Lindsay is a born and bred South African who lives in Cape Town after studying English, Media and Art, and Teaching at Stellenbosch University. She fell in love with musical theatre when she first saw the film version of The Phantom of the Opera in 2004. After studying drama in high school, she focused more on singing at university singing with the Stellenbosch University Choir for 5 years. By day she works from home as a student manager and freelance writer, and at night she is involved in the local community theatre scene as a chorus girl and karaoke queen.
The latest Rodgers & Hammerstein offering from Cape Town's G&S Society was welcomed at Artscape Opera House this past weekend with standing ovations. SOUTH PACIFIC is described as an 'epic musical romance' and this latest revival of the classic breathes technicolor life into a legendary theatrical think piece.
From the same team that brought URINETOWN - THE MUSICAL to Artscape last year, Waterfront Theatre School invites audiences to immerse themselves in the haunting harmonies and hint of fanaticism in SPRING AWAKENING.
Bursting at the seams with professionalism, passion and unbridled provocation, KINKY BOOTS at the Fugard Theatre has welcomed full audiences since its debut over a month ago and, from just 5 minutes into the show, it's easy to see why. The Harvey FiersteinCyndi Lauper hybrid production has garnered multiple awards in its prime, and this original South African rendition deserves equal accolades.
VAN WYK: THE STORYTELLER OF RIVERLEA weaves in and out of South African writer Chris Van Wyk's life and thoughts while paying homage to his artistic, political and familial contributions. Combining humor with home truths, I couldn't get enough of this infectious down-to-earth persona that Zane Meas and Christo Davids expertly presented at the Baxter Theatre Centre this month.
With its announcement late last month, South Africa is shivering with anticipation over THE ROCKY HORROR SHOW's arrival to Artscape and Montecasino later this year. Leading man Craig Urbani chats to BroadwayWorld South Africa about his history with Richard O'Brien's beloved rock 'n roll musical, and how he's approaching the fantastical Frank N. Furter.
The second offering of the Flemish Dance Season at the Baxter Theatre was a contemporary performance blurring the lines of boxing and dance; but leaving no confusion to the level of skill presented on stage.
Les ballets C de la B opened the Flemish Dance Season at the Baxter Theatre this week with REQUIEM POUR L. - a captivating take on Mozart's Requiem that combines reworked vocals, instruments and movements to present a unique piece of art.
Dark costuming, pervading background bass and smoke in the air, the ominous presentation of MACBETH at Theatre on the Bay matches its subject matter expertly. Abrahamse and Meyer have brought forth a hauntingly engaging tragedy whose main character's mad quest for kingship is paralleled in the flow of this production.
Immersive as a musical escape from everyday life while also shimmering with an unpretentious approach to modern-day society, ORDINARY DAYS at the Baxter Flipside Theatre puts the worries and ideals we politely hide to others and ourselves on display through piano melodies and harmony.
The Offbeat Broadway franchise continues with its fifth installment of the popular musical theatre tribute/take-off. OFFBEAT BROADWAY 5 returns to Theatre on the Bay with its original three highly talented performers at the forefront, a well-respected director at its helm, and a repertoire of delightfully entertaining musical numbers from a variety of shows.
Returning to home soil after its international debut in Stratford-upon-Avon, John Kani's KUNENE AND THE KING is set to enthuse and confront local audiences with its South African run at the Fugard Theatre. The new and original production puts a complex relationship on display that is brought together by, not only intrinsic similarities, but also a little Shakespeare.
A play intended to shock the conservative and probe at society's typical imaginings of marital breakdown, the Baxter's latest offering of the award-winning THE GOAT, OR WHO IS SYLVIA? has an equally acclaimed director and cast behind it; making it stand in good stead as a must-see for those brave enough to approach what they cannot 'unsee'.
Stepping out of The Baker's shoes in Sondheim's INTO THE WOODS and slipping on Lola's signature siren red heels, Earl Gregory gets ready to sing and stomp up a storm as a lead in the award-winning KINKY BOOTS at The Fugard Theatre later this year.
Inspired by a true event, Peter Shaffer's EQUUS invites audiences to sit in on Alan Strang's psychological appointments after the teenager violently attacks six horses. Psychologically, religiously and sexually perverse, Alan's problematic relationship with horses is dissected by Dr. Martin Dysart who is jumping through his own torments. Expertly dark and inescapably sensual, EQUUS combines various elements of theatrical mastery that make this 2019 production a success for Pieter Toerien Productions.
Magnet Theatre's award-winning EVERY YEAR, EVERY DAY, I AM WALKING returns over a decade later after its initial creation in 2006. Speaking to themes of human resilience, injustice and imagination, the heart-wrenching tornado of emotion EVERY YEAR, EVERY DAY, I AM WALKING leaves one with is nothing short of poignant brilliance in theatre.
Fosse'd to the nth degree, CHICAGO returns to the Artscape leaving audiences with one word in mind… "class". Clutching at the heels of the original New York production using choreography by Gary Chryst and the indistinguishable re-creation of staging and costuming, this silky musical is presented like a slice of top-end Broadway on South African soil a decade since its last showcase.
Winners of the 54th annual Fleur du Cap Theatre Awards were announced on Sunday 10 March 2019 at the Artscape Opera House in Cape Town.
Now showing at Sandton's Auto & General Theatre on the Square, TEASE! invites audiences into the lives of Eva and Neo as they ride a wave of sexual awakening and self-discovery. Leads Tumi Morake and Vanessa Frost tempt us with a piece of behind-the-scenes talk of what makes up this humorous, heart-warming piece of a theater.
Outlined as a "moving and funny two-hander", playwright John Kani describes his latest play KUNENE AND THE KING as a review of the past 25 years of South African democracy. From plotlines to politics, Kani sits down with Broadway World in between rehearsals to discuss the anticipated international debut of his new production.
The latest adaption from David Kramer, HAPPY NEW YEAR (A PLAY WITH SONGS) is brought to the Fugard Studio this season as a delightful romcom with international direction behind it and local talent at its forefront.
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