Kat Mokrynski - Page 28

Plastic Jeezus: Leave Them Wanting Less, a musical comedy by Simon and Aaron, is an hour of the duo playing ukuleles and singing, all while keeping a deadpan expression on their face.

Walking into Bishops: Farewell Bruce Porcelain, you are greeted by the titular bishops, Chris Curran and Noah Matthews, welcoming you to the funeral of Bruce Porcelain and handing out booklets with the order of service as an organ version of Toto’s “Africa” plays. However, this might not be the kind of funeral we are expecting!

The Conductor is a piece of physical comedy by Amadeo Fusca that tells the story of Salvatore Giovanni, a famous conductor known for his over-the-top performances. Amadeo Fusca has taken the character and fleshed it out into an hour-long show, giving audiences insights into the world of the “world-renowned conductor.”

Ellie MacPherson: Babe Lincoln begins with MacPherson, dressed as Abraham Lincoln, walking into the room on a pair of stilts, attempting to replicate the height of the iconic historic figure. We then receive a rendition of Smash Mouth’s “All Star,” which is quite the surprise for a cabaret from a historical figure!

A Jaffa Cake Musical, written by Sam Cochrane, is a new musical inspired by a tribunal in 1991 that focused on the titular snack, asking a question that would change history - “Is it a cake or is it a biscuit?”

Huge Davies: Album For My Ancestors (Dead) is a musical comedy hour in which Davies takes audiences through his family tree using songs, though the stories may not be what you expect.

A Letter to Lyndon B Johnson or God: Whoever Reads This First, created and performed by Xhloe Rice and Natasha Roland, tells the story of two young Boy Scouts, nicknamed Ace and Grasshopper, who are living in the 1960s. Through physical and verbal storytelling, we are thrown into a world of rope swings and playing pranks on camp counsellors.

Séayoncé, portrayed by Dan Wye, is “the greatest mystic the world has ever known,” living in “a quiet little village in the woods” and on trial for witchcraft. She is joined by Leslie-Anne (Robyn Herfellow), her friend behind the keyboard with a tendency to use murder as a solution to their problems.

Alex Kealy: The Fear begins with Kealy talking about politics, discussing not only the low bar that has been set for the Labour government but also his concerns about the American election, having a conversation with an audience member about Trump’s chances of winning this year’s presidential election.

Willy’s Candy Spectacular, written by Richard Kraft and Andy Fickman is a musical parody of the infamous Willy Wonka immersive experience in Glasgow back in February, in which families paid £35 for tickets and were greeted with an empty warehouse, two jellybeans for each child and a bizarre character known as The Unknown.

The Emu War: A New Musical, written by Lotte Pearl, tells the true story of the Great Emu War of 1932, in which the Australian military tried to stop emus from eating the crops of farmers using Lewis guns. These efforts were unsuccessful and seen as a failure, as the emus continued to destroy crops after the month-long “battle.”

Dylan Mulvaney: FAGHAG, written and performed by Mulvaney herself and directed by Tim Jackson, tells Mulvaney’s life story, focusing on her journey with her gender and the transphobia she has been forced to face.

Directed by Cal McCrystal and Georgia Murphy, Garry Starr: Classic Penguins takes audiences on an adventure through as many Penguin Classics books as possible with our host, Garry Starr (Damien Warren-Smith). There’s just one thing that’s a bit unusual - Starr is in the nude. Well, not exactly. He is wearing a tailcoat and flippers, but that’s it.

Written by Joey Richter, Brian Rosenthal and Corey Lubowich, Solve It Squad is a loving parody of Scooby Doo, in which the titular Solve It Squad, a group of teenagers, go around solving mysteries in the town of Mayberry.

Stuart Laws Has to Be Joking? has quite a simple concept - Laws is putting all of his cards on the table, both figuratively and literally. There is a pile of cards on the table next to Laws and he is ready to share them with the audience, telling us about his life using comedy and storytelling.

When Archbishop Desmond Tutu tells you to tell the world your story, you aren’t going to say no, are you? Alison Larkin: Grief . . . A Comedy is Larkin’s response to the archbishop’s suggestion, with her telling audiences about falling in love in her 50s and dealing with the grief of loss in her own way

Written and performed by Alex Hill, Why I Stuck A Flare Up My Arse for England tells the story of Billy Kinley, the man who stuck a lit flare up his bum during the Euro 2020 final, labeled the “Bum Flare Man” by the press.

Bad Clowns: HOSTAGE, starring John Bond, Christian Dart and Sam Wells does not actually begin with bad clowns. Instead, we are greeted with a different show entirely, The Worrisome Troubles of Timothy Potts. John and Christian are preparing to put on this dramatic show, which tells the story of, as you might expect, a man named Timothy Potts.

BWW caught up with Plastic Jeezus about bringing Leave Them Wanting Less to the 2024 Edinburgh Festival Fringe.

BWW caught up with Bev Gray about bringing Bev’s Comedy to the 2024 Edinburgh Festival Fringe.