Since the 1970′s, Camp Vega has been owned and directed by the Courtiss family. We are committed to our mission of living by the Camp Vega Values and traditions to create a fun, safe and inclusive experience where girls develop friendships and skills, and have the opportunity to be their true selves.
It is our mission to provide girls with a summer camp experience where, “The Most Exciting Thing A Girl Will Find At Vega Is Herself”.
In order to achieve that, we strive to make sure that your daughter is:
Safe emotionally and physically.
Having fun and developing skills.
Building strong relationships and friendships with peers and other members of the community.
Connecting with the Vega’s history, traditions and values. Everyone at camp is included, welcomed and feels a part of something greater than themselves.
Living and playing in the best facilities and most pristine natural environment.
Supported and encouraged by peers, counselors, campers and administration.
The World Premiere of Spread has been extended by one week at International Arts Relations. Spread offers a glimpse inside the fullness of all a ninth-grade lunchtime might contain: all the brutal, sweet ways we might try to be with one another.
Garry Marshall Theatre in Burbank, California, will present 'EARTH TO SQUIGGY: A LENNY & THE SQUIGTONES MUSICAL' this March. The musical, featuring a story by Natalie Lander and book by Lander & Alex Ellis.
The Curtain will present their first post-show talk-back with The Women’s March leadership following this Sunday’s matinee performance of their all-new adaptation of Richard III at Nimbus Arts Center.
Oscar-nominated Jennifer Tilly returns to Off-Broadway with The New Group’s revival of THE ADDING MACHINE, directed by Scott Elliott. She takes on the complex role of Mrs. Zero opposite a dynamic ensemble.
Roundabout Theatre Company hosted its 2026 Gala at the Ziegfeld Ballroom, honoring Emmy Award-winner Jean Smart. BroadwayWorld was there for the big night and you can check out photos below!
A 6 años del truncado debut de Sabrina Carpenter en Broadway, analizamos por qué el teatro musical sigue siendo la escuela definitiva para las estrellas del pop actual.
Un musical que resignifica el mito de Orestes para demostrar que el amor, el dolor de una separación, y el empoderamiento femenino, son temas tan reales hoy como lo fueron en la antigua Grecia.
Northern Stage has revealed its 2026/27 Season, featuring five Main Stage productions in the Byrne Theater at the Barrette Center for the Arts, including the regional premiere of John Proctor is the Villain and more.
Sinners, The Studio, One Battle After Another, The Pitt, and more were honored at the 78th Annual Writers Guild Awards on Sunday, March 8, 2026 at ceremonies in Los Angeles and New York. Take a look at the full list of nominees and wins here.
The Spring 2026 season has officially begun, and with it, comes new plays for theatre lovers of all kinds. Whether you live for intense dramas or would rather escape with zany comedies, there's something for everyone both on and off-Broadway in March 2026.
Pregones/Puerto Rican Traveling Theater has revealed the full cast & creative team for The Wedding March, directed by Rosal Colón, adapted by Rosalba Rolón, with musical direction by Desmar Guevara.
You Might Know Her From, the acclaimed podcast hosted by Anne Rodeman and Damian Bellino, recorded its first-ever live episode on February 28th at the Laurie Beechman Theatre in New York City - marking a major milestone as the show just launched its highly anticipated seventh season. Check out photos of the show.
THE BRIEF WONDROUS LIFE OF OSCAR WAO is a lopsided stage adaptation of Junot Díaz’s 2007 Pulitzer Prize-winning novel. While the first act is tight and focuses squarely on the budding relationship between ultra-nerd Oscar Wao and his freshman year college roommate Yunior, the second act incorporates almost all the other key plot points from Díaz’s text. As a result, the first half is a charming and sweet “bromance,” but the second half of this English language premiere (the production was originally produced in Spanish at Repertorio NYC) is sprawling, overlong, and not that engaging. There’s simply no reason this adaptation needed to be almost three hours.