OIL LAMP THEATER

by Rachel Weinberg - February 19, 2026

When I think of Steppenwolf, I often think of family members crying, screaming at one another, or some combination of the two. So the sparring between spouses Alice and Captain Edgar in August Strindberg’s 1900 play THE DANCE OF DEATH feels right at home. In a surprisingly funny and sharp version ...

by Tina St. Angelo - February 17, 2026

What did our critic think of DEAR EVAN HANSEN at Paramount Theatre Aurora IL?...

by Rachel Weinberg - February 14, 2026

Royal Shakespeare Company’s HAMNET is a dramatic and languid stage adaptation of Maggie O’Farrell’s 2020 buzzy novel of the same name....

by Rachel Weinberg - February 13, 2026

THE OUTSIDERS presents an original and vibrant stage adaptation of S.E. Hinton’s classic 1967 novel about the conflict between Tulsa teen gangs the Greasers and the Socs (short for socialites). The musical — and particularly director Danya Taymor’s inventive and visually dynamic staging — pu...

by Tina St. Angelo - February 12, 2026

What did our critic think of ON YOUR FEET! at Drury Lane Theatre Oakbrook Terrace, IL?...

by Rachel Weinberg - February 10, 2026

Goodman Theatre continues its centennial season with the endearing and lively romantic comedy HOLIDAY....

by Tina St. Angelo - February 07, 2026

What did our critic think of LITTLE SHOP OF HORRORS at Marriott Theatre, Lincolnshire IL?...

by Misha Davenport - February 07, 2026

What did our critic think of DRACULA: A COMEDY OF TERRORS at Lazy Susan Theatre Co.?...

by Rachel Weinberg - January 29, 2026

David Adjmi’s STEREOPHONIC pulls back the curtain on making a rock album — with all of the minute details, inane band member conversations, and painstaking, spirited artistic conversations that come with it. It centers on an unnamed Fleetwood Mac-esque band in the late 1970s as they record (and ...

by Zac Thriffiley - January 28, 2026

Timeline Theatre and Broadway in Chicago have gifted audiences with a EUREKA DAY that cements the play as one of the most prescient in the contemporary canon while also reaffirming Chicago’s reputation as an ambassador of daring theatrical works....