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Boston Theater Reviews

The latest reviews and critic recommendations from Boston.

BWW Review: Everybody Rejoice! The Lyric Stage Company's THE WIZ Is a Whirlwind

BWW Review: Everybody Rejoice! The Lyric Stage Company's THE WIZ Is a Whirlwind

by Nancy Grossman — May 24, 2018

Colorful and imaginative costumes, other-worldly lighting and sound effects, and a scenic design that combines magic with urban details, serve as the playground for the Lyric Stage Company's production of the 1975 Tony Award-winning Best Musical, THE WIZ, under the direction of Dawn M.

BWW Review: The 36th Annual Elliot Norton Awards

BWW Review: The 36th Annual Elliot Norton Awards

by Nancy Grossman — May 22, 2018

The Boston Theater Critics Association (BTCA) celebrated more than two dozen outstanding actors, directors, designers, and ensembles at The 36th Annual Elliot Norton Awards ceremony at the Huntington Avenue Theatre last night.

BWW Review: THE LEGEND OF GEORGIA MCBRIDE: Drag Queens in Suburbia

BWW Review: THE LEGEND OF GEORGIA MCBRIDE: Drag Queens in Suburbia

by Nancy Grossman — May 8, 2018

Greater Boston Stage Company in Stoneham presents the Boston premiere of THE LEGEND OF GEORGIA MCBRIDE, a play with music about a not-so-great Elvis impersonator who finds success with a new calling involving lipstick, sequins, high heels, and specially-padded undergarments.

BWW Review: LOVE! VALOUR! COMPASSION! Captures the Zeitgeist

BWW Review: LOVE! VALOUR! COMPASSION! Captures the Zeitgeist

by Nancy Grossman — May 4, 2018

LOVE! VALOUR! COMPASSION! by Terrence McNally won the 1995 Tony Award for Best Play and, although much has changed in the ensuing twenty-four years since it opened at the Manhattan Theatre Club, as a slice of gay life, it withstands the test of time.

BWW Review: Intense ANNA CHRISTIE at Lyric Stage Company

BWW Review: Intense ANNA CHRISTIE at Lyric Stage Company

by Nancy Grossman — April 14, 2018

Director Scott Edmiston has to thank the guy who wrote a taut adaptation of Eugene O'Neill's Pulitzer Prize-winning play ANNA CHRISTIE, thus positioning him to lead a seamless production which combines inventive stagecraft, stunning design elements, and a group of actors who seem born to their roles

BWW Review: SKELETON CREW: 'Survivor: Detroit'

BWW Review: SKELETON CREW: 'Survivor: Detroit'

by Nancy Grossman — March 13, 2018

According to AMERICAN THEATRE magazine, Dominique Morisseau's SKELETON CREW is the third most-widely produced play of the 2017-2018 season at regional theaters nationwide.

BWW Review: STEVE at Zeitgeist Stage Company

BWW Review: STEVE at Zeitgeist Stage Company

by Nancy Grossman — March 6, 2018

STEVE is a character-driven play in which not much happens, but it is a humorous treatise on the lives of a couple of middle-aged gay couples who are exploring ways to enliven their 'post-passion' relationships.

BWW Review: BRAWLER: A PLAY IN ALL CAPS

BWW Review: BRAWLER: A PLAY IN ALL CAPS

by Nancy Grossman — March 5, 2018

In the world premiere of BRAWLER at Boston Playwrights' Theatre, Walt McGough places the action in a hockey arena to explore what happens to an 'enforcer' who is demoted from the Boston Bruins to the minor league team in Providence.

BWW Review: Order Up! WAITRESS National Tour at Boston Opera House

BWW Review: Order Up! WAITRESS National Tour at Boston Opera House

by Nancy Grossman — February 23, 2018

Nearly three years after it premiered at the American Repertory Theater in Cambridge, and while still enjoying a successful run on Broadway, the national tour of WAITRESS is serving customers at the Boston Opera House as part of the Lexus Broadway In Boston 2017-2018 season.

BWW Review: Swipe Right for BAD DATES

BWW Review: Swipe Right for BAD DATES

by Nancy Grossman — February 13, 2018

BAD DATES remount at Huntington Theatre Company reunites Director Jessica Stone and actor Haneefah Wood who worked together in HTC's VANYA AND SONIA AND MASHA AND SPIKE (2015).

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