LOS ANGELES, CA, March 13, 2012—Producers Barbra Streisand and Joel Silver have set Academy Award®-winning writer Julian Fellowes to pen the screenplay adaptation of Stephen Sondheim and Arthur Laurents’ Tony Award winning musical, Gypsy, which Ms. Streisand and Mr. Silver are currently developing for Universal Pictures. Ms. Streisand will portray “Momma Rose” in the new version, her first musical film since Yentl in which the Oscar®-winning actress and iconic singer starred, produced, co-wrote and directed in 1983.
Fellowes won the Original Screenplay Academy Award® for Gosford Park and most recently earned the Emmy and Golden Globe for creating and writing the acclaimed miniseries, Downton Abbey. His musical theatre work includes adapting the script for Disney’s stage production of Mary Poppins.
Gypsy has exhilarated audiences on both stage and screen since its first Broadway run in 1959 with Ethel Merman. Since then, the compelling story based on the memoirs of the famous striptease artist, Gypsy Rose Lee, has spawned numerous reincarnations including the 1962 film starring Rosalind Russell and Natalie Wood, four Broadway revivals, as well as a made-for-television movie.
A celebrated artist, Streisand has gathered Oscar®, Tony, Emmy, Grammy, Directors Guild of America and Golden Globe awards, winning Oscars® for both, Best Actress (Funny Girl) and Best Original Song (for her composition of “Evergreen” from her production of A Star Is Born).
Gypsy marks Silver’s first foray into Broadway movie musicals after a career of producing several commercially-successful films including the Lethal Weapon, The Matrix, Die Hard and Sherlock Holmes franchises.
Get out the Lucille Ball-Mame cameras. Increase your portfolio holdings in cheesecloth and vaseline.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Maybe Fellowes will add some time jumps. Then Streisand will be more age-appropriate.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
That screenwriter has a job ahead of him- not only retrofitting the story so that Rose is pushing 70 throughout, but figuring out how Rose can sing every song.
"Rose comes upon Tulsa in the alley talking to Louise about his act. She sits the kids down on a garbage can and starts to sing "Got your top hat, got your white tie, all you need now is the girl!"
I'm looking forward to the scene in the dressing room where Rose tells the strippers that "You Gotta Get a Gimmick."
I renew my request to cast the strippers as follows:
Mazeppa - Elaine Stritch
Elektra - Angela Lansbury
Tessie Tura - Chita Rivera
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Honestly, I still can't believe they are actually doing this. Streisand is 70, hell she is too old to play the part on stage, how on earth are they gonna make her look believable on screen?
I'm looking forward to the opening scene when Barbara sings "Let Me Entertain You". I feel bad for the actor playing Herbie he won't get to sing a note.
Doesn't the basic pleasure of GYPSY lie (along with the amazing score) in seeing a star throw caution to the winds to play a hard-driving character, warts and all, with no concern for whether she is "likable"?
When has Streisand ever been willing to do anything like that? In YENTL, she played a penniless girl pretending to be a BOY and still looked like she had spent six hours in Hair and Make-up.
I was going to say, doesn't Babs have a reputation of in the past fighting with directors to make her characters more likeable? Though I suppose that was in the past and may not apply here...
I love some Fellowes--I'm a Downton Abbey fan and loved Gosford Park, though this still seems a slightly weird fir for him.
I'm always game for another movie musical, especially one of Gypsy, but I admit a part of me wishes they would film something that hasn't been filmed. I know people are mixed on it, but I'm more than fine with the Bette version as representing the stage production (though I wish they had filmed Patti's for TV as planned), and don't really see any reason for another one--except of course that it's an iconic role and Babs wants to play it. I swear she must have been waiting for Laurents to die so he couldn't have much say in this.
If anything, we'll get the most embarrassing and pathetic Rose's Turn to date.
Yeah, that's all I got. I wonder how they're going to work out Rose's obvious lack of egg production to produce those girls. Multi-racial casting and adoption?
Mickey Rooney as Rose's father.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Pete Hammond has written a very intelligent piece for Deadline in defense of Streisand doing this film that (I think) really artfully addresses the detractors.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
^^^somethingwicked, I don't see how that blogger really answers anyone's concerns. Even HE has his doubts about a 72-year-old Rose.
His basic argument seems to be, "It's a great role and a great star. So verisimilitude be damned!"
Frankly, I'm not sure Streisand can even SING the part any more, unless she recorded it years ago and has the master tapes in her garage. Her recent concert from the Village Vanguard stuck to light ballads and even so the instrument was a little shaky (for the first time, in my experience).
I'm not sure she can still do justice to the big belting of "Some People", "Everything's Coming Up Roses" and "Rose's Turn." (Yes, I know: neither could Tyne Daly, but Daly isn't one of the greatest singers of the past 100 years. Expectations were different.)
I feel confident that they'd be able to get one performance of each song out of her, with the aid of computers, that would be good enough.
I love the idea of this though. A vanity project to end her career (hopefully in a good way). I will be first in line.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000