Review: THE COLORADO SYMPHONY WITH ITZHAK PERLMAN at Carnegie Hall
What did our critic think of THE COLORADO SYMPHONY WITH ITZHAK PERLMAN at Carnegie Hall?
The latest reviews and critic recommendations from Classical Music.
What did our critic think of THE COLORADO SYMPHONY WITH ITZHAK PERLMAN at Carnegie Hall?
Art of Elan launched the Sounds and Swells series several years ago.
Bernstein, Sondheim & Loewe reimagined through full orchestral arrangements at Salle Pleyel.
For fifty years Orpheus has been confounding and amazing audiences with their exceptional variety of repertoire, its fine execution, and overall excellence, all without a conductor on a podium.
What did our critic think of WHERE THE SHINING TRUMPETS BLOW at Jacobs Music Center? Des Knaben Wunderhorn (The Boy's Magical Horn) is a collection of more than 700 German folk poems and songs compiled in the early 19th Century.
What did our critic think of PORGY AND BESS at Houston Grand Opera? As Houston performing arts ventures grow for the 2025-26 season, Houston Grand Opera surpasses them all with a thrilling 50th anniversary production of Gershwin's Porgy and Bess.
What did our critic think of ROMANTIC VISIONS at Jacobs Music Center? Conductor Rafael Payare showed why in a performance driven with his usual gymnastic vigor.
What did our critic think of OPERA À LA CARTE'S PRODUCTION OF OFFENBACH'S ORPHEUS IN THE UNDERWORLD at St.
After 86 concerts spanning over the past eight weeks, the 130th season of the Proms has come to a close, ending with the iconic Last Night of the Proms at the Royal Albert Hall, which has hosted over 3,000 musicians these past few months.
South African soprano Golda Schultz is always a treat to hear; with honeyed tones, rich storytelling and nimble versatility, the programme at Saturday's prom was an excellent vehicle to show off her considerable skills.
'Who doesn't check twice behind the shower curtain now?' asks presenter Edith Bowman, kicking off a spinetingling evening of thriller film soundtracks from the excellent BBC Concert Orchestra, under the assured direction of American conductor Edwin Outwater at the BBC Proms in the Royal Albert Hall.
Written between 1930 and 1932, The Lady Macbeth of the Mtensk District was first performed in 1934 - and received a scathing write-up in the Pravda newspaper in 1936, due to its graphic sexual violence and murderous female lead.
Experiencing art in a former car park is never going to get old - cold perhaps - so I was glad to return to Bold Tendencies to sample their 2025 season titled Déjà vu.
A thought-provoking reworking of Mozart's popular opera.
The La Jolla Music Society concluded its 2025 four-week SummerFest with three works for chamber-sized orchestras.
Mozart's beloved comedy The Marriage of Figaro opened Glyndebourne's very first Festival in 1934 and is the renowned opera house's most performed work.
This programme of music seems to thrive on themes of togetherness, resilience, and support that may have also influenced the Russian composer at the mid-point of his life, the Hungarian maestro nearing the end of his, and even the bright young man setting out to shake us the music scene in Europe to
It's 20 years since Anoushka Shankar made her Proms debut, along with her father Ravi Shakar.
Bringing Ivan Fischer and the Budapest Festival Orchestra back to the BBC Proms, last night’s concert offered a programme of Beethoven’s 'Symphony No.
This is a great opportunity to hear the breadth of Beethoven’s work performed in a novel way, and the drama does have its flashes of brilliance.
A program featuring one of the world's most beloved symphonies, a stunning piano concerto allowing pianist Alexandre Kantorow to show off his prowess, and a fascinating contemporary piece by Scottish composer Jay Capperauld, the 10th BBC Prom 2025 marks a triumph for conductor Maxim Emelyanychev and
From the moment the first note rang out, this was no ordinary Proms night.
Once Proms season comes around, there aren’t many better places to be on a Sunday morning than at the Royal Albert Hall.
As classical performance continues to wrestle with relevance, accessibility and representation, the Proms are under pressure to lead this change.
What did BroadwayWorld's critic think of THE MAINLY MOZART ALL-STA FESTIVAL ORCHESTRA at Epstein Family Amphitheater? Read the review here and learn more!