AUDITORIUM OF THE GRANDE BIBLIOTHÈQUE

by Roy Berko - January 08, 2026

STEREOPHONIC, which is now on stage at the Connor Palace, is a 4-act, 3-hour production, was written by American playwright David Adjmi, with music composed by Will Butler.   ...

by Brett Cullum - January 08, 2026

The current BEAUTY AND THE BEAST tour is a celebration of the Broadway musical’s 30th anniversary, and a chance for director and choreographer Matt West and book writer Linda Woolverton to revisit a stage version they have been working on since it all began in Houston during 1993....

by Zach Wetzel - January 08, 2026

THE WIZ at Broadway in Tucson is a delightful and extraordinary revival that will have audience members clicking their heels but not wanting to go home. THE WIZ, which plays until January 11, is perfect for the whole family and is my favorite interpretation of 'The Wizard of Oz' story....

by Scott Rawson - January 08, 2026

This would mark my third time seeing Hamilton at The Overture Center. All have been good, and all have been slightly different. And all have had a varied effect on me.  ...

by Natalie O'Donoghue - January 08, 2026

From the bustle of a winter’s market to the shivers of a fairytale forest, take a journey to the Snow Queen’s palace, where you’ll find her surrounded by the icy fragments of an enchanted mirror. Along the way, you’ll meet a sparkling cast of characters, from young lovers parted by a spell to a circ...

by Courtney Castelino - January 07, 2026

Broadway Across Canada’s presentation of Clue Live on Stage! rolled into Ottawa’s National Arts Centre last night. The show, written by Jonathan Lynn, is based on the 1985 film, Clue (also written by Lynn), which was itself based on the popular Hasbro board game....

by Clementine Scott - January 08, 2026

Lyle Kessler’s Orphans was first performed in 1983, but you wouldn’t know that from this production. The tiny stage feels overcome by Sarah Beaton’s design, retro but not too retro, a space immune to the passing decades....

by Richard Sasanow - January 07, 2026

The Met’s new production of Vincenzo Bellini’s I PURITANI made its debut on New Year’s Eve, but I caught up with it at its third performance on January 6. I was glad I did--because it offered a cast with staggering singing abilities in four major roles that offered major demands, along with at least...

by Herbert Paine - January 07, 2026

In a theatrical era where standing ovations are dispensed like party favors, THE BOOK OF MORMON at ASU Gammage on its opening night elicited a reaction that felt less like polite approval and more like an arena rock concert. Audiences weren’t just clapping, they were erupting, unable to contain thei...

by Paul Batterson - January 07, 2026

Comedian John Mulaney has famously raised a few uncomfortable questions about BACK TO THE FUTURE — why a teenager is best friends with a decades-older nuclear scientist, why no one uses a time machine for anything meaningful, and why the story hinges on Marty nearly romancing his own mother....