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Nancy Grossman - Page 22

Nancy Grossman

From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com. Nancy is a member of the Boston Theater Critics Association, the organization which bestows the annual Elliot Norton Awards which honor the outstanding achievements of the Boston theater community, and she formerly served on the Executive Board of the Independent Reviewers of New England (IRNE). Nancy is an alumna of Syracuse University, has a graduate degree from Boston University, and is a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.
 

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Latest Articles

BWW Reviews: TALLEY'S FOLLY Past Its Prime

BWW Reviews: TALLEY'S FOLLY Past Its Prime

March 26, 2014

Merrimack Repertory Theatre cranks up the way back machine to transport the audience to Lebanon, Missouri, on July 4, 1944, in Lanford Wilson's Pulitzer Prize-winner TALLEY'S FOLLY, but the play chugs along on fumes, despite the best efforts of all parties.

BWW Review: BULLY DANCE Looks for the Light

BWW Review: BULLY DANCE Looks for the Light

March 11, 2014

Playwright David Valdes Greenwood offers a requiem to explore the randomness of violence, the collateral damage suffered by the community, and the road to reclaiming one's humanity.

BWW Review: THE WHIPPING MAN Cuts Deep at New Rep

BWW Review: THE WHIPPING MAN Cuts Deep at New Rep

January 31, 2014

Playwright Matthew Lopez uses the Passover Seder as a framing device, paralleling the escape of the Jews from bondage in ancient Egypt with the freeing of American slaves at the end of the Civil War.




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