Interview: 'You Need to Love Singing With All Your Mind and Body': Soprano Isabela Díaz, on The Royal Ballet and Opera's Jette Parker Artists Programme
It's a long way from Santiago to the West End.
UK / West End Opera News Coverage — Page 3
The latest news on performances of Opera in UK / West End.
Review: LA TRAVIATA, Opera Holland Park
Now on its third revival, Rodula Gaitanou's heart-stopping version of Verdi's tragic La Traviata is as affecting as ever.
Review: FALSTAFF, Glyndebourne Festival
Adapted from Shakespeare’s The Merry Wives of Windsor, director Richard Jones’s glorious Falstaff makes a welcome return to Glyndebourne, losing none of its charm or deft comedy.
Puccini’s LA FANCIULLA DEL WEST and More Set for Opera Holland Park 2026 Season
In a year that honours 30 years since Opera Holland Park was established, the 2026 Season will open with a new production of Giacomo Puccini’s La fanciulla del West.
Review: SEMELE, Royal Ballet And Opera
Forget Arcadian landscapes and Corinthian columns.
Review: LE NOZZE DI FIGARO, Glyndebourne Festival
You could be forgiven for thinking that there isn’t much more to be said about Le nozze di Figaro, the most performed opera in Glyndebourne’s history.
Review: TRIAL BY JURY/A MATTER OF MISCONDUCT!, Opera Holland Park
A thoughtfully selected double bill making up the operetta segment of Opera Holland Park’s summer season shows the genre at its technical best, but also illuminates its troubling shortcomings.
Guest Blog: 'It Might Be The Best Opera Ever Written': Director Mariame Clément on Glyndebourne's New Production of LE NOZZE DI FIGARO
Le Nozze di Figaro is a piece I’ve been living with as long as I can remember.
Review: MAZEPPA, Grange Park Opera
Even ardent opera fans may struggle to recall the story or the score for Mazeppa.
Review: SAUL, Glyndebourne Festival
Just how much fun can you have at an oratorio about a Old Testament tale of jealousy, madness and death? Well, quite a lot as it happens at the return of Barry Kosky's remarkable production of Handel's Saul.
Review: MADAMA BUTTERFLY, Grange Park Opera
Grange Park Opera has opened its new season with a crowd-pleaser.
Review: ITCH, Opera Holland Park
Opera Holland Park has never shied away from audacious programming, and with Jonathan Dove’s Itch, it plunges boldly into radioactive territory—literally.
Review: THE FLYING DUTCHMAN, Opera Holland Park
Stormy weather and an enthusiastic audience mark Julia Burbach’s The Flying Dutchman as it proves a smashing success to open the 2025 season of Opera Holland Park.
Review: FAUST, Royal Ballet And Opera
Celebrating its sixth revival, David McVicar’s critically acclaimed production of Faust is a spectacular success with stunning sets and costumes, a magnificent cast, and some of Gounod’s greatest music.
Review: IL BARBIÈRE DI SIVIGLIA, Glyndebourne Festival
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas.
Review: PIMPINONE, Royal Ballet and Opera
Super show that lightens a very dark subject (corecive control), but does not diminish it
The Royal Ballet and Opera Reveals 2025/26 Season With Justin Peck and More
The Royal Ballet and Opera launches its 2025/26 Season, unveiling an unforgettable programme of new commissions, world premieres and much-loved revivals alongside the first annual festival connecting the worlds of opera and technology.
Review: TURANDOT, Royal Ballet And Opera
With plenty of colour, masks, and a mystical ambience, Andrei Șerban’s 1984 production of Turandot feels just as fresh as ever.
Review: IL TROVATORE, Royal Ballet And Opera
An animated revival of Adele Thomas’s 2023 production, Il Trovatore strays from realism and instead focuses on a symbolic reading of this dark and gritty opera.
Wesh National Opera Chorus Vote Unanimously For Further Action Short Of Strike
The chorus of the Welsh National Opera have voted unanimously to take further action short of strike on Thursday 27 February and Saturday 1 March, affecting shows on these dates.
Welsh National Opera Announces 2026 Performances At Birmingham Hippodrome
Welsh National Opera has announced its 2025/2026 Season, which will also see the Company celebrate its 80th anniversary.
Review: MARY, QUEEN OF SCOTS, London Coliseum
And so to the final new production of English National Opera’s season; Mary, Queen of Scots, directed by Stewart Laing and conducted by Joana Carneiro.
Photos: MARY QUEEN OF SCOTS At English National Opera
Thea Musgrave’s rarely performed Mary, Queen of Scots makes its London and English National Opera (ENO) premiere in February 2025.
Review: FESTEN, Royal Ballet And Opera
Mark-Anthony Turnage has a provocative habit of turning unconventional narratives into opera
Review: THE MARRIAGE OF FIGARO, London Coliseum
Joe Hill-Gibbins’s new production of The Marriage of Figaro for English National Opera opened back in March 2020 for a single performance before Covid struck.
Review: AIDA, Royal Ballet and Opera
Robert Carsen's vision is as uncompromising as ever, but the world has changed in three short years
Interview: “It’s An Extraordinary Experience”: Conductor Ben Woodward on Buying Regents Opera and Completing Wagner’s RING CYCLE
An intrepid British fringe opera company and its dauntless conductor-arranger have taken on a bold project that has defeated any number of high-profile companies.
Review: JENŮFA, Royal Ballet And Opera
It’s a mistake to dismiss Claus Guth’s production of Janacek’s Jenůfa as symbolically overwrought and interminably grey.
Review: MARIA, in Cinemas and Streaming
Angelina Jolie is compelling in a movie that concentrates on the misery to the exclusion of almost everything else in the diva's life
Review: HANSEL AND GRETEL, Royal Ballet and Opera
Macabre and spectacular, this is Christmas fare as it once was and should still be, fully trusting its audience.
THE GREAT GATSBY, WICKED Movie, & More Nominated For MUAHS Guild Awards
The Make-Up Artists & Hair Stylists Guild (MUAHS, IATSE Local 706) has announced nominations for the 12th Annual MUAHS Guild Awards, with honors going to Broadway's The Great Gatsby, Cabaret, the Wicked movie, and more.
Review: THE PIRATES OF PENZANCE, London Coliseum
Sarah Tipple brings the comedic opera to life with gloriously ridiculous period costumes, an outstanding cast and an abstract set that mirrors the plot’s absurdism with precision.
Review: THE ELIXIR OF LOVE, London Coliseum
Nostalgia isn’t what it used to be.
Review: THE SOUND VOICE PROJECT, Royal Ballet and Opera
Words run out, as The Voice is lost and recovered
Review: THE TALES OF HOFFMANN, Royal Ballet and Opera
Damiano Michieletto brings plenty of pizzazz to Offenbach's crowdpleaser, but wastes some of his on-stage talents
Review: RIGOLETTO, London Coliseum
There’s no shame in pulling an old favourite from the vaults but Jonathan Miller’s 1982 gangster-themed production is firing blanks in this latest revival.
Regents Opera Adds Extra Performance of GOTTERDAMMERUNG
After the success of Regents Opera’s first three instalments of Wagner’s Ring Cycle - Das Rheingold, Die Walküre and Siegfried, the fringe opera company eyes its performances of the final instalment and full Ring Cycle with determination.
Review: THE TURN OF THE SCREW, London Coliseum
Isabella Bywater ratchets up the tension, as Ailish Tynan and Jerry Louth shine as the governess and her male charge.
Review: TROUBLE IN TAHITI and THE QUIET PLACE, Royal Ballet and Opera
If you're a parent, brace yourself - and enjoy the glorious singing and fine music writes our critic about TROUBLE IN TAHITI and THE QUIET PLACE.
Review: FIDELIO, Royal Ballet and Opera
Tobias Kratzer’s production pulls the rug from underneath you writes BWW's critic.
