Club concludes this weekend, members of the Belarus Free Theatre will return to their homeland, where they and their audience members can be arrested by the Belarussian K.G.B. for creating and attending a play....
BWW Review: Diana Oh's {MY LINGERIE PLAY}, Glitter, Soap Bubbles, Anger, Art and Activism
To describe Diana Oh's newest performance art installation as the pep rally that precedes the dismantling of the patriarchy is by no means a knock on her vibrantly raucous mixture of glitter, soap bubbles, anger, art and activism. It's just that, unlike many of her previous ventures, she's unlikely...
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