Theatre Journalist Natalia Jarczynska has written 225 articles for BroadwayWorld since 2018, covering Poland Theatre.
Natalia has been in love with shows since a moment when she saw her first musical on TV one Sunday noon. She was 6 and since then she graduated from Cultural Studies and has worked for cultural festivals and theaters in Poland, France and Croatia.
What can you do with a 90-year-old piece about a man madly in love, slowly slipping into a dream he has no desire to wake up from? Quite a lot, it turns out.
How do you build up an opera that is a national treasure, a patriotic symphony that still resonates in 2025? The Haunted Manor – widely considered Moniuszko’s masterpiece and one of the greatest Polish operas of the 19th century – and yet, surprisingly, it remains little known beyond Poland's
What did our critic think of PRODUCERS at Gdynia Musical Theater? It’s not the first time, but it’s still a title that the Polish audience isn’t deeply familiar with.
What a blast that was! The Malta Festival is not just another cultural event; it’s like the cherry on top of a sundae you didn’t know you needed—until you took that first bite.