JOHN PROCTOR IS THE VILLAIN Submission - Studio Theatre Auditions
JOHN PROCTOR IS THE VILLAIN - Studio Theatre
JOHN PROCTOR IS THE VILLAIN - EQUITY VIDEO SUBMISSIONS
Studio Theatre
CONTRACT
SPT $816 weekly minimum (SPT 10)
SEEKING
Equity actors for roles in JOHN PROCTOR IS THE VILLAIN by Kimberly Belflower (see breakdown).
Local actors encouraged to submit.
Only adult, professional actors over 18 should submit. No youth will be considered.
Performers of all ethnic and racial backgrounds and gender identities, as well as performers with disabilities, are encouraged to submit.
Studio actively encourages parents and other caregivers to audition for our work and are happy to discuss our family-centered accommodations for scheduling, housing, and other resources.
INSTRUCTIONS
SEE PREPARATION INSTRUCTIONS IN BREAKDOWN. Please email monologue, a headshot, and a resume any time through 5:00 PM EDT on Monday, October 25, 2021. Please set the subject line as YOUR NAME – JOHN PROCTOR AUDITIONS 2021-2022 with your audition as an unlisted YouTube link with the following title format: YOUR NAME – JOHN PROCTOR AUDITIONS 2021-2022.
Deadline: Mon, Oct 25, 2021
SUBMIT TO
PERSONNEL
Artistic Director: David Muse
Managing Director: Rebecca Ende Lichtenberg
Associate Artistic Director: Reginald L. Douglas (viewing auditions)
OTHER DATES
First Rehearsal: March 29, 2022
Scheduled Production Dates: April 27, 2022- June 5, 2022
Possible Ext. Close: June 19, 2022
OTHER
www.studiotheatre.org
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
PREPARATION INSTRUCTIONS :
Please prepare one contemporary monologue, no longer than 90 seconds.
If you are using an iPhone to video-record, please be sure to film horizontally and in a well-lit space (not backlit).
PLEASE INDICATE YOUR LOCATION IN YOUR SUBMISSION.
John Proctor Is the Villain by Kimberly Belflower
Directed by Marti Lyons
Setting: Northeast Georgia; Helen County High, the only high school in a one-stoplight town; spring semester junior year, 2019.
CARTER SMITH – mid-30's; male; white – a teacher. A former golden boy, but one of those rare smart and sensitive ones. Now he’s a great teacher: charming, engaging, goofy.
SHELBY HOLCOMB – 16; female; any race – a student. Her brain works faster than her mouth, but her mouth works pretty dang fast. People have always underestimated her.
BETH POWELL – 17; female; any race – a student. Nervous and ambitious and enthusiastic. Kind of like if Rory Gilmore and Paris Geller had a baby and raised her in the Deep South.
NELL SHAW – 16; female; Black – a student. From Atlanta. Grounded, sincere, and genuinely curious about the world. A good judge of character and a quick study.
IVY WATKINS – 17; female; any race – a student. Fiercely loyal; well-intentioned; kindhearted. From old Southern money. Not a mean girl.
RAELYNN NIX – 16; female; any race – a student. A cheerleader type who has always lived her life by other peoples’ standards. Razor-sharp but has no idea – until she does.
MASON ADAMS – 17; male; any race – a student. On the basketball team. He’s never really tried at school or maturity before, and he’s surprised by how good it feels. Earnest and affable.
LEE TURNER – 16; male; white – a student. A Carhart-wearing good ol’ boy. Deeply insecure and without the tools to deal with it. He’s always been good at getting what he wants.
BAILEY GALLAGHER – 24; female; any race – a counselor. Sweet in all the ways Southern women are supposed to be, but there’s more than meets the eye. This is her first real job out of college, and she really cares about succeeding for the students and herself.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
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