AGATHA CHRISTIE'S MURDER ON THE ORIENT EXPRESS Equity Actors - Syracuse Stage Auditions

Posted November 17, 2023
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AGATHA CHRISTIE'S MURDER ON THE ORIENT EXPRESS - Syracuse Stage

AGATHA CHRISTIE'S MURDER ON THE ORIENT EXPRESS - Submit for NYC appointments

Syracuse Stage | Syracuse, NY

Notice: Submission

CONTRACT

LORT Non-Rep

$1065 weekly minimum (LORT D)

SEEKING

Equity actors for roles in AGATHA

CHRISTIE'S MURDER ON THE ORIENT EXPRESS (see breakdown).

Bass/Valle Casting encourages people of all races, ages, ethnicities, abilities and gender identities to submit.

SUBMISSION

INSTRUCTIONS

Please, fill out the form at the following link for an opportunity to be invited to audition in person. The Bass/Valle Casting team will review all self-submissions. Link to audition form:


https://airtable.com/appIH81XBICNhqEkY/shrslpmdebFI1bOdu

Deadline: 12/01/2023

SUBMIT TO

,

PERSONNEL

Director: Robert M. Hupp

Adapted by: Ken Ludwig

NYC Casting: Bass/Valle Casting

Casting Director: Gama Valle

OTHER DATES

Invited audition dates:

Initials: 12/07/23

Callbacks: 12/08/23

OTHER

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

AGATHA CHRISTIE'S MURDER ON THE ORIENT EXPRESS

SYNOPSIS:

Wherever famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate Whodunit!

NOTE regarding dialects: Each role requires a dialect. Actors are encouraged to work on it. But please know that the production will have dialect coaches on staff for the show.

SEEKING:

Countess Andrenyi - Female-identifying, mid 20s to mid 30s, any race/ethnicity. The Countess speaks with a Hungarian accent and switches to an American accent later in the play. Well educated, smart, beautiful. She carries herself as noble; she is also a medical doctor. She possesses a warmth that wins people over. She has a steely edge underneath her charm. NOTE: Actors of color are encouraged to submit.

Helen Hubbard - Female-identifying, mid 40s to mid 50s, any race/ethnicity. Mrs. Hubbard speaks with an American accent. She’s an outspoken and gregarious Midwesterner. She’s loud and speaks her mind. A busy body. She sings and does a little dancing (the Charleston). She transforms later in the play to a more calculating and in-control leader. It is discovered that she is a famous actress, and her Midwesterner persona is just acting. NOTE: Actors of color are encouraged to submit.

Princess Dragomiroff - Female-identifying, late 50s to late 60s, any race/ethnicity. The Princess speaks with a Russian accent. She is determined, headstrong and authoritative. She is used to getting her way in all matters. She is strongly opinionated. She is royalty and carries herself as such. She is imperial and impatient. NOTE: Actors of color are encouraged to submit.

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