BWW Review: ALTAR BOYZ at Pandora Productions
Bust A Move With the Good NewsAltar Boyz is one of the craziest, funniest things I have seen lately.
Keith Waits - Page 6
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BWW Review: TWO BY TWO at TheatreWorks Of Southern Indiana
I can honestly say that Broadway's musical Two by Two was new to me, as was the TheatreWorks of Southern Indiana company.
BWW Review: AIN'T I A WOMAN PLAYFEST at Ain't I A Woman Playfest
We have of late become more and more aware as a society of the contrast in how we look at our selves and each other based on our differences.
BWW Review: BRANDI ALEXANDER at Louisville Fringe Festival
In a recent social media exchange, a man related to me how he was not interested in watching Hannah Gadsby's acclaimed Netflix special because he didn't need to feel ashamed.
BWW Review: IF at Moonrise Arts
Do creative imagination and madness go hand-in-hand? We too often talk about Van Gogh as if only mental illness could ever account for his genius, and there have been many stories told about how the people that seek refuge in the asylum might be escaping the insanity of a violent and unforgiving wor
BWW Review: SHOT IN THE DARK at Louisville Fringe Festival
When you see as much live theatre as I do, you inevitably have expectations, and one of the challenges becomes how to be fair about preconception.
BWW Review: FOOL FOR LOVE at Salvage Productions
The great playwrights touch on the truths that lie beneath the surface.
BWW Review: 26 PEBBLES at Commonwealth Theatre Center
If you are like me you remember where you were when certain global events occurred, both positive and negative.
BWW Review: OTHELLO at Kentucky Shakespeare
Treachery, lies, high tension, deception.
BWW Review: HENRY IV, PART 1 at Kentucky Shakespeare
What more pleasant way to spend a summer evening than outdoors in the heart of Old Louisville, surrounded by green space, with some of the loveliest turns of phrase ever written in the English language wafting on the breeze? Thanks to Kentucky Shakespeare and its supporters, we can do just that - fr
BWW Feature: LOCAL COMPANIES RELOCATE AFTER FIRE AT KCA at Kentucky Center For The Performing Arts
A June 13 fire on the roof of the Kentucky Center for the Performing Arts has closed the facility until at least June 25, forcing at least two local theatre companies to revise plans for upcoming productions and raising questions about the opening of the next entry in the PNC Broadway in Louisville
BWW Review: MASTER HAROLD AND THE BOYS at Bunbury Theatre
Bunbury Theatre has offered an impressive season this year, with John Logan's Red serving as its crowning jewel.
BWW Review: THE COMEDY OF ERRORS at Kentucky Shakespeare
Kentucky Shakespeare Festival opens a new summer season with laughs and gusto in The Comedy of Errors.
BWW Review: THE FASTEST CLOCK IN THE UNIVERSE at The Liminal Playhouse
In a rough East London flat, Cougar Glass (Remy Sisk) sits nearly naked under a sunlamp, implacable behind sunglasses, drinking beer and smoking a cigarette.
BWW Review: FENCES at Faithworks Studios
Sometimes a character stands out from the source material and starts to establish its own reputation.
![BWW Review: HOW WATER BEHAVES at Theatre [502]](https://cloudimages2.broadwayworld.com/columnpic10/2002008B48F563-A6F8-BD11-00CE69ECC1256F8F.jpg?format=auto&width=220)
BWW Review: HOW WATER BEHAVES at Theatre [502]
Sherry Kramer's How Water Behaves is kind of a crazy play.
BWW Feature: REMEMBERING BEKKI JO SCHNEIDER at Derby Dinner Playhouse
Since her death from cancer on May 4th much has been written about Derby Dinner Playhouse Producer Bekki Jo Schneider and her achievements and contributions to our community and region.
BWW Review: RICHARD III at Commonwealth Theatre Center
A good villain is hard to come by.
BWW Review: THE MERRY WIVES OF WINDSOR at Commonwealth Theatre Center
In her staging of The Merry Wives of Windsor, director Jennifer Pennington taps into the unique reservoir of contextual opportunities of a mid-Twentieth Century setting.
BWW Review: DIE! MOMMIE DIE! at Pandora Productions
Dialing It UpThis quote from a live cabaret performance by Charles Busch could be referencing his play, Die! Mommie Die!, which is a parody of the kind of grotesque, overwrought melodrama that fueled the careers of Bette Davis and Joan Crawford in the 1960's.
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