Review: Fall for Dance Festival Falls Flat
'The New York City Center's Festival, known for its diverse programming, offered audiences a selection of works that were artful, if not a little boring.
Dance Theater Reviews
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Review: CHANGE TEMPO, DANCE UMBRELLA, The Place
Dance Umbrella present their international double-bill Change Tempo with SU PinWen and Alexandre Fandard.
Review: MÁM, MICHAEL KEEGAN-DOLAN, Sadler's Wells
A mega night at the theatre.
Review: DON QUIXOTE, Royal Opera House
Marianela Nuñez and Vadim Muntagirov sizzle in a crowdpleasing revival of the Royal Ballet's 2013 production
Review: MULAN at Opera House/Kennedy Center
What did our critic think of MULAN at Opera House/Kennedy Center?
Review: FALL FOR DANCE at New York City Center Thrills-Now Through October 8th
The marvelous dance event of the season, “Fall for Dance” is now happening at New York City Center and audiences love it!
Review: CAN THIS PLACE BE A TEMPLE? AKSHAY SHARMA, The Place
Everyone loves a thinker, and Akshay Sharma definitely seems to be one.
Review: THE YELLOW WALLPAPER, The Coronet Theatre
Stephanie Mohr’s new production of Charlotte Perkins Gilman’s feminist novella The Yellow Wallpaper is described as a “genre-defying production blending theatre, dance, live video and sound” - no pressure then!
Review: EMILYN CLAID, UNTITLED, The Place
Claid herself is many things: “choreographer, writer, director and teacher” - and so is the nature of the piece.
Review: RHYTHM OF HUMAN, Coronet Theatre
Ambiguous present the UK premiere of Rhythm of Human, choreographed by Kim at The Coronet Theatre.
Review: THE REVENGE OF POPPERFACE, The Place
The Revenge of Popperface by Gareth Chambers invites the audience to muse over 'an experimental exploration of masculinity' through the occult and opera no less.
Review: ALVIN AILEY AMERICAN DANCE THEATER: CONTEMPORARY VOICES, Sadler's Wells
As the most widely seen modern dance work in the world, Alvin Ailey's Revelations has become part of the DNA of contemporary and popular dance, and it is a privilege to finally experience it on a live stage, alongside its more modern yet complementary 21st century cousins from Kyle Abraham and Rob
Review: San Francisco Ballet's STARRY NIGHTS at Stanford Live Offered Up a Sumptuous Summer Evening of Dance
What did our critic think of San Francisco Ballet's STARRY NIGHTS at Stanford Live? BroadwayWorld reviews San Francisco Ballet's sumptuous summer program.
Review: MATTHEW BOURNE'S ROMEO & JULIET, Sadler's Wells
In Matthew Bourne’s dystopian take on the classic love story, there are leaps aplenty - and not just in the physical sense.
Review: THE AUSTRALIAN BALLET: 60TH ANNIVERSARY CELEBRATION, Royal Opera House
All good things come to an end, and to signify the culmination of their week-long residency at the Royal Opera House, The Australian Ballet offered a suitably wonderful Celebration Gala acknowledging their 60th anniversary.
Review: JEWELS, Royal Opera House
London welcomes The Australian Ballet to the Royal Opera House after 35 years, to celebrate their 60th anniversary, with six performances in total.
Review: CARLOS AT 50, Royal Opera House
How do mere mortals celebrate their 50th birthday? By having a midlife crisis? Not dance royalty Carlos Acosta, who seems to literally turn back time by making a return to the stage as a dancer - having retired from performing in 2016 - in Carlos at 50 at the Royal Opera House (with five, basically
Review: ONE DANCE at Lincoln Center-A Stunning Visual Display of Korean Dance
SK Group, the second-largest conglomerate in South Korea, is now presenting the Sejong Center’s exceptional display of dance with their program, One Dance during Korean Arts Week.
Review: FLAMENCO FESTIVAL: LA LEONA, Sadler's Wells
Sadler’s Wells' Flamenco Festival really is a festival.
Review: SW!NG OUT at The Joyce Theater through July 2-The Dance Highlight of the Summer
'SW!NG OUT' is now at The Joyce Theater through July 2 and wow, just wow! The beloved genre of Lindy Hop, the pre-eminent form of swing-Jazz, partnered dance is being presented at its very best with choreography and improvisation by Director, Caleb Teicher and the Braintrust in collaboration with ul
Review: CHERYLYN LAVAGNINO DANCE EXPLORES THE FRAGILITY OF EXISTENCE IN NEW PROGRAM at The Jack Crystal Theater
What did our critic think of CHERYLYN LAVAGNINO DANCE EXPLORES THE FRAGILITY OF EXISTENCE IN NEW PROGRAM at The Jack Crystal Theater?
Review: CINDERELLA, Royal Albert Hall
It’s exactly four years since English National Ballet brought Christopher Wheeldon’s Cinderella to the Royal Albert Hall.
Review: UNTITLED, 2023/CORYBANTIC GAMES/ANASTASIA ACT III, Royal Opera House
Perhaps it’s already clear, but this is a rather subdued triple bill to bring the 22/23 season to a close.
Review: NEW YORK BALLET: VISIONARY VOICES at the Kennedy Center
Read BroadwayWorld's review for NEW YORK BALLET: VISIONARY VOICES at the Kennedy Center.
Review: NEW YORK CITY BALLET PROGRAM A at Kennedy Center
Growing up with the New York City Ballet (NYCB)nearby during my high school and college years (as they had their summer residency at the Saratoga Performing Arts Center in Saratoga Springs), I was thrilled to turn around many years later to see the Kennedy Center present an evening of some of the Ne
