Siren Theatre Collective presents an evening inspired by the ghosts, legends and folklore of the Chesapeake region, compiled and staged by Robin Schwartz and produced by Jennifer Cooper. Presented as a staged reading, the approximately one-hour performance features an ensemble...
Motte & Bailey Production presents Titus/ Meatloaf adapted and directed by Hannah Fogler. The fourth and final installment of their Shakespeare/Music series. The combo of one of Shakespeare's bloodiest play and the album Bat out of Hell come together in one of the most insane nights I've ever had in…
She’s sufficiently droll as a storyteller that she invariably amuses. The audience was in the palm of her hand from the first.…
All the world is a party, and everyone is welcome to join at Laurel Mill Playhouse. While the original 2006 form of The Drowsy Chaperone may inspire cautious apprehension in the hearts of knowing theatre-goers, LMP’s mounting directed by Alex Campbell proves that Drowsy can still show off in style…
Kim’s Convenience, written by Ins Choi and directed by Cara Hinh is a deft comedy about a family that loves one another but doesn’t quite know how to talk to each another.…
Tucked between row homes on a quiet, one-way street in Upper Fells Point lives an 18th century firehouse with a community whose heart could carry the entire city of Baltimore. No single event showcases this better than Fells Point Corner Theatre’s 10x10x10 Play Festival. This festival is not to b…
Thanks to a serious discussion wrought by the end, the play avoids being a mere entertainment. The characters are not merely competing, ruthlessly but wittily too, for whatever prizes journalism may have to offer, but are visibly debasing their souls to win those prizes, and with their souls, part o…
Refugee Rhapsody, by Yussef El Guindi, is kind of funny. You may consider that an odd trait for a play about violence, racism, immigration and the dangerous effects of celebrity culture, but it happens to be true. In our media environment we are frequently confronted by enormities that leave us very…
There are a lot of good laughs there.…
In the end, this is not so much of a takedown of one specific person as of a way of being a person. To shrink down to that person’s size is to lose out on life. In this good and carefully-written play, D’Amour makes that clear.…
This play had been a powerful emotional experience, one I would have delightedly seen again, even before I’d mastered the fact pattern.…
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La Sylphide Maryland Hall (10/16-10/18) |
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The Score Shakespeare Theatre Company (9/11-10/25) |
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The Pansy Hour Submersive Productions (10/02-12/06) |
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Key City Improv Maryland Ensemble Theatre (11/14-11/14) |
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Appropriate Maryland Ensemble Theatre (4/02-4/25) |
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Classic Theatre of Maryland presents "A CHRISTMAS CAROL" Classic Theatre of Maryland (12/03-1/03) |
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Dr. Seuss' How the Grinch Stole Christmas! The Musical Imagination Stage (11/21-1/03) |
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The Dinner Detective Baltimore True Crime Murder Mystery Show The Dinner Detective Baltimore (11/14-11/14) |
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Classic Theatre of Maryland presents "SHE STOOPS TO CONQUER" Classic Theatre of Maryland (3/04-3/21) |
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The Moors Maryland Ensemble Theatre (2/12-3/07) |
