What did our critic think of MARAT/SADE at Teatr Wspolczesny Wroclaw? The play was written in 1963 by Peter Weiss, a German writer, and even though the fact that it's almost 60 years old, it hasn't lost any of its actuality.
What did our critic think of THE SHOEMAKERS at Teatr Polski In Wroclaw? Witkacy is not easy to swallow.
What did our critic think of CARMEN at Wroclaw Opera? For some people synonym of the opera, after 15 years the great Carmensita is back in Wroclaw, still bringing a huge dose of emotions and a great time in the theater.
What did our critic think of BALLADS AND ROMANCES at Wroclaw Mime Theatre? Three different approaches to Mickiewicz's legacy.
You can love him or hate him.
What did our critic think of KOMBINAT at Teatr Muzyczny Poznan? So good, so precise and so innovative show it's a real pearl, and oh my, how good it is.
The Wroclaw Opera with 5 statuettes of the Jan Kiepura Theatrical Music Awards! The Best Show, The Best Opera Male Singer and Female Singer, The Best Conductor, and The Best Theater and Music Poster - in these categories the Wroclaw Opera triumphed during the presentation of the 16th Theater Jan Kie
What did our critic think of A MIDSUMMER NIGHT'S DREAM at Teatr Polski In Wroclaw?
What did our critic think of THE MERMAID.
What did our critic think of MANON at Opera Wroclaw? Manon has it all.
If you want to witness the materialization of the word beauty, see this show.
This opera buffa composed in 1786 by Wolfgang Amadeus Mozart is the piece produced by the Wrocław Opera as part of the Opera Of The Young program after Don Giovanni and Cossi Fan Tutte.
We all know the fairytale where a bullied girl led by her kindness and magic transforms herself into a princess and finds her happily ever after in the prince’s arms.
Theater has to be on display and expose vulnerability, that extremely fragile part of your being that we hide day after day from society, the people around us, and even ourselves.
When you were a kid, you probably heard: Don't play with scissors.
This show is one of a kind and this year we celebrate the 50th anniversary of a Bob Fosse masterpiece.
The theater, in particular contemporary should not only show a vision of precise story but ask some questions about reality we live in, make us think.
A romantic burlesque turns out to be an abstract path to nothingness through perverse vanity.
The show directed by Szymon Kaczmarek has two parts, first, longer, invites us to the world of professionals dealing with paranormal activities.
I don’t even know where to start and what element was the best, the idea, the script, directing, acting or lovely madness evaporating from the show… It all made a mix perfect difference and intel smoothness.
