CURRENT STANDINGS | |||
| Agastya Kohli and Moumita Bhattacharya | HOUSE OF JOY (Pratidhwani and Seattle Public Theater) | ||
| Melody Deatherage | AN ENEMY OF THE PEOPLE (Spokane Civic Theatre) | ||
| Chris Hansen | BARBECUE APOCALYPSE (The Spartan Theatre) | ||
| Zheng Wang | DANCE WITH ME (Dare to Dance Seattle) | ||
| Bryar Freed-Golden | DRINKING HABITS (Edmonds Driftwood Players) | ||
| Dámaso Rodríguez | THE PLAY THAT GOES WRONG (Seattle Rep) | ||
| Alicia Mendez | DEATHTRAP (Woodinville Rep) | ||
| Christen Muir | EURYDICE (Bainbridge Performing Arts) | ||
| Paul Fleming | MIRACLE ON 34TH STREET, THE PLAY (Edmonds Driftwood Players) | ||
| Doug Fahl | CONSTELLATIONS (SecondStory Rep) | ||
| Bretteney Beverly | THE IMPORTANCE OF BEING EARNEST (Taproot Theatre) | ||
| Rebecca Craven | LITTLE RED RIDING HOOD (AND THE POWER MUTANTS) (The Spartan Theatre) | ||
| Joseph C. Walsh | THE LARAMIE PROJECT (Lakewood Playhouse) | ||
| Chay Yew | FANCY DANCER (Seattle Rep/Seattle Children's Theatre) | ||
| Sophia Franzella | EMMA (Dacha Theatre) | ||
| Scott Randall | A VIEW FROM THE BRIDGE (Red Curtain Foundation for the Arts) | ||
| Kim Douthit | AND THEN THERE WERE NONE (Renton Civic Theatre) | ||
| Doug Knoop | DOUBT (Secondstory Repertory) | ||
| Annie Lareau | TWELFTH NIGHT (ACT Contemporary Theatre) | ||
| Bretteney Beverly | A RAISIN IN THE SUN (Taproot Theatre) | ||
| Valerie Curtis-Newton | BLUES FOR AN ALABAMA SKY (Seattle Repertory Theatre) | ||
| Chad Dexter Kinsman | MUCH ADO ABOUT NOTHING (Island Shakespeare Festival) | ||
| Cindy Giese French | OUTSIDE MULLINGAR (Circle of Fire Theatre/Bainbridge Performing Arts) | ||
| Chris Nardine | HOLMES & WATSON (SecondStory Rep) | ||
| Diane Jamieson | ANNE OF GREEN GABLES (Red Curtain Foundation) | ||
| Mathew Wright | THE EFFECT (ArtsWest) | ||
| Zenaida Rose Smith | JETTISON TO EUROPA (Annex Theatre) | ||
| Mimi Katano | EXOTIC DEADLY: OR THE MSG PLAY (Pork Filled Productions/SIS Productions) | ||
| Matthew Posner | A CHRISTMAS CAROL...WITH PUPPETS (Renton Civic Theatre) | ||
| Ana Maria Campoy | CARMELITA (Key City Public Theatre) | ||
| David Alan Morrison | KEN LUDWIG’S A FOX ON THE FAIRWAY (Edmonds Driftwood Players) | ||
| Lynette Winters & Ry Armstrong | FOR COLORED BOYZ ON THE VERGE OF A NERVOUS BREAKDOWN/ WHEN FREEDOM AIN’T ENUFF (The Underground Theater) | ||
| Rebecca Cook | THE IMPORTANCE OF BEING EARNEST (The Spartan Theatre) | ||
| Karen Lund | LEWIS AND TOLKIEN (Taproot Theatre) | ||
| Elizabeth Tanner | THE WICKHAMS: CHRISTMAS AT PERMBERLY (SecondStory Rep) | ||
| Tyrone Phillips | GOLDEN (ACT Contemporary Theatre) | ||
| Logan Ellis | THREEPENNY OPERA (Theatre Battery) | ||
| Keith Dahlgren | SECOND SAMUEL (The Phoenix Theatre) | ||
| Maggie Larrick | COAST STARLIGHT (BAT Theatre) | ||
| Erik Van Beuzekom | THE ADVENTURES OF ROBIN HOOD (Saltfire Theatre) | ||
| Covenant | NICHOLAS JAPAUL BERNARD (ArtsWest) | ||
| Julie Beckman | MRS. LOMAN IS LEAVING (ACT Contemporary Theatre) | ||
| Vincent J. Orduna | HUNGRY (Sound Theatre Company) | ||
| Mike Lion | YAGA (Dacha Theatre) | ||
| Denise Winter | THE WINTER'S TALE (Key City Public Theatre) | ||
| Lynette Evans | FOR COLORED BOYZ (The Underground Theater) | ||
| Nicholas C. Avila | MOTHER RUSSIA (Seattle Rep) | ||
| Victor Pappas | AN ENEMY OF THE PEOPLE (Union Arts Center) | ||
| Kaytlin McIntyre | PRIMARY TRUST (Seattle Rep) | ||
| Dámaso Rodríguez | THE SKIN OF OUR TEETH (Seattle Rep) | ||
| Scott Randall | THE WOMAN IN BLACK (Red Curtain Foundation) | ||
| Karen Lund | MURDER ON THE LINKS (Taproot Theatre) | ||
| Kathryn Van Meter | ATHENA (ArtsWest) | ||
| Karen Lund | HAPPY CHRISTMAS, JEEVES (Taproot Theatre) | ||
| Terry Edward Moore | TIME STANDS STILL (Thalia's Umbrella) | ||
| Shana Bestock | THE WAVE (AND WHAT CAME AFTER) (ACT Contemporary Theatre) | ||
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* Note: These results are un-audited numbers. All voting results will be tabulated, and will be audited at the conclusion of the voting process to remove fake, duplicate and other invalid votes. The results you see here may alter slightly or significantly as a result of that auditing process.
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