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CABARET THEATER REVIEWS

The latest reviews and critic recommendations from Cabaret
BWW Review: The Mabel Mercer Foundation's 26th Annual Cabaret Convention Comes Home t

BWW Review: The Mabel Mercer Foundation's 26th Annual Cabaret Convention Comes Home to Town Hall, Night Three, October 15

by Alix Cohen — October 17, 2015
For the third night of this year's Cabaret Convention at Town Hall, the uber-enthusiastic Karen Mason hosted Life Is a Cabaret (Directed by Barry Kleinbort) in celebration of long time collaborators, composer John Kander and lyricist Fred Ebb. Introduced to each other by their mutual music publisher...
BWW Review: The Mabel Mercer Foundation's 26th Annual Cabaret Convention Comes Home t

BWW Review: The Mabel Mercer Foundation's 26th Annual Cabaret Convention Comes Home to Town Hall, Night Two, October 14

by Alix Cohen — October 17, 2015
On the second night of this year's 26th Annual Cabaret Convention, Jeff Harnar and Andrea Marcovicci hosted A Sentimental Journey: World War II Songs, inspired by Marcovicci's memorable Oak Room at The Algonquin show, I'll Be Seeing You--Love Songs of World War II. (The CD is highly recommended.) As...
BWW Review: The Mabel Mercer Foundation's 26th Annual Cabaret Convention Comes Home t

BWW Review: The Mabel Mercer Foundation's 26th Annual Cabaret Convention Comes Home to Town Hall, Opening Night, October 13

by Alix Cohen — October 17, 2015
In October 1989, four years after he founded The Mable Mercer Foundation, cabaret publicist and promoter Donald Smith launched the first Cabaret Convention at New York's Town Hall. The now four-day event eventually moved to Lincoln Center's Rose Hall, but due to renovations this year at the more upt...
BWW Review: In New Don't Tell Mama Show, Lennie Watts' SHAMELESS Auditioning For Musi

BWW Review: In New Don't Tell Mama Show, Lennie Watts' SHAMELESS Auditioning For Musical Theater Roles Is Solid But Doesn't Completely Score

by Alix Cohen — October 14, 2015
Monday night was the third performance of a four-show Don't Tell Mama run of Watts' new show Shameless (the next one is on 10/19), directed by Richard Sabellico, who hired Watts for his first theater role after seeing him perform in cabaret. How, I wondered, would Lennie Watts follow his ballsy, 201...
BWW Review: Well-Strung Pops with Effervescent CD Release Concert at Feinstein's/54 B

BWW Review: Well-Strung Pops with Effervescent CD Release Concert at Feinstein's/54 Below

by David Clarke — October 12, 2015
Well-Strung, the popular string quartet that is also a boy band, launched their second album POPssical with a CD Release Concert at Feinstein's/54 Below. The show was a reworked version of their cabaret revue titled POPssical, and included new surprises mixed in with the familiar favorites. As alway...
BWW REVIEW: Michael Garin Knocks You Out With His Sprawling Solo Tour de Force A PUNC

BWW REVIEW: Michael Garin Knocks You Out With His Sprawling Solo Tour de Force A PUNCH IN THE MOUTH at the Metropolitan Room

by Remy Block — October 10, 2015
"If I get my sh*t right, you're gonna move," Michael Garin declared from the Metropolitan Room piano, energy crackling through every fiber of his compact form as he leaned into the microphone. On September 28, Garin opened his new show, A Punch In The Mouth, banging out a muscular, unexpected boogie...
BWW CD Review: Well-Strung's POPSSICAL is Vibrantly Bodacious

BWW CD Review: Well-Strung's POPSSICAL is Vibrantly Bodacious

by David Clarke — October 7, 2015
The boys of Well-Strung are back with their thrilling sophomore album, POPssical. With a track listing inspired by their acclaimed cabaret show by the same title, this follow-up to their self-titled debut album avoids the treacherous waters of the dreaded sophomore slump and gifts fans and newcomers...
BWW Review: Singer/comedienne DIANE VINCENT Uproarious at Sterling's

BWW Review: Singer/comedienne DIANE VINCENT Uproarious at Sterling's

by Don Grigware — October 6, 2015
On Monday October 5, zany comedienne/singer Diane Vincent brought her act: Diane and Lucy & Betty: A One Woman Show to an SRO room at Sterling's Upstairs at the Federal. The best way to describe Vincent is off.the.wall, wound up tightly like a coil that will spring loose at any second. Watch out...
BWW Review: UP CLOSE AND PERSONAL With the Quietly Dazzling Amanda McBroom at Feinste

BWW Review: UP CLOSE AND PERSONAL With the Quietly Dazzling Amanda McBroom at Feinstein's/54 Below

by Alix Cohen — October 2, 2015
Writer/vocalist Amanda McBroom is something of a wonder. The artist manages to be both lyrical and plain spoken, urbane and universal, polished and genuine, vulnerable and gutsy. Her sharply etched songs illuminate our hearts and minds like artful x-ray. Performance is intimate. McBroom's current s...
BWW Review: By Elegantly Examining Sexual Duality, David Vernon's Sensitive LOVE: THE

BWW Review: By Elegantly Examining Sexual Duality, David Vernon's Sensitive LOVE: THE CONCERT at the Metropolitan Room Is Singularly Enthralling

by Remy Block — September 30, 2015
Strange, enchanted boy David Vernon swept through the Metropolitan Room last Thursday night, greeting guests on his way to the stage. He cut a dashing, old-world figure in his long, fitted coat and austere, angular posture. The man possesses style. Opening his show LOVE: The Concert with Eden Abhez'...
BWW Review: In Birdland Return, Anita Gillette's Songs & Anecdotes Are Charming & Del

BWW Review: In Birdland Return, Anita Gillette's Songs & Anecdotes Are Charming & Delightful in SO, AS I WAS SAYING . . .

by Alix Cohen — September 30, 2015
Ninety percent of the way into her ebullient show last night at Birdland, So, As I Was Saying, Anita Gillette quotes a 1977 review of her performance in Neil Simon's Chapter Two that stated the warmth she exudes could melt glaciers. (The artist wasn't bragging, but was referring to her then difficul...
BWW Review: The Revelatory Cy Walter Centennial Celebration Is Immensely Entertaining

BWW Review: The Revelatory Cy Walter Centennial Celebration Is Immensely Entertaining at The Cutting Room

by Alix Cohen — September 29, 2015
Sunday night, Mark Walter topped off a year of Herculean accomplishment in preserving his father's legacy with a concert at the Cutting Room that went off like fireworks. Somewhere, composer /lyricist/arranger/pianist Cy Walter (right in Lloyd Diaz photo), was beaming. In 2015, Mark completed his fa...
BWW Review: Dancer MARK C. REIS Brings New Cabaret to Sterling's

BWW Review: Dancer MARK C. REIS Brings New Cabaret to Sterling's

by Don Grigware — September 29, 2015
On Sunday September 27 at Sterling's Upstairs at the Federal, dancer Mark C. Reis debuted his brand new cabaret show I'd Enjoy Being a Girl...on Broadway. Reis had tremendous success in 2012 with his first show at Sterling's called Diapers, Dishes and Dreams...Stories of a Dancer about his gay m...
BWW Review: 2014 MetroStar Winner Kristoffer Lowe Offers a Wowza Musical Exploration

BWW Review: 2014 MetroStar Winner Kristoffer Lowe Offers a Wowza Musical Exploration Of Composer Harry Warren at Metropolitan Room

by Alix Cohen — September 24, 2015
Actor/vocalist Kristoffer Lowe has recently racked up an impressive array of awards, including the Metropolitan Room's 2014 MetroStar, the 2015 Bistro Award for Special Achievement, and the 2015 Male Debut MAC Award for his 2014 show, Waiting For the Light to Shine. Even after such kudos, however, h...
BWW Review: Julie Reyburn Proves That Time Has Been Kind to Her Award-Winning FATE IS

BWW Review: Julie Reyburn Proves That Time Has Been Kind to Her Award-Winning FATE IS KIND in Cabaret's Greatest Hits Series at Metropolitan Room

by Billie Roe — September 22, 2015
I first saw Julie Reyburn in her 2011 cabaret show Winter Songs, where she wonderfully explored in music the beauty of winter from its cool, autumnal evenings to the somber tranquility of a snow fallen night. It was a terrific act. So I was excited when Reyburn announced she would reprise her 2000 c...
BWW Review: Christine Lavin, Don White and Friends Humorously Blur the Lines Between

BWW Review: Christine Lavin, Don White and Friends Humorously Blur the Lines Between Folk and Cabaret at Don't Tell Mama

by Remy Block — September 19, 2015
Christine Lavin, prolific (and dang funny) songwriter and performer of the east coast cabaret and folk scenes, creates a hootenanny during her residency at Don't Tell Mama most Wednesday nights in September. Co-hosting the series is Don White, folk singer-songwriter and activist out of Lynhurst, MA....
BWW Review: At Metropolitan Room, Gary Crawford is Dreamy Singing the BARRY LEVITT SO

BWW Review: At Metropolitan Room, Gary Crawford is Dreamy Singing the BARRY LEVITT SONGBOOK Which Is No Longer a Secret

by John Hoglund — September 18, 2015
For any cabaret performer, delivering an original song can be a nice touch in any show, but finding the right one can drive a singer crazy. The upside is that as well as highlighting the songwriter (which in some cases can be the singer's musical director) it gives the performer an opportunity to sh...
BWW Review: Brian Stokes Mitchell's Café Carlyle Debut is a Treat for the Ear, Eye a

BWW Review: Brian Stokes Mitchell's Café Carlyle Debut is a Treat for the Ear, Eye and Heart

by Alix Cohen — September 16, 2015
What qualities define a leading man? Charisma, soul-searching masculinity, and a deep, lustrous voice--once upon a time, we had entertainers who possessed them all. With his Cafe Carlyle debut show that opened last night, Plays With Music--following his Tony-Award winning Broadway performances, 12 y...
BWW Review: Rachelle Garniez and Carol Lipnik Display Their Mystical, Musical Powers

BWW Review: Rachelle Garniez and Carol Lipnik Display Their Mystical, Musical Powers at Joe's Pub

by Remy Block — September 8, 2015
Back on May 14th, native New Yorkers Rachelle Garniez and Carol Lipnik each performed her own original songs at Joe's Pub, and while it was several months ago, the show remains embossed in my mind, as meaningful works of art have a way of doing. Each woman has a distinct and wonderful voice, both li...
BWW Review: Nancy Harms Is a Brilliant Blue Indigo Delivering the Classics of Duke El

BWW Review: Nancy Harms Is a Brilliant Blue Indigo Delivering the Classics of Duke Ellington at the Metropolitan Room

by Billie Roe — September 4, 2015
Opening Tuesday night with a four show run at the Metropolitan Room, Nancy Harms masterfully sang the luxurious, the lonely, and the seductive songs of the great jazz master, Duke Ellington. With classic cameo good looks and dressed in a black cocktail dress embellished with dangling rhinestone earr...
BWW Review: Ann Hampton Callaway Sings the Lyrics of William Schermerhorn on New Chri

BWW Review: Ann Hampton Callaway Sings the Lyrics of William Schermerhorn on New Christmas CD

by Alix Cohen — September 3, 2015
The collaboration between Ann Hampton Callaway and lyricist William Schermerhorn on the new holiday season CD called The Hope of Christmas is, alas, unsuccessful. Though Schermerhorn's lyrics can be pleasing, some worthy of considerable play, the over-produced collection burdens them with music that...
BWW Review: Beth Malone's SO FAR at Joe's Pub is Adorable and Heartwarming

BWW Review: Beth Malone's SO FAR at Joe's Pub is Adorable and Heartwarming

by David Clarke — September 2, 2015
Tony Award nominated Beth Malone, currently starring in the Tony Award winning musical Fun Home on Broadway, returned to Joe's Pub this past Monday and took it by storm with her adorable and heartwarming solo cabaret show Beth Malone: So Far. Through songs and often hilarious vignettes about her lif...
BWW Review: Mark Nadler Launches New York Cabaret's Greatest Hits Series at Metropoli

BWW Review: Mark Nadler Launches New York Cabaret's Greatest Hits Series at Metropolitan Room In Tempestuous, Hilarious, Whip-Smart Style

by Alix Cohen — August 29, 2015
Back in January, BroadwayWorld's lead cabaret reviewer Stephen Hanks announced he was giving up critiquing shows to start his own company, Cabaret Life Productions, through which he would publicize, promote, and help book cabaret performers, and also produce cabaret shows. Hanks' first major product...
BWW Review: THE LIFE AND DEATH OF KENYON PHILLIPS Is A Sweetly Subversive Glam Rock C

BWW Review: THE LIFE AND DEATH OF KENYON PHILLIPS Is A Sweetly Subversive Glam Rock Cavalcade

by Michael Dale — August 24, 2015
Cady Huffman directs a one-nighter of burlesque, circus arts and fake autobiography....
BWW Review: Pianist TOM AMEEN Takes E Spot Lounge By Storm

BWW Review: Pianist TOM AMEEN Takes E Spot Lounge By Storm

by Don Grigware — August 18, 2015
Virtuoso pianist Tom Ameen made his E-Spot Lounge debut at Vitello's Friday August 14 with a joyously entertaining show highlighting Disney music from TV, film and the Disney theme parks. It was a smash. Ameen is no stranger, though, to Vitello's, as he plays downstairs at the bar very Monday and Tu...
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