BWW Spotlight Series: Meet Composer, Conductor, Lyricist, and Producer Christopher Raymond
With the current theatre world on hiatus, I have created a Spotlight Series on Broadway World which features interviews with some of the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the Arts alive in the City of the Angels. And just like all of us, I wondered how they are dealing with the abrupt end of productions in which they were involved.
This Spotlight focuses on composer, conductor, lyricist, and producer Christopher Raymond who has won an NAACP, Stage Raw and Broadway World Awards for his work in theatre. Chris has also music directed several Los Angeles area awards shows as well as 14 productions with DOMA Theatre Company in Hollywood, among many others. And in December 2018, he became Music Director for Valley Outreach Synagogue in Calabasas where Passover and Shabbat services are now being LiveStreamed from home.
Shari Barrett (SB): What would you like readers to know about your professional background?
Christopher Raymond (Chris): I started my career at the age of 15 by playing in the band for Jason Robert Brown's "13 The Musical" at the Kirk Douglas Theatre, Mark Taper Forum and on Broadway.
(SB): I saw "13 The Musical" at both the Kirk Douglas Theatre and the Mark Taper Forum and really loved the energy in the show. And all the teenage emotions bursting at the seams reminded me of many challenging days I experienced as a middle school and high school teacher.
(Chris): I then went on to study music at CalArts, and am now a composer, lyricist and music director, and have won an NAACP, Stage Raw and Broadway World Award for my work in theatre.
I co-wrote the theme song for the show, Troy (which opened at the 80,000-seat Beijing National Stadium in July, 2017), and music directed and orchestrated the Ovation Awards twice (at The Ahmanson Theatre and at the Theatre at Ace Hotel). I also music directed/arranged the LA Drama Critics Circle Awards twice.
I music directed, conducted and played piano for 14 productions with DOMA Theatre Company in Hollywood, including prominent revivals of Avenue Q, American Idiot and Dreamgirls (which was awarded "Best Musical" by the LA Drama Critics Circle Awards and the LA Times Awards.) And I recently wrote the book, music and lyrics for Scarlet Letter: The Musical, which had a workshop production at Greenway Court Theatre. A highlights reel for the musical is available on YouTube at https://www.youtube.com/watch?v=ZXQeN7p76Ps
In December 2018, I became Music Director for Valley Outreach Synagogue in Calabasas. Working with Rabbi Ron Li-Paz, Cantor Michael Li-Paz, Chaplain Jennifer Eaves Nye and the rest of the VOS team is a continually inspiring experience.
(SB): How has COVID-19 affected your work at your Synagogue?
(Chris): The quarantine orders began in Los Angeles shortly before Passover. Due to this, we at VOS held two virtual Seders on our website. The Rabbi, Cantor, Chaplain and myself LiveStreamed our Seders from our respective homes as our congregation joined us from their homes. It was a beautiful way to create joy and unity during a challenging time for the world.
We are currently LiveStreaming our Shabbat Services on Friday nights and all of our classes are being held online. We are grateful to live in a time when technology allows us to continue functioning and providing help as a Synagogue while our leadership and membership remain safely isolated at home.
(SB): How are you keeping the Arts alive while at home by using social media or other online sites?
(Chris): I have been recording/composing music in my home studio and I have also been making musical videos for Valley Outreach Synagogue's website. I have also had an opportunity to watch and support many friends' musical and arts-related projects online, which has been a joy.
(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?
(Chris): As a community, we are all going through uncharted waters, but I believe that at the end of the day we will be stronger and hopefully a bit wiser from the lessons we've learned during this pandemic. May we all stay safe and do our best to keep up our spirits/morale by continuing to learn, grow and create/appreciate art.
Websites:
OfficialChristopherRaymond.com
VOSLA.org
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Good Night, Oscar North Coast Repertory (9/16-10/11) |
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Much Ado About Nothing McCadden Place Theatre (8/07-8/16) |
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6 Out of 10 Theatre 68 (8/20-8/20) |
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After the Blast The Broadwater Second Stage (8/05-8/13) |
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Catch Me If You Can Colony Theatre (9/17-10/18) |
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Emily Skinner: In Concert Feinstein's at the Nikko (8/14-8/15) |
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Gershwin and the Golden Age Younes and Soraya Nazarian Center for the Performing Arts (The Soraya) (10/11-10/11) |
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John Lloyd Young Feinstein's at the Nikko (8/21-8/22) |
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Love, Loss and What I Wore Sawyer's Playhouse (8/08-8/30) |
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Our Man in Santiago by Mark Wilding Odyssey Theatre Ensemble (9/10-9/20) |