Review: MEAN GIRLS at Belk Theater
Tina Fey proves she still knows high school in her musicalized version of MEAN GIRLS, but she makes rookie mistakes about what to leave out and what to leave in.
The latest reviews and critic recommendations from Charlotte.
Tina Fey proves she still knows high school in her musicalized version of MEAN GIRLS, but she makes rookie mistakes about what to leave out and what to leave in.
Toni Stone hit a homerun for me.
From my perspective, the trait of a good stage play is the ability to generate conversations between the theater patrons with a 1,000 (figuratively) possible interpretations and possible outcomes.
'Put On Your Purple And Black.
Amid a banquet of juicy roles doled out by Aaron Sorkin in his adaptation of Harper Lee's TO KILL A MOCKINGBIRD, Richard Thomas feasts the fullest, delivering the most powerful, staggering work I’ve seen from him in my 59+ years of watching his most memorable performances live on Broadway, live in
We may have underestimated Cheri and Bill Steinkellner's musical adaptation of Paul Rudnick's SISTER ACT screenplay, moving the action from Vegas to Philly and making the show more character-driven.
UNTIL THE FLOOD is an amazing, transformative theatre experience, a lesson for us all - including playwright Dael Orlandersmith, who researched it in Ferguson and St.
Read our critic's review.
With a mix of perennial favorites and time-tested originals, KAT EDMONSON made her long-anticipated Charlotte debut, charming a latenight Middle C Jazz Club audience
'When You Talk About Love'.
Syncopated Ladies, founded by Chloe' Arnold, is the most viewed female tap dance band in history.
Step Afrika! An infusion of drums, dance, and singing that foretells the true uprising of the Stono Rebellion that birth The Negro Act of 1740.
Stewart Goodyear was scintillating in his Charlotte Symphony debut, but the Stravinsky-Weill lineup that followed wasn't an anticlimax.
Ain’t Too Proud To Beg (ATPTB), The Life and Times Of The Temptations, based on the book by Dominique Morisseau, is a compelling, “tell-all” biographical musical about the triumphs and trials of Motown’s number one male group.
BNS Productions present an adaptation of the Langston Hughes classic, 'Black Nativity', directed by Jermaine Nakia Lee
A Conversation With Stacey Abrams was phenomenal, fun, and frank.
Ma Rainey's Black Bottom is one of ten of August Wilson's productions about the African American experience.
Lynn Nottage's Pulitzer Prize-winning SWEAT analyses the effects of NAFTA on steelworkers in Reading, PA - a microcosm of why blue-collar and union workers jumped out of the pockets of Democratic politicians in the 2000 election and how the seeds of xenophobic Trumpism were first planted
As relevant and compelling as it was back in 2014 in responding to Michael Brown, HANDS UP is a perfect way for Three Bone Theatre to return to the Charlotte scene, more activist and more woke.
An R&J Valentine's Day theme, an ongoing Beethoven celebration, and a CHOPIN PIANO CONCERTO that few at Charlotte Symphony had likely played before were the crisscrossing storylines at the latest classics series concert at Knight Theater.
Their third dive into August Wilson's ten-play Pittsburgh Cycle, Brand New Sheriff's FENCES may be their best yet, with an outstanding cast, led by Jonavan Adams - and an outstanding director, Corlis Hayes, who has been here before.
Director Billy Ensley has lured a bevy of seasoned Charlotte musical stars to a fine looking Matthews Playhouse production of MAMMA MIA! - and he has found a sensational newcomer to ignite the action.
Two American warhorses, Samuel Barber's 'Adagio' and Aaron Copland's APPALACHIAN SPRING, topped the marquee, but William Brittelle's 'Si Otsedoha' stole the show at Charlotte Symphony's all-American concert at Belk Theater.
With Andrea King as a disfigured war vet going through an excruciating rehab in Three Bone Theatre's UGLY LIES THE BONE, it's a perverse pleasure to have Scott Tynes-Miller and Peter Finnegan making asses of of themselves as they make the road to recovery that much tougher.
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Her Name Was Frankie: A Frankie Silver Story Parkway Playhouse (10/02-10/11) |
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Sister Act Flat Rock Playhouse (10/02-10/25) |
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Annie Parkway Playhouse (6/26-7/12) |
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Wednesdays: Live Music with The Olsons at Lucky 32 - GSO | No Cover!! Lucky 32 Southern Kitchen (8/05-8/05) |
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Rumpelstiltskin Flat Rock Playhouse (11/12-11/15) |
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2026-27 First Bank Broadway Season - Sunday Matinee Plan Steven Tanger Center for the Performing Arts (8/22-8/22) |
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2026-27 First Bank Broadway Season - Thursday Night Plan Steven Tanger Center for the Performing Arts (8/19-8/19) |
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Wednesdays: Live Music with The Olsons at Lucky 32 - GSO | No Cover!! at Greensboro, NC Lucky 32 Southern Kitchen (9/02-9/02) |