Kevin Kilner and Kathleen Chalfant Announced as Upcoming Guests for KEEN AFTER HOURS

Kilner will appear on Nov 16th, and Chalfant on Nov 23.

By: Nov. 11, 2020
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Kevin Kilner and Kathleen Chalfant Announced as Upcoming Guests for KEEN AFTER HOURS

Today Keen Company Artistic Director Jonathan Silverstein announced additional guests for the highly popular FREE event, Keen After Hours. Kevin Kilner will be featured on November 16th followed by Kathleen Chalfant on November 23rd.

New this season, Keen After Hours connects audiences with luminaries of the theatre world, every Monday night at 6:30pm on Keen Company's website and Facebook page. Team Keen and a special guest will discuss their careers, their artistic process, and take questions from the audience. Recent guests included Marsha Mason, Kate Baldwin, John-Andrew Morrison & Jasminn Johnson, Lilli Cooper and Adam Gwon. Keen After Hours is free and open to all.

On Broadway Kevin Kilner was a part of the 50th Anniversary production of The Glass Menagerie with Julie Harris, Calista Flockhart, and Zeljko Ivanek. Off-Broadway, he was in the original cast of Donald Margulies's Dinner with Friends (2000 Pulitzer Prize) at the Variety Arts Theatre, and starred in Lemon Sky for Keen at the Clurman Theatre. Regional credits include Other Desert Cities at Bucks County Playhouse; Time Stands Still at the Adobe Rose Theatre; The Christians at D.C.P.A. Films credit include The Unattainable Story, Paranoia, Raising Helen, A Cinderella Story, Home Alone III. Most recent TV credits include "The Code," "The Blacklist," "The Good Wife," "House Of Cards."

Kathleen Chalfant's Broadway credits include Angels in America (Tony and Drama Desk Award nominations), Racing Demon, Dance With Me. Off-Broadway: A Woman of the World, Wit (Drama Desk, Lucille Lortel, Outer Critics Circle, Drama League, Connecticut Critics Circle, Obie Awards), For Peter Pan on Her 70th Birthday, A Walk in the Woods (Drama Desk nomination), Tales from Red Vienna, Miss Ovington & Dr. Dubois, Talking Heads (Obie Award), Dead Man's Cell Phone, Nine Armenians (Drama Desk nomination), Henry V (Callaway Award). Other NY credits: The Vagina Monologues, Iphigenia and Other Daughters, Endgame, Sister Mary Ignatius..., The Investigation of the Murder in El Salvador. Film: Isn't it Delicious?, R.I.P.D., The Bath, In Bed With Ulysses, Lillian, Duplicity, The People Speak, Lackawanna Blues, Perfect Stranger, Dark Water, Kinsey, Laramie Project, Random Hearts, A Price Below Rubies, Murder and Murder. Select TV: Recurring on "The Affair," "The Strain," "The Americans," "House of Cards," "Rescue Me," "The Book of Daniel," "The Guardian," "Law and Order" "One Life to Live"; "Madam Secretary," "High Maintenance," "Elementary," "Muhammad Ali's Greatest Fight" (HBO), "Georgia O'Keeffe" (Lifetime), "Voices from the White House" (PBS). Awards: 1996 OBIE Award for Sustained Excellence, 2004 Lortel Award for Sustained Excellence of Performance, 2015 Lifetime Achievement Award from the League of Professional Women. 2018 OBIE Award for Lifetime Achievement. She has received the Drama League and Sidney Kingsley Awards for her body of work and hold an honorary doctorate in Humane Letters from Cooper Union.

Keen Company's 21st year will reimagine the classic radio drama with a season of five world premiere audio plays from a multifaceted group of modern playwrights. Hear/Now continues Keen's mission to be an Off-Broadway home for new work. Hear/Now welcomes patrons into a theater of their imagination and digital programming that will allow for continued conversations and connection.

Keen Company is an award-winning Off-Broadway theater creating story-driven work that provokes identification, reflection, and emotional connection. In intimate productions of plays and musicals, the company tells stories about the decisive moments that change us. Keen also runs a developmental new work initiative for mid-career playwrights and a unique educational outreach program for teens in all five boroughs of NYC.

For more information, visit KeenCompany.org.



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