Review: THE LOOM SESSIONS CHARLES SIMMONS at Literaturhaus Cafe Hamburg
Here comes the General: Charles Simmons plays an amazing solo concert in Hamburg of THE LOOM SESSIONS CHARLES SIMMONS at Literaturhaus Cafe Hamburg…
Here comes the General: Charles Simmons plays an amazing solo concert in Hamburg of THE LOOM SESSIONS CHARLES SIMMONS at Literaturhaus Cafe Hamburg…
Zurück im Boxring: Nach meiner ersten Begegnung mit **ROCKY – Das Musical** im Hamburger Operettenhaus 2013 habe ich die aktuelle Inszenierung bei den Freilichtspielen Tecklenburg besucht. Warum die besondere Atmosphäre unter freiem Himmel der Geschichte sogar noch mehr Authentizität verleiht, …
Family musicals are often treated as lighter companions to a theatre's flagship productions—pleasant diversions aimed primarily at younger audiences. Every now and then, however, a production comes along that proves a family show can match its larger counterparts in ambition, craftsmanship and she…
The multi-award-winning German musical „Die Weisse Rose“ is a powerful, courageous and deeply affecting work of remembrance that speaks to contemporary audiences with striking immediacy. Rather than relegating history to the past, it encourages new generations to engage with the enduring value o…
Die charmanten Interpretationen der Beatles-Hits, allen voran „I Want to Hold Your Hand“, sorgten für beste Stimmung, und besonders die Running Gags rund um den Piloten Jean-Pierre brachten das Publikum immer wieder zum Lachen. Meine persönliche Favoritin war einmal mehr Miriam Distelkamp, ohn…
Just egg-celent! Between Broadway, the Renaissance and Open-Air Magic – Something Rotten! Triumphs at the Bad Hersfeld Festival.…
Divorced. Beheaded. LIVE! The global musical hit Six is already embarking on its second German tour, and the Queens once again proclaim their Herstory with plenty of pep, power and emotion: fans can look forward to the full SIXperience without compromise.…
The latest ETF production blends classic horror with contemporary humour, offering audiences a fast-paced comedy full of surprises.…
With “SCHOLL – The Bud of the White Rose”, Thomas Borchert and Titus Hoffmann have created an exceptionally complex and intellectually ambitious work. Following its world premiere in Fürth, Theater Magdeburg now presents a musically and dramaturgically refined production featuring a sensation…
What did our critic think of TITANIC at Theater Erfurt?…
18 total · showing 11–18
Wealthy goldsmith Veit Pogner has promised the hand of daughter Eva to the winner of the song contest scheduled for St John’s Day. His only condition is that Eva must agree to the match. Eva herself loves the young aristocrat Walther von Stolzing. He is neither a citizen of...
In Richard Wagner's RING OF THE NIBELUNG the hopes of the elders rest on the next generation. It is up to the children and grand children, Siegmund, Sieglinde and Brünnhilde, to save the world for their parents. In 2013, the year of Wagner celebrations, the Deutsche Oper Berlin...
"We're alright!" chime the tiger and bear in self-satisfied unison. After all, they have everything they need to get by. Except that one day everything is turned on its head. The bear pulls a crate marked "Panama" out of the river, a box smelling pungently of bananas, and from...
Prince Tamino falls head over heels in love with Princess Pamina when he receives her picture as a gift. Pamina's love for the Prince is awakened when she hears the tales of Papageno, the bird catcher, with whom she then sings a love duet, Papageno standing in for Tamino...
In the children's version of Tchaikovsky's Christmas ballet fifty dancing children occupy our stage. As mice, soldiers, dolls, Spaniards, Russians and Chinese they accompany the journey of Clara and the nutcracker to the land of the sweets.
The Grand Opera Gala in support of the AIDS Foundation will again be held at the Deutsche Oper Berlin, the 19th occasion that the Opera has hosted the Gala. The event has become one of the most important charity functions to be hosted in the capital and is now an established...
The words of Georg Hartmann, first intendant of the Deutsches Opernhaus, in 1912 as he explained his choice of the opera house's inaugural concert, are as apt today as they were a century ago: "'Fidelio' must be our beacon, and let this great, symphonic hymn to a love that...
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