BWW Reviews: See the Intellectually Challenging THE HARRY AND SAM DIALOGUES During the Hollywood Fringe Festival
Harry (Tyler Bremer) and Sam (Scotty Tran) are old friends who like to pass the time posing outlandish questions to one another. "If ya had the choice would ya rather love a woman whose top half was a fish and whose bottom half was a woman or a woman whose top half was a woman and whose bottom half was a fish?" Harry asks. "Good question," responds Sam.
Other topics range from "Who built the Pyramids?" to "Where is Jimmy Hoffa?" Harry complains that his wife says he talks too much and is too wrapped up, to which Sam replies "Like a gift?" "Why is reincarnation named after a flower? Is it because you are pushing up daisies?" "How can you believe in God and not Heaver?" And so goes the banter from one unrelated topic to the next, intellectually engaging the audience throughout the show.
The questions are off the wall, but they slowly reveal the two men's characters, and allow them to take stock of each other while avoiding mundane, but important, life matters. These life matters are woven into their interchanges-hints about their lives apart from one another.
Harry and his wife, Marge, are having troubles which he freely share, while Sam is wrapped up in New Age books and tries to dispense their philosophy to enhance the dialogues. But when Harry finds one of Sam's books in Marge's possession, he realizes Sam is having an affair with Marge. Sam apologizes and tries to explain, but the event drives them apart and they do not speak for a time. The two are incomplete without each other however, and the incident forces Harry to reconsider his chosen form of communication (or lack thereof) and to work on his marriage and salvage it.
In the final scene, an older Harry (Richard Rodriquez) and older Sam (Jeff Gilbank) meet by chance in their favorite bar and reconcile, with Harry using telling Sam you don't throw away years of friendship or marriage because of one mistake.
What makes the Hollywood Fringe Festival production directed by Matthew D. Fauls so intellectually challenging is the double casting of the young Harry and Sam along with the older Harry and Sam who remain onstage together through most of the show. The older Harry and Sam are separated by chalk lines on the floor of the stage, the two older men at the sides with the younger men doing all the talking center stage. The older men add sound effects with each of them writing one word in chalk during scene breaks. Their interesting word choices often went along with the scenes, but at other times appeared to just be off-the-wall words. For awhile they had me thinking they represented the internal mind working inside each of the men rather than the men themselves.
I am a huge fan of theatre that gets you thinking and questioning the experience, characters and subject matter presented. And I find myself, even after so many hours, still thinking about this fine production and just what reality was really being presented. I challenge you to do the same after seeing this brilliant production.
THE HARRY AND SAM DIALOGUES by Karen Ellison, presented during the Hollywood Fringe Festival by Red Soil Theater Company, directed by Matthew D. Fauls. Theatre Asylum Lab, 1078 Lillian Way, Hollywood, CA 90038. Performances continue through June 29, tickets are $12. Running time is one hour. For tix and performance schedule, visit www.hff13.org/1090
From This Author - Shari Barrett
Shari Barrett, a Los Angeles native, has been active in the theater world since the age of six - acting, singing, and dancing her way across the boards all over town. After teaching in secondary sc... (read more about this author)

March 21, 2023
John Farmanesh-Bocca is a multi-award-winning physical theatre director, the Founding Artistic Director of both Not Man Apart - Physical Theatre Ensemble (2005-2015) and Shakespeare Santa Monica (2003-2014). Now he has shifted gears to go on a search for America by directing the sensual, passionate, and delightfully funny Pulitzer Prize winning play Picnic by William Inge, with his version featuring an entirely Black American cast. I decided to speak with him about his vision for presenting the quintessentially American play and the unique challenges faced while shifting gears from physical movement to character development.

March 17, 2023
As a fan of Shakespeare and immersive theatre productions, I was intrigued when I heard that The Shakespeare Center LA and After Hours Theatre Company were set to present the premiere of The Tempest: An Immersive Experience, a fully reimagined audience-participation performance based on William Shakespeare's tale of family members caught up in a storm and shipwrecked on an isolated Mediterranean island. So I decided to speak with the production's director Ben Donenberg, Shakespeare Center LA Artistic Director, Graham Wetterhahn, the Producing Artistic Director at After Hours Theatre Company, and Sara Beil one of the producers for After Hours who created the immersive design, about their vision for an immersive way to include audience members in the experience of Shakespeare's tempestuous play.

March 17, 2023
For seventeen years, the teaching artists of the Actors’ Gang Prison Project have been creating transformational opportunities for incarcerated men and women. Their latest workshop production, (Im)migrants of the State, is performed by an ensemble of their alumni with over 240 years of combined incarceration who have found their way to freedom and now want to share their stories with audiences. I decided to speak with its co-directors, Jeremie Loncka, who also serves as the Director of Programs for the Actors’ Gang’s Prison Project, and ensemble member Rich Loya, about their vision for the project and how it came into being with the two of them at the helm.

March 13, 2023
The soon-to-open production of the Neil Simon musical Little Me at Manhattan Beach Community Church Theater (MBCC), the longest running theater in the South Bay since 1956, is directed by Paula Kelley with choreography by Angela Asch. Originally scheduled to open in the Spring of 2020, I decided to speak with the director about the production’s three-year delay and how she envisions presenting a musical full of comic vignettes featuring such a large cast, especially since it was written specifically for Sid Caesar to play multiple roles as all the heroine’s husbands and lovers.

February 26, 2023
Back in 2015, I caught a solo performance play Mutant Olive, created and performed by Mitch Hara. I decided to speak with him about his revamped play, Mutant Olive 2.0, soon to begin performance at the Hudson Theatre in Hollywood, to ask about the new show, it’s title, and what’s been going on during the 8 years since Mutant Olive in its original form premiered.