Review: FUNNY GIRL at Blumenthal Performing Arts
They haven't fixed the clunky storytelling or finally used actual Fanny Brice material, but FUNNY GIRL still scores big when it comes equipped with an electrifying lead and a top-notch cast.
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They haven't fixed the clunky storytelling or finally used actual Fanny Brice material, but FUNNY GIRL still scores big when it comes equipped with an electrifying lead and a top-notch cast.
Mike Wiley, The Playwright, cleverly foretold the story of the Montgomery Bus Boycott by randomly choosing audience members to portray historic African American heroes.
As a fan of Michael Jackson, 'MJ, The Musical' showcased the behind the scene genius of Michael in the preparation of the 'Dangerous' tour.
'A Soldier's Play', Presented At Free Reign Theatre, Rock Hill, SC, Was Brilliant And As Equally Exciting As The Movie Adaptation, 'A Soldier's Story'.
Boney James performed to a packed house of fans at the Blumenthal Performing Arts Center's Knight Theater.
What did our critic think of SIX THE MUSICAL at Blumenthal Performing Arts?
Within a restrictive two-hander format, Lauren Gunderson hatches a surprise beyond my imagination in I AND YOU, parlaying the pleasures of Walt Whitman, John Coltrane, and Jerry Lee Lewis along the way.
Starring Anthony Roth Costanzo and Justin Vivian Bond, ONLY AN OCTAVE demonstrates how much we've changed - and how much we haven't - since Carol Burnett and Beverly Sills first sang the song in 1976, one year before Spoleto arrived in Charleston.
Kiki walks the walk in reacting to the 1994 Rwandan genocide, offering healing to both survivors and perpetrators while building anew in the ruins.
David O'Hare's AN ILIAD can be taken as one man's distillation of Homer's ancient oral epic, or as one of many, many possible Iliads that could be written about the wars that plague mankind.
THE THIRD ANNUAL BIPOC PLAYWRIGHTS FESTIVAL CHOSES A FINALIST at Comedy Arts Theater Of Charlotte? The event was presented to a sold-out audience.
Written for a streamed production in 2021, Keli Goff’s CROWNS, KINKS AND CURLS needed some alterations for a live staged presentation, and Three Bone Theatre has solved most of those tailoring problems admirably.
The new Charlotte Ballet production of PETER PAN, choreographed by Christopher Stuart, is the most inclusive and politically correct I've seen, retaining sets and costumes from previous editions while completely changing the music.
With deft direction that plumbs the depths of silliness in turning a Parker Brothers board game to farce, Jill Bloede weds the flimsiness of the 1985 film's plot with a divinely flimsy set populated by precision actors scurrying around amid flawless transitions and scene changes, lifting Sandy Rusti
The new Broadway revival of INTO THE WOODS, now touring with a significant portion of the New York cast, dispels the too-clever-by-half aftertaste I've experienced in previous productions and bares Stephen Sondheim's heart in an affecting tribute to the late master.
'Into The Woods' took me on a rollercoaster ride of 'high and lows'.
Scott Brown and Anthony Brown's stage adaptation may be hit-and-miss, and Eddie Perfect's score may be a punkish bust, but thanks to a design and tech dream team, BEETLEJUICE fanatics won't be disappointed with the touring Broadway version.
A meteor named Mei-Ann Chen had an impact on Charlotte Symphony and its subscribers that was simply electrifying.
A worthy candidate for CSO's vacant musical directorship, Vinay Parameswaran brings a winsome personality and an eclectic modern program to the Knight Theater podium for his Charlotte debut.
A Soldier's Play pinpoints various forms of racism found within the ranks of the military.
The bio-musical 'Tina (The Tina Turner Musical) is a great snapshot of the highs and lows of Tina Turner.
Overamped at Belk Theater, with an underwhelming set of grievances in Diablo Cody's adaptation of Alanis Morissette's megahit 1995 album, JAGGED LITTLE PILL generates more fire and heat than substance until it arrives at its #MeToo moment - and finds its heart.
In a uniquely simpatico collaboration, composer-lyricist Anäis Mitchell and developer-director Rachel Chavkin have retold the Orpheus-Eurydice myth in a musical form that is slick and glitzy, with primal and profound truths lurking amid the razzle-dazzle.
Knight Theater should have been abuzz last Friday night.
The Blumenthal Performing Arts Center is hosting its first annual Charlotte International Arts Festival.
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