Review: SISTER ACT at Matthews Playhouse
We may have underestimated Cheri and Bill Steinkellner's musical adaptation of Paul Rudnick's SISTER ACT screenplay, moving the action from Vegas to Philly and making the show more character-driven. It actually works better on the smaller community theater stage at Matthews Playhouse than the big st...
BWW Review: UNTIL THE FLOOD at Spoleto's Festival Hall
UNTIL THE FLOOD is an amazing, transformative theatre experience, a lesson for us all - including playwright Dael Orlandersmith, who researched it in Ferguson and St. Louis, Missouri....
BWW Review: HAMILTON Returns To Charlotte Post Pandemic at Belk Theatre
Read our critic's review. 'Bravo! Bravo! Bravo!' I heard myself screaming loudly in sync with the other 2,000 plus fans at the Belk Theatre, located in the heart of Uptown Charlotte, as we rendered a standing ovation to the incredible splendor of the Tony award-winning musical, Hamilton (winner of ...
BWW Review: KAT EDMONSON Brings Latenight Chic to Middle C
With a mix of perennial favorites and time-tested originals, KAT EDMONSON made her long-anticipated Charlotte debut, charming a latenight Middle C Jazz Club audience...
BWW Review: Patti LaBelle Takes the Stage at Belk Theater
'When You Talk About Love'...You Must Be Talking About Ms. Patti LaBelle. Ms. LaBelle Performed At The Belk Theater, In Charlotte, NC. This Timeless Beauty Always Delivers A Fun Time Of Chart-Topping Songs Filled With Joy And Amusement....
BWW Review: CHLOE' ARNOLD'S SYNCOPATED LADIES LIVE! at Knight Theater
Syncopated Ladies, founded by Chloe' Arnold, is the most viewed female tap dance band in history. They were recognized by Beyonce, whose support catapulted them on a global platform....
BWW Review: STEP AFRIKA! at Blumenthal Performing Arts Center's Booth Playhouse
Step Afrika! An infusion of drums, dance, and singing that foretells the true uprising of the Stono Rebellion that birth The Negro Act of 1740....
BWW Review: RAVEL PIANO CONCERTO at Charlotte Symphony Orchestra
Stewart Goodyear was scintillating in his Charlotte Symphony debut, but the Stravinsky-Weill lineup that followed wasn't an anticlimax....
BWW Review: AIN'T TOO PROUD TO BEG at Belk Theater
Ain’t Too Proud To Beg (ATPTB), The Life and Times Of The Temptations, based on the book by Dominique Morisseau, is a compelling, “tell-all” biographical musical about the triumphs and trials of Motown’s number one male group....
BWW Review: BNS Productions Present BLACK NAVITY
BNS Productions present an adaptation of the Langston Hughes classic, 'Black Nativity', directed by Jermaine Nakia Lee...
BWW Review: A CONVERSATION WITH STACEY ABRAMS at Ovens Auditiorium
A Conversation With Stacey Abrams was phenomenal, fun, and frank. This political advocate made such impact sharing her professional and personal life. The audience walked away educated, enlightened, and entertained. I was so glad to be 'in the room'....
BWW Review: BNS Productions Encore Presentation: MA RAINEY'S BLACK BOTTOM at Duke Energy Theater
Ma Rainey's Black Bottom is one of ten of August Wilson's productions about the African American experience. Ma Rainey depicts the life of the famous blues singer, Gertrude 'Ma' Rainey, and Black Bottom is one of the songs she made famous. BNS Productions, based in Charlotte, NC, did an excellent ...
BWW Review: Warehouse PAC's SWEAT Deploys Stellar Cast on Stellar Script
Lynn Nottage's Pulitzer Prize-winning SWEAT analyses the effects of NAFTA on steelworkers in Reading, PA - a microcosm of why blue-collar and union workers jumped out of the pockets of Democratic politicians in the 2000 election and how the seeds of xenophobic Trumpism were first planted...
Three Bone Theatre Responds to this Moment with HANDS UP
As relevant and compelling as it was back in 2014 in responding to Michael Brown, HANDS UP is a perfect way for Three Bone Theatre to return to the Charlotte scene, more activist and more woke....
BWW Review: Symphony Bolsters CHOPIN PIANO CONCERTO With Improved Beethoven
An R&J Valentine's Day theme, an ongoing Beethoven celebration, and a CHOPIN PIANO CONCERTO that few at Charlotte Symphony had likely played before were the crisscrossing storylines at the latest classics series concert at Knight Theater....
BWW Review: Sports Seasons and Generations Clash in Brand New Sheriff's FENCES
Their third dive into August Wilson's ten-play Pittsburgh Cycle, Brand New Sheriff's FENCES may be their best yet, with an outstanding cast, led by Jonavan Adams - and an outstanding director, Corlis Hayes, who has been here before....
BWW Review: Matthews MAMMA MIA! Mixes Summer Romance and Autumn Regret
Director Billy Ensley has lured a bevy of seasoned Charlotte musical stars to a fine looking Matthews Playhouse production of MAMMA MIA! - and he has found a sensational newcomer to ignite the action....
BWW Review: Cherokee Nation Claims Territory Next to APPALACHIAN SPRING
Two American warhorses, Samuel Barber's 'Adagio' and Aaron Copland's APPALACHIAN SPRING, topped the marquee, but William Brittelle's 'Si Otsedoha' stole the show at Charlotte Symphony's all-American concert at Belk Theater....
BWW Review: A Disfigured War Vet Struggles to Find – and See – Herself in UGLY LIES THE BONE
With Andrea King as a disfigured war vet going through an excruciating rehab in Three Bone Theatre's UGLY LIES THE BONE, it's a perverse pleasure to have Scott Tynes-Miller and Peter Finnegan making asses of of themselves as they make the road to recovery that much tougher....
BWW Review: Sher Tinkers With MY FAIR LADY, Recalibrating Its Perfections
Bartlett Sher fiddles with the legendary perfection of MY FAIR LADY, freshly illuminating the characters of Professor Higgins, Eliza, and Freddy - while risking unexpected tech difficulties....
BWW Review: BE A LION RETURNS...BETTER THAN EVER!
Broadway World awarded musical, Be A Lion, written by Rory D. Sheriff, who recently won a?oeBest Directora?? at the Atlanta Black Theater Festival, returns with improvements and upgrades to the Blumenthal Performing Arts Center's Duke Energy Theater, at Spirit Square....
BWW Review: DVOŘÁK'S NEW WORLD Picks Up Slack in Symphony Concert
Sometimes orchestras program pieces to meet popular demand, and at other times, they program works to meet expectations or fulfill a sense of obligation. It's so easy to yield to inertia. This past weekend's Charlotte Symphony concerts balanced both types of choices. The DVOŘÁK'S NEW WORLD SYMPHON...
BWW Review: Viking Queen LEAR Remains True to the Bard
Free Reign Theatre Company's following is surprisingly strong for a young company, but their daring and robust production of LEAR demonstrates why: they're the real deal....
BWW Review: CSO and Graf Make Debussy's FAUN a Dynamic Prelude
With Hans Graf at the podium for the first time at Knight Theater, Charlotte Symphony and guest artist Angelo Xiang Yu were in top form on a program highlighted by Debussy's 'L'Après-midi,' Mozart's 'Turkish' Concerto, and a snippet of Piazzolla....
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