This would have been the version with the Abe Burrows book, in Philadelphia. I'd like to see a reading of that version; when Albee came in, too many songs were cut and the book took a grim, nasty, mean-spirited turn.
If you purchase the two disc studio recording of the show with Faith Prince, after some sleuthing you can actually program the discs to play both the tracks from Burrow's HOLLY GOLIGHTLY version and Albee's later BREAKFAST AT TIFFANY'S rewrite.
Do not remember where I got it but I have an audio recoding of this. Not sure if I burned it to cd yet and not sure if it includes dialog as well. I have never listened to the whole thing.
The CD of the Broadway bound cast I have is just the songs. I doubt the show (either version) with dialogue exists. Also have a sixteen track CD of composer Bob Merrill's demos. All in all Merrill penned some lovely songs including "Dirty Old Men" which interestingly was added to Jule Styne's score when SUGAR was produced in London as SOME LIKE IT HOT.
There is a recording of the Broadway version with most of the dialogue (maybe all). It seems to be a night when "Ciao, Cumpare" was cut completely, because it's not on there. Art Lund, Larry Kert, and miss Moore all sound great, but there are not a lot of songs - I believe Albee didn't care for most of the score and intentionally created a book where they wouldn't fit.
Bob Merrill , the composer lyricist is an unsung genius. I love his scores. Henry Sweet Henry Carnival New Girl in Town (My least favorite) Take Me Along and his work on Breakfast At Tiffany's could have saved the show if he had decent collaborators. He even supplied some songs to Hello Dolly including. - Elegance
The lyrics to Sugar and Funny Girl. And Prettybelle.