-"Although there won’t be many changes to script or songs, Warchus plans to simplify a complicated set — five revolving stages — that led to early technical hiccups in London and New York"
-Andy Karl will be reprising his role as Phil (!!!!)
I've seen regional productions in San Francisco and Chicago, along with the Broadway version. The San Francisco production had only one truntable. The Broadway version did some stunning things with turntables, but I also think the show works just fine in a more simplistic form.
I was initially worried the show wouldn't work without Andy Karl, but thankfully the regional Phils I've seen have been fantastic and carried the show. That being said, I'm over the moon that Andy is reprising his role.
It’s very rare in life when one an actual wish comes true - having this show return WITH Andy. I’m leaving London the day before previews start and can’t extend but I’ll be back a few weeks later and will definitely be seeing this more than once.
This is one of my favorite musicals so this announcement finally being official is just incredible for me.
I still remember the drama of his injury and show schedule. Ticketmaster (or telecharge?) were so kind to swap my War Paint and Groundhog Day shows so that I could catch Andy. And Andy hilariously used his leg brace for comedic effect in the show. Live theatre is the best!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Jordan Catalano said: "It’s very rare in life when one an actual wish comes true - having this show return WITH Andy. I’m leaving London the day before previews start and can’t extend but I’ll be back a few weeks later and will definitely be seeing this more than once.
This is one of my favorite musicals so this announcement finally being official is just incredible for me."
I love when shows we love return!! So happy you’ll get to see one of your favorites again (I’d feel the same if Hair came back)
BroadwayNYC2 said: "Will die on the hill that this was the best musical of the Hansen/Come From Away/Great Comet year."
I realize the show wasn't everyone's favorite - but it sure was mine - and I'd go further and say GHD was one of the best musicals.... in many different Tony years, not just 2017... So many layers... ..maybe a lyric change or two and one plot point short of perfect.
To me, it ranks right up there in "Favorite Theatergoing Experiences" with some of the greats - which I've seen and loved --in its own way...
I reread the NYT/Brantley review last night and it was positive>rave, so not the only one who thought so -
I saw it in London... I saw it several times on Broadway... and my planned European trip next year coincides with timing and am going to consider every option to alter plans to travel to see it. (My wife just texted me while typing this and said, "I'm serious... cut Italy short and go to London to see it..."
So nice for Andy that they put his name above the title
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
dwirth said: "BroadwayNYC2 said: "Will die on the hill that this was the best musical of the Hansen/Come From Away/Great Comet year."
I realize the show wasn't everyone's favorite - but it sure was mine - and I'd go further and say GHD was one of the best musicals.... in many different Tony years, not just 2017... So many layers... ..maybe a lyric change or two and one plot point short of perfect.
To me, it ranks right up there in "Favorite Theatergoing Experiences" with some of the greats - which I've seen and loved --in its own way...
I reread the NYT/Brantley review last night and it was positive>rave, so not the only one who thought so -
I saw it in London... I saw it several times on Broadway... and my planned European trip next year coincides with timing and am going to consider every option to alter plans to travel to see it. (My wife just texted me while typing this and said, "I'm serious... cut Italy short and go to London to see it...""
I still want to know how they did the part where...he climbs up a ladder? or something? and then appears onstage again-I think that's during the act 1 finale.
EDSOSLO858 said: "I believe that’s “Hope” you’re thinking of, early in the second act. Lots of trickery on display as Phil attempts suicide in different ways."