Tim Sullivan
BWW Review: WAKEY WAKEY at American Conservatory Theatre Is A Superbly-Acted Exploration Of What It Means To Be Alive In The Modern World
Wakey Wakey is a superbly-acted exploration of what it means to be alive in the modern world that will provoke you and ultimately lift you out of your seat with a deeper appreciation for the life you're leading.
BWW Review: SCROOGE IN LOVE at Gateway Theatre is a playful and loving tribute to an enduring classic that has every reason to become one in its own right.
If you're in the mood for an unconventional confection this holiday season, look no further than 42nd Street Moon's Scrooge in Love now playing at the Gateway Theatre.
BWW Review: AMALUNA at The Big Top At Oracle is a wondrous and enchanting night at the circus that will be enjoyed by all ages.
Cirque du Soleil has produced a staggering number of shows in its 35-year history--there are no less than seven currently running on the Las Vegas strip alone--so one must marvel at the company's ability to ensure its quality matches its quantity.
BWW Review: TESTMATCH at A.C.T.'s Strand Theater lobs questions of race, gender, sexuality, and class across the centuries, but ultimately misses the wicket.
It may be an unfamiliar sport to most American audiences, but in Kate Attwell's ambitious new play Testmatch, cricket becomes a prism in which she explores the lasting legacy of British colonialism in the Commonwealth countries that regularly compete against their former rulers.
BWW Review: HOT MIKADO at Gateway Theatre
Gilbert and Sullivan are brought into the jazz age in this charming, if uneven, production of Hot Mikado by 42nd Street Moon at the Gateway Theatre.
BWW Review: TOP GIRLS at American Conservatory Theatre
With exceptional direction, a brilliant and moving cast, and a script that is painfully relevant, this Top Girls is top-notch.
BWW Review: MEASURE FOR MEASURE at Marin Shakespeare Company
One of Shakespeare's least performed works, Measure for Measure, is also one of his best.
BWW Review: THE OLDEST LIVING CATER WAITER at Gateway Theatre
Most theatremakers have to take on less creative professions to pay their bills, and in Michael Patrick Gaffney's one-man play The Oldest Living Cater Waiter, his side hustle is put front in center in relaying the story of his life as he balances his passion with practicality.
BWW Review: RHINOCEROS at American Conservatory Theatre
Eugène Ionesco's Rhinoceros is brought boisterously into the Trump era in this hilarious production directed by Frank Galati at A.
BWW Review: THE VIEW UPSTAIRS at New Conservatory Theatre Centre
Max Vernon's new musical The View UpStairs sees its Bay Area premiere in Ed Decker's appealing production at the New Conservatory Theatre.
BWW Review: THIS RANDOM WORLD at Left Edge Theatre
Dubbed 'the most ubiquitous contemporary American playwright whose name you may never have heard' by the Chicago Tribune, Steven Dietz's oeuvre contains nearly forty plays that are frequently produced across the country.
BWW Review: WEIGHTLESS at Strand Theater
Ovid's Metamorphoses has inspired countless adaptations in the two millennia since it was first published - Mary Zimmerman beautifully staged a revival of her version at Berkeley Repertory Theatre earlier this year.
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