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BREAKING UP IS HARD TO DO Submission - Wick Theatre and Costume Museum Auditions

Posted March 14, 2022
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BREAKING UP IS HARD TO DO - Wick Theatre and Costume Museum

BREAKING UP IS HARD TO DO - EQUITY VIDEO SUBMISSIONS

Wick Theatre and Costume Museum

CONTRACT

SPT $816 weekly minimum (SPT 10)


SEEKING

Equity actors who sing and dance for roles in BREAKING UP IS HARD TO DO (see breakdown).


INSTRUCTIONS

SEE PREPARATION INSTRUCTIONS IN BREAKDOWN. Please send headshot/resume and video submission.

Deadline: Fri, Mar 25, 2022

SUBMIT TO


BreakingUpCasting@TheWick.org

PERSONNEL

Jonathan Van Dyke - Director and Choreographer (viewing auditions)
Jeffry George - PSM


OTHER DATES

First Day of Rehearsal: Tuesday, April 5, 2022
First Performance: April 21, 2022
Closing: May 15, 2022


OTHER

www.TheWick.org

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.


BREAKDOWN

PREPARATION INSTRUCTIONS:

Please submit one song in the 1960's style preferably by Neil Sedaka. Alternatively, you can sing provided cut for LAUGHTER IN THE RAIN or the provided cut for WHERE THE BOYS ARE.

LAUGHTER IN THE RAIN SHEET MUSIC: https://www.dropbox.com/s/70bc8cc2vdlahx8/LAUGHTER_IN_THE_RAIN_CUT_PDF.pdf?dl=0

LAUGHTER IN THE RAIN TRACK: https://www.dropbox.com/s/qqmh93hz4ivc9jd/LaughterInTheRain_Gabe.Del.Harvey-2.mp3?dl=0

WHERE THE BOYS ARE SHEET MUSIC: https://www.dropbox.com/s/ic677ae49i103e9/WHERE_THE_BOYS_ARE_PDF.pdf?dl=0

WHERE THE BOYS ARE TRACK: https://www.dropbox.com/s/c1gfmc3nxiw0u8h/WhereTheBoysAre_Marge_Lois-Esther.mp3?dl=0

SEEKING:

MARGE GELMAN (mid to late 20’s; mezzo soprano, comfortable to an E and possibly beyond, preferably a legit sound): Abandoned at the altar, Marge is an aspiring dentist from Brooklyn who finds herself in the Catskills on what would have been her honeymoon weekend. (Think Jennifer Grey in DIRTY DANCING) Duped into falling for the suave band leader, she ultimately finds self-esteem, learns the value of honesty and friendship and finds love where she least expected it.

LOIS WARNER (mid to late 20’s; alto with some mezzo soprano ability, comfortable to a C and possibly beyond, preferably a pop sound): An aspiring nightclub singer, Lois lives her life as if in a Betty Grable movie. She brings her best friend Marge up from Brooklyn to the Catskills for Labor Day Weekend. In trying to help her friend Marge recover from heartbreak, she inadvertently puts her in the line of fire with Del, the hotel’s suave but manipulative bandleader. With a Marilyn Monroe simplicity, Lois is a sweet young girl with more heart than brainpower.

DEL DELMONACO (late 20’s to 30’s; tenor, comfortable to an A—the higher the better): An Elvis wannabe, Del is not the brightest bulb on the tree. (Think Conrad Birdie or Joey from FRIENDS). Del will do anything to get ahead, including misleading Marge into thinking he loves her and stealing his cousin Gabe’s songs for his own use.

GABE (mid to late 20’s; tenor, Bb-C range): The clumsy, brainy and terribly shy Guy Friday at the hotel, Gabe is on a fast track to joining his father’s orthodontia practice. Lacking the self-confidence to perform his own music, Gabe he is secretly the songwriting genius behind the music Del claims as his own. When Gabe meets Marge, he is compelled to take action to win her heart and, ultimately, to reveal himself as the true musician, performing his own songs in front of the whole resort.

ESTHER (50’s to 60’s; alto, comfortable to a C, or at least a Bb, but should really be rich in her low to mid register): The owner of the mid-size hotel named after her (Esther’s Paradise), Esther is a survivor. Since the death of her husband, she has single-handedly kept the hotel afloat using crafty solutions, boundless energy and creativity to keep guests happy. She is fiercely independent, refusing help or support from anyone, and she’s always there with a quip or smart remark.

HARVEY (50’s to 60’s; baritone, should have range to an F# or a G): The resident “tummler” (comedian/social director) at Esther’s Paradise, Harvey is old-school Catskills. He is all about the punch line (and the set-up). A confirmed bachelor, Harvey spends most of his life cracking wise and avoiding any show if genuine emotion or vulnerability. When he witnesses the extreme lengths to which Marge will go to make love work for her again, he is inspired to take a leap of faith with Esther, the one person who truly appreciates the man behind the jokes.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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