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Review: ABT STUDIO COMPANY Brings the Drama to The Joyce Theater


by Christina Pandolfi - May 08, 2024

It’s true what they say: everything old is new again. Ballets from a past time are reinvigorated and rejuvenated when today’s dancers take that form and breathe new life into it. ...

Review: THE WINTER'S TALE, Royal Opera House


by Franco Milazzo - May 06, 2024

Part violent psychodrama, part sunny romcom, The Winter’s Tale was not the most obvious of plays for the Royal Ballet to take on....

Review: SWAN LAKES AND MINUS 16 at Harbourfront Centre


by Ilana Lucas - May 05, 2024

What did our critic think of SWAN LAKES AND MINUS 16 at Harbourfront Centre?...

Review: MESSAGE IN A BOTTLE Proves that Great Dance and Music is Really All You Need


by Lora Strum - May 05, 2024

What did our critic think of 'MESSAGE IN A BOTTLE PROVES' THAT GREAT DANCE AND MUSIC IS REALLY ALL YOU NEED at New York City Center?...

Review: CYCLES, Barbican Centre


by Franco Milazzo - May 02, 2024

With their new work Cycles, it is clear that Boy Blue are at something of a crossroads....

Review: BALLET HISPÁNICO CELEBRATES 2024 SEASON at New York City Center


by Miranda Stück - April 29, 2024

What did our critic think of BALLET HISPÁNICO CELEBRATES 2024 NEW YORK CITY CENTER SEASON at New York City Center?...

Review: SYDNEY DANCE COMPANY: IMPERMANENCE at The Kennedy Center


by Tavish Young - April 28, 2024

A beautifully asynchronous and turbulent super-organism, Impermanence opened its weekend at the Kennedy Center’s Eisenhower Theater on April 16th....

Review: THE SLEEPING BEAUTY, Sadler's Wells


by Matthew Paluch - April 25, 2024

Is there anything similar to The Sleeping Beauty overture? With Tchaikovsky filling the theatre with full-blown fairy tale drama - it's quite the opener. ...

Review: DANA TAI SOON BURGESS DANCE COMPANY at Kennedy Center's Family Theater


by Emily Berger - April 21, 2024

This new work featured three episodes in Asian American history....

Review: DANCE ON ENSEMBLE, Sadler's Wells


by Matthew Paluch - April 18, 2024

“When are we old? How can experience and embodied knowledge be brought into creative play? And what is the role of dance in questioning the idealisation of youth in our culture?” ...



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