Is anyone else tired of musicals/plays inspired by movies? What has happened to originality? Come on - Shrek The Musical? Disney? Anything with someone who appeared on American Idol or won a contest to star in it makes one stand at TKTS and think 'not so much'. Why would I want to plunk down $120 for a ticket to that? Clay Aiken billed as an "International Superstar" on what planet? Anyone else craving originality?
What did happen to originality? How many times are we going to have new threads covering the same topic over and over with someone lamenting the lack of originality on Broadway?
The really original musicals we all remember have almost always been the exception, not the rule with Broadway... Look at a random New York season like say 1954, and I doubt it will seem all that groundbreaking or original.
I think originality is still alive and well in the plays of New York. Check most Off-Broadway and Broadway plays. Except for revivals most of them relate to themes of today. You have disfunctional families, drug and alcohol abuse, abuse of political power, politics, affairs, sex, war and so much more.
Look at this week's grosses and you'll see why there is little originality..
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
As others have stated above, musical theatre has never been a particularly original medium--people who think they remember a great golden age of originality are deluding themselves. Look at the classics--nearly all are adapted from some other source material, be it a book, play, movie, etc.
Comment on and debate the quality of today's musicals all you want, but let's not revise history here.
"Anything with someone who appeared on American Idol or won a contest to star in it makes one stand at TKTS and think 'not so much'."
So? Go ahead and skip a great performance if you are so particular about the way Idol stars got into the show business.
Most "proper" actors would soil their pants if they had to compete with 100,000 other hopefuls to even get close to winning a role, and then had to have several months worth of auditions, where their every note and move was critiqued on national TV. It's not for the faint of heart.
While the homophobia may have prevented Clay from winning American Idol, he still accomplished a hell of a lot more than many whiny losers that are so resentful of his path to success. And that is exactly my point.
Many of the books/plays/folk tales that are deserving of being musicalized already have been so it's not such a huge thing for them to cast their eyes to Hollywood. As many other posters have stated there isn't a whole lot of original material out there.
Not long ago TCM aired the film version of the Matchmaker with Anthony Perkins. I think I actually enjoyed it more than "Hello, Dolly". I found it to have much more wit and charm.
And just because people have a different way of saying "look at me - I have talent" than they did 50 years ago doesn't mean they actually have less talent than anyone else. Sure, there are people from AI that I, personally, don't like but I don't think they're undeserving.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
Name the latest original musical (besides In the Heights and 13).
<--- the set of A Midsummer Night's Dream that I was assistant stage manager for during the 2007 season at the STNJ outdoor stage.
-Dre-
You must remember all the same that at the crux of every game is knowing when it's time to leave the table... And it's important to be artful in your exit. No turning back, you must accept the con is done... It was a ball, it was a blast. And it's a shame it couldn't last. But every chapter has to end, you must agree. ~Dirty Rotten Scoundrels~
There's a special kind of people known as show people. We live in a world full of dreams. Sometimes we're not too certain what's false and what's real. But we're seldom in doubt about what we feel. ~Curtains~
It is a far, far better thing I do, than I have ever done; it is a far, far better rest I go to, than I have ever known. ~A Tale of Two Cities ~
While the homophobia may have prevented Clay from winning American Idol, he still accomplished a hell of a lot more than many whiny losers that are so resentful of his path to success. And that is exactly my point
As opposed, I guess, to the shrill and humorless who must appear to defend their queen any time there's even a whiff of criticism and then has the never to sling the words "whiny losers" at others.
Drowsy wasn't based on anything either if I am not mistaken. But shows like Curtains and Drowsy are few and far between.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
Can you call truly Avenue Q an "original musical" since it's a parody of Sesame Street? While it's not based on it there is source material.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
it's original but a large part of the concept is based on Sesame St. and the story of a person looking for purpose in their life isn't exactly unheard of.
Can you call truly Avenue Q an "original musical" since it's a parody of Sesame Street? While it's not based on it there is source material.
Yes. An original musical is one that contains an original book and an original score. While the concept for the show may be based on Sesame Street, the show itself is original material.
it's original but a large part of the concept is based on Sesame St. and the story of a person looking for purpose in their life isn't exactly unheard of.
Boiling down the plot to its bare minimum doesn't really make it less original. It's like saying Curtains is not original because it is a murder mystery.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian