Lindsay Kruger - Page 2

From casting for the Fugard stage to fitting faces into Zoom frames, Neil Coppen has been on a journey with HAMLET since early 2020. The prolific director discusses with BroadwayWorld his experience so far.

Starting off its Autumn season in a notable way, Cape Town City Ballet presents the double bill of INGOMA / LES SYLPHIDES at Artscape Opera House.

Adapted for stage by Lara Foot and in collaboration with Handspring Puppet Company, Nobel Prize-winning author JM Coetzee’s LIFE AND TIMES OF MICHAEL K opens for a special preview season next month at Baxter Theatre Centre. Letting us in on their process of working with puppetry for the past four decades, Basil Jones and Adrian Kohler of Handspring chat with BroadwayWorld.

After a highly successful debut hailed as 'an operatic musical extravaganza', CANTIAMO - MZANSI OPERA CELEBRATION returns to the Mandela Theatre this month. Directed by acclaimed artistic producer and director Marcus Desando, he discusses with BroadwayWorld his role as director in this celebratory showcase of international and local compositions.

Megan-Geoffrey Prins is an internationally-acclaimed concert pianist working as a solist, chamber musician and lecturer. Performing at the third AARDKLOP AUBADE classical music concert entitled the PRINCE & THE PIANO, the celebrated local talent talks about his love for the instrument and his career as a pianist.

Joining a global community with sister schools in Toronto, Mexico City and Amsterdam, The Assembly Improv South Africa welcomes an international cast of 'improvisers, clowns and performers' to flaunt their comedic skills in this weekend's launch show. Founded by performer and teacher Paul Rabenowitz, he tells BroadwayWorld South Africa of what to expect from this new improv venture.

Following sold-out performances at The Market Theatre, the story of Susan Nell KAMPHOER enters two more sold-out weeks at the Roodepoort Theatre this week. Starring esteemed South African actress Sandra Prinsloo, she tells BroadwayWorld of her experience with the multi-award winning solo theatrical play.

Founded at the end of last year, local production company HOW NOW BROWN COW has launched a new and exciting writing programme. As one of the participants of its first instalment — director, playwright and academic Greg Homann chats to BroadwayWorld about his writing and his involvement with THE WRITERS' COLLECTIVE.

The proof is not only in the performing with the Luitingh Alexander Musical Theatre Academy, as one of their first full-time graduates joins the cast of Universal Studios Beijing in 2021. Amy Reed chats to BroadwayWorld South Africa about her new venture and her time at LAMTA as she looks to the future as a performer.

The Luitingh Alexander Musical Theatre Academy (LAMTA) has managed to put together a celebration, reflection and exhibition of 2020 through their students’ talents and perspectives. A live theatrical journey not soon to be forgotten, AWAKENING is a beautiful production.

Combining the best of both theatrical worlds, actress, writer and publicist Julie-Anne McDowell Hegarty joins forces with former Managing Director of The Fugard Theatre Daniel Galloway to launch new theatre production company How Now Brown Cow. The co-founders chat to BroadwayWorld South Africa about how they got here, and where they're going.

This past week The Baxter Theatre Centre held an official reopening with two of South Africa's top artists appearing and collaborating onstage together for the first time. Gregory Maqoma and Zolani Mahola gave world premiere performances of original works that kicked off The Baxter's limited benefit season in a memorable way.

Theatre has finally returned and The Baxter's THE OUTLAW MUCKRIDGE doesn't hold back. A trio of local talents has created a drama that tows the line between realism and imagination, making THE OUTLAW MUCKRIDGE an excellent example of the strength in pieces that can emerge from 2020.

Embracing the "new normal" of hybrid theatre-film, F Creations brings their version of Peter Malicki's (EXTRA)ORDINARY, (UN)USUAL to South African screens for the month of October. Made up of a selection of monologues from the award-winning international playwright Malicki, (EXTRA)ORDINARY, (UN)USUAL delves into the presentation of lives seemingly - yet anything but - normal.

Starting this month, CREATING THEATRE IN THE AGE OF CORONA presented by Theatre Arts brings back the excitement, joy and intimacy of live performance in a safe environment. Presenting five new, physically distanced performance works to audiences of only 15 seats, Theatre Arts organiser Caroline Calburn discusses the upcoming season.

Making its debut at the National Arts Festival digitally, SO YOU WANT TO BE A TROPHY WIFE? presented by F Creations and The Edge is a one-woman production that strikes an interesting balance between being heartfelt and harsh while exploring a relatable lead character's reality.

With just over a week to go until this year's Virtual National Arts Festival, creatives across the country are having to find ways to showcase their work digitally. Faeron Wheeler behind the production company F Creations discusses how three of their productions are preparing to be on screens at 2020's vFringe.

Emma Kotze and Wynne Bredenkamp started their journey with The Edge at the National Arts Festival 6 years ago, and today are navigating the new way of moving their Fringe productions online. From filming challenges to seeing a new future for The Edge, Kotze and Bredenkamp chat to BroadwayWorld South Africa about their experience.

Fiona: Tennessee Williams wrote some of the greatest roles for women and most were based on people he had met and known during his life. I had the great fortune of playing the Princess in SWEET BIRD OF YOUTH the year before with the same company; in fact, we toured to the US with it and it was an exhilarating and memorable experience. It is always a joy to work a second time with like-minded actors and creative team, so it was great to work with Fred Abrahamse and Marcel Meyer again! Amanda is said to be based on Williams' mother and so I read biographies and accounts of his life to filter into the characterization. All characters in his work are facetted and Amanda is deeply complex and full of contradictions - a delusional, flighty, down to earth, disillusioned person who above all is a devoted and doting mother. There are many more Williams' women I would like to play!

A friendly face you're used to seeing making the rounds at opening nights, Fahiem Stellenboom has been hard at work over the past 2 months behind the scenes at The Baxter. He chats to BroadwayWorld about the impact of lockdown on Cape Town's iconic theatre.