I just got the revival CD for Little Shop of Horrors, and I love it, it is one of my fave CD's! The cast is talented, and the songs are fun, and the sets and everything look great-why did it only last like a year or so? Was it not very well recieved, or was it not a very good show?
Could be too, that the new orchestrations killed it!
Little Shop has a HUGE following that could have filled the Virginia, but IMHO this prodution was not well executed. It started in Florida where they fired half the production team, Director and cast and started fresh. Sometimes this works e.g. AIDA but most of the time your show is in a lot of trouble, as in this case.
The orchestrations and new arrangements are so terrible, there are random Trumpet flourishes and flutes and the like. This is supposed to be a GARAGE BAND Musical like ROCKY HORROR and what did they do?? I can't even stand to listen to the new recording it makes me so mad!
And sometimes when something is done so well the first time, Like old movies, It is a mistake to remake them because, if you're not faithful, all of your original fans end up hating the new product!
"It's like children's theatre for 40-year old gay people!" - XANADU THE MUSICAL
Hunter Foster talked about this in "Making it on Broadway". Basically he felt it was a small intimate show(O.B.) & was expanded beyond its ability to sustain in the larger venue.( They kept saying make it bigger!)Also There was a lot of recasting to that purpose b4 they finally arrived in B'way so there may have been some unevenness originally too.
Yes the VIRGINIA THEATRE is huge and a lot of shows can't fill it, but SMOKEY JOE'S CAFE (nothing more than a musical revue) Filled it for 5 years and 2036 performances! It can be done!
"It's like children's theatre for 40-year old gay people!" - XANADU THE MUSICAL
I've seen better productions of Little Shop in college and amateur theatre. The direction was awful and didn't understand the tone needed to make the show work. The actors were "winking" at the audience and selling the jokes (you have to play it straight in order for the laughs to emerge) which KILLED much of the humor of it. They probably lost 40% of the laughs in the show. And then expanding it into a $10 million show was ludicrous. It's charms are intimate (it was perfect downtown at the Orpheum in the 80s) and most of them were lost in the Virginia.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
The revival was an amazing production! It didn't get any negative reviews from the press (maybe at Florida I dunno), but on Broadway it got mixed to positive reviews. And most weeks it was in the 70s-80s, but then dropped to the 60s because of JOEY FAT ONE
I loved that production.. especially Trisha Jeffrey, DeQuina Moore and Carla J. Hargrove which all had their Broadway debuts. (They are now in Hairspray, All Shook Up and Princesses) Hunter was the perfect geek and Kerry was a great comedian.
I agree with bare_nakedlady and Margo. Too big, poorly executed and over produced. I wish they would have just got Ellen Greene to do it again too!
"For me, THEATRE is an anticipation, an artistic rush, an emotional banquet, a jubilant appreciation, and an exit hopeful of clearer thought and better worlds."
~ an anonymous traveler with Robert Burns
And the other thing about the Phantom Lady was, Bert, she realized, in the city that never sleeps...
What did she realize, Kitten?
That all the songs she'd listened to, all the love songs, that they were only songs.
What's wrong with that?
Nothing, if you don't believe in them. But she did, you see. She believed in enchanted evenings, and she believed that a small cloud passed overhead and cried down on a flower bed, and she even believed there was breakfast to be had...
Where?
On Pluto. The mysterious, icy wastes of Pluto.
I agree that they made it too big. I don't know. I love Little Shop but this production really did nothing for me. I think it would've done better in a smaller house with some different directing choices.
Greene owns that role, now and forever, managing to convey poignance, vulnerability, chutzpah along with razor sharp comedic timing. She truly could make you laugh and cry at the same time. Butler was clueless.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Little Shop is our Holiday show here in Denver at the Buell Theatre. It seats over 2800 people! I will see it just because we always go to whatever show is in around Christmas. Think I will use my comps for this one though!
theaterlover45, you are obvioulsy clueless. Margo hit the nail on the head about the amazingly versatile and talented Ellen Greene. I agree that Alice Ripley would have been way better than Butler. She was horrid but then again I've yet to see her do anything that I cared for.
"For me, THEATRE is an anticipation, an artistic rush, an emotional banquet, a jubilant appreciation, and an exit hopeful of clearer thought and better worlds."
~ an anonymous traveler with Robert Burns
I agree Robert darling! I've always thought that The Urchins were a great part and I kinda could care less about them in this production.
"For me, THEATRE is an anticipation, an artistic rush, an emotional banquet, a jubilant appreciation, and an exit hopeful of clearer thought and better worlds."
~ an anonymous traveler with Robert Burns