Review: XIAN CONDUCTS BEETHOVEN 9 at Benaroya Hall
Xian’s performance was a joyful representation of Schiller’s text, ending the rousing evening with an affirmation of much-needed hope for us all.
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Xian’s performance was a joyful representation of Schiller’s text, ending the rousing evening with an affirmation of much-needed hope for us all.
There are performances of Bruckner’s Eighth Symphony that impress through sheer scale.
Opera Theatre of St.
The separation of the Washington National Opera from the overrun-and-soon-to-close Kennedy Center has meant next season’s eight planned productions, including five full length operas, will occur on five different stages in the D.
What did our critic think of WENWEN DU AND IAN BOSTRIDGE IN RECITAL at Carlton Dominion-Chalmers Centre?
Leon Botstein has a special aptitude for finding under-appreciated and rarely (if ever) performed works for orchestra.
What did our critic think of 'CHANGED FOR GOOD' THE NEW YORK POPS 43RD ANNIVERSARY CONCERT at Carnegie Hall?
What can you do with a 90-year-old piece about a man madly in love, slowly slipping into a dream he has no desire to wake up from? Quite a lot, it turns out.
Some evenings remind you why opera exists.
Carmen is the world’s third most performed opera.
On March 10 at Carnegie Hall, the Philadelphia Orchestra brought Gustav Mahler’s towering Symphony No.
The Quintessential voice, the one and only Audra McDonald.
Opera is widely considered to be a seasonal flower.
Opening the London Handel Fetsival, this flawless presentation of Saul was a celebration of Handel that set the tone of the performances to follow.
What is the American musical identity? A question for this special year!
On February 7 at Carnegie Hall, the Budapest Festival Orchestra offered a performance of Mahler’s Symphony No.
Classical Mixtape: A Live Takeover is part of the Southbank Centre's 75th anniversary programme.
Jaha Ling led the San Diego Symphony’s first performance of Mahler’s seventh symphony in 2014, more than a century after the orchestra was founded.
What did our critic think of THE COLORADO SYMPHONY WITH ITZHAK PERLMAN at Carnegie Hall?
Art of Elan launched the Sounds and Swells series several years ago.
Bernstein, Sondheim & Loewe reimagined through full orchestral arrangements at Salle Pleyel.
For fifty years Orpheus has been confounding and amazing audiences with their exceptional variety of repertoire, its fine execution, and overall excellence, all without a conductor on a podium.
What did our critic think of WHERE THE SHINING TRUMPETS BLOW at Jacobs Music Center? Des Knaben Wunderhorn (The Boy's Magical Horn) is a collection of more than 700 German folk poems and songs compiled in the early 19th Century.
What did our critic think of PORGY AND BESS at Houston Grand Opera? As Houston performing arts ventures grow for the 2025-26 season, Houston Grand Opera surpasses them all with a thrilling 50th anniversary production of Gershwin's Porgy and Bess.
What did our critic think of ROMANTIC VISIONS at Jacobs Music Center? Conductor Rafael Payare showed why in a performance driven with his usual gymnastic vigor.
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American Composers Orchestra: Hello, America: We Gather Here at Carnegie Hall Carnegie Hall (10/27-10/27) |
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Carnegie Hall Presents: Santiago Cañón-Valencia and Victor Santiago Asuncion Carnegie Hall (11/10-11/10) |
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American Composers Orchestra: New Virtuoso: Low End Theory at Carnegie Hall Carnegie Hall (3/18-3/18) |