"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
The musical, which combines the plot of the 1953 film with the music of Cole Porter, has been in development for years — an early version was staged at the Muny in St. Louis in 2001, and a reworked version at the Guthrie Theaterin Minneapolis in 2012.
Huh, I didn't know they were using Cole Porter songs. At least those are fun! tried watching the movie once three years ago or so, I fell asleep during it.
"Contentment, it seems, simply happens. It appears accompanied by no bravos and no tears."
As a huge fan of the movie, this seems odd. No, no Cole Porter songs are in the movie. I think it could work, definitely, depending on which songs they decided to go with. I wonder who they'll cast for the lead. An unknown or a previously established Broadway lady?
They/them.
"Get up the nerve to be all you deserve to be."
I wonder how this differs from the "Roman Holiday" musical they did at the Guthrie in 2012, which was also meant to be a "pre-Broadway" run. I know Jerry Zaks saw that one, to gauge interest, and did not become involved.
The more I think about it, Cole Porter is the wrong style and voice for these characters. It sounds "off" to me, like they're trying to wedge popular period songs into a story without regard for whether or not they suit it.
Frothy, witty, and sophisticated are not adjectives I would use to describe this story about a princess who escapes her life and ends up spending a day incognito with a reporter on the streets of Rome. If anything, it should be earthy and honest and simple ... that's what she would be craving. Now if the reporter went to the palace and spent his day with royalty, I would say a Porter score could fit nicely.
I wish Adam Guettel had taken a shot at this.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
I think the best integration of a Porter score with a movie was with "Evil Under the Sun" which starred Peter Ustinov and Diana Rigg among others. The careful integration of the music with various scenes was brilliant and inspiring.
Adam Guettel would be fantastic for this. What a shame. Are there any simple Cole Porter songs that could be integrated to fit Princess Ann? I can't think of one, let alone a whole scores worth.
They/them.
"Get up the nerve to be all you deserve to be."
Knowing nothing of the movie except the mouth of truth scene I'm actually intrigued by those Guthrie clips. Aside from that first song from High Society (I think?) the rest of the songs sound new to me.
" Huh, I didn't know they were using Cole Porter songs. At least those are fun! tried watching the movie once three years ago or so, I fell asleep during it."
You're kidding, right? It's one of my favorite movies. I was excited at first until I heard about the Cole Porter score. I agree, it doesn't fit. Part of the reason the movie works so well is the gender balance. It's half romance and the female protagonist coming into her own. And it's half this more serious story about the reporter and politics and responsibility. And the ending is heartbreaking but so fitting. If you make a frothy romantic comedy, you lose what makes it so special.
Very happy about this - especially that it will play in the City and close by. I can live with the Cole Porter connection but would rather have an original score.
Here is the program with the 2012 Production Musical Numbers (obviously subject to change and revision.)
Some fantastic songs and I can really see this being great. More obscure songs mixed in than i thought they would do. 18 numbers from 13 lesser known shows, film, tv and an unproduced show.
"Wouldnt it be fun" is a terrific song from Alladin that was the last song Cole wrote...
I have to watch the movie now thinking about these songs. my biggest reaction to the songs is I'd love to see a stronger finale than a reprise of Experiment, because I think the relationship was much more than just an experiment for the princess.
ACT I
Overture
Once Upon a Time .PRINCESS (Ever Yours unproduced)
I’m Throwing a Ball Tonight .JOE, ENSEMBLE (Panama Hattie)
Experiment .COUNTESS, PRINCESS (Nymph Errant)
Why Shouldn’t I? .PRINCESS (Jubilee)
You Do Something to Me .JOE, ENSEMBLE (Fifty Million Frenchmen)
Let’s Be Buddies .JOE, PRINCESS (Panama Hattie)
Look What I Found .JOE, PRINCESS, ENSEMBLE (Around the World in Eighty Days)
Wouldn’t It Be Fun? .IRVING, PRINCESS, JOE (Alladin)
Most Gentlemen Don’t Like Love .FRANCESCA, PRINCESS (Leave it to Me)
Ridin’ High .JOE, PRINCESS, ENSEMBLE (Red, Hot & Blue)
ACT II
Entr’acte
A Picture of Me Without You .JOE, PRINCESS, IRVING (Jubilee)
Use Your Imagination .PRINCESS, JOE (Out of this World)
Just One of Those Things .FRANCESCA, MALE QUARTET (Jubilee)
Easy to Love .JOE (Born to Dance Movie)
Ev’ry Time We Say Goodbye .PRINCESS, JOE (Seven Lively Arts)
I saw the version of this that went up at the Guthrie in 2012, and my god was it boring. I hope they've made a lot of changes to the material, but their biggest struggle may be finding someone with as much charm and elegance as Hepburn - few fit the bill.