Directed with his signature creative flair, boundless imagination and penchant for fun by Benji Kern, Studio Tenn's interim artistic director, Mamma Mia! features a stellar cast of performers bringing the show to life with the expected verve and energy that the ABBA score virtually demands.
Summer of 2019 has proven to be an exciting time for theater artists, technicians and patrons in Nashville, with changes at the top of several companies' leadership teams, including Tennessee Performing Arts Center.
The Secret Garden - the Tony Award-winning musical by Lucy Simon and Marsha Norman, based upon the timeless children's novel by Knoxville's own Frances Hodgson Burnett - premieres at the Center for the Arts on Friday, August 23, continuing through Sunday, September 8, in a sumptuous production direc
Roald Dahl's Matilda the Musical a?" with music and lyrics by Tim Minchin and book by Dennis Kelly a?" plays the historic Franklin Theatre through August 11, with a rollicking production helmed by Sondra Morton, featuring musical direction by Jamey Green and choreography by Everett Tarlton, who scor
Powerhouse vocals from its two leading players (Anthony Lazzaro and Cassie Donegan), along with focused direction, spirited choreography, effusive music coming from the pit and an eye-popping visual design aesthetic combine to make Cumberland County Playhouse's most recent iteration of Joseph and th
Cori Anne Laemmel continues to do amazing things at The Theater Bug a?' whether it's creating new and compelling art, engaging in revealing collaborations with other creative individuals, or, more importantly, providing a safe space for a new generation of young theater artists eager to transform th
Life, as we know it, happens all around us in an amazing cavalcade of events that at once might seem inconsequential yet their importance becomes evident with time and experience.
Once upon a time, there was a country that only existed for one brief day and there was a man named Adam, who was determined to return to his long-lost homeland who held the key to its ephemeral history.
If there is a more perfect pooch to portray Annie's Sandy than Rufus Stewart, then his humans should produce said canine for an upcoming production of the beloved Broadway musical post-haste.
Nashville theater has always been progressive.
Although an over-arching consideration of evil is perhaps difficult to comprehend even three-quarters of a century after the end of World War II and beyond the scope of a stage-bound drama, playwright Kenley Smith nonetheless focuses his attention on the intertwined stories of two such villains as
Now, through August 18, audiences at Crossville's Cumberland County Playhouse have the opportunity to fall in love with Matilda and her ragtag and inspiring band of schoolmates as they take on an adventure that is certain to delight and to engage.
Any directors planning new productions of Hair - wherever they may be all over this colorful country in which we live - might be advised to follow the lead of Clarksville's Roxy Regional Theatre and cast Mike Kinzer and Ryan Bowie as Berger and Claude, a pair of actorscharacters who together define
Fiddler on the Roof first debuted on Broadway in 1964 and in the intervening 55 years, it's become a beloved standard in the Broadway musical canon, being revived many times and performed on stages all over the world in productions both professional and amateur.
Blake Holliday's jaw-dropping performance as "international song stylist" Hedwig Schmidt is reason enough to book your tickets as soon as possible to witness the actor's transformation in a 90+ minute production of Hedwig and the Angry Inch now ensconced at Nashville's Street Theatre Company through
It should come as no surprise that Fun Home, therefore, that the aforementioned Broadway hit featuring music by Jeanine Tesori, with book and lyrics by Lisa Kron based upon Bechdel's graphic novel, is one of my favorite works in the canon of contemporary American Musical Theater.
American playwright Neil Simon's prolific and wide-ranging contributions to theater range from the sublime (The Odd Couple and Rumors) to the ridiculous (Fools), with God's Favorite - now onstage through tomorrow - falling somewhere in the middle.
Over coffee, on the morning after seeing Verge Theater Company's production of Mr.
Compellingly dramatic and featuring an exquisitely emphatic score performed by a dazzling cadre of triple-threat actors and a 15-person orchestra, Miss Saigon once again lands at Nashville's Tennessee Performing Arts Center's Andrew Jackson Hall this week for an eight-performance run that will almos
ACT 1 brings its 2018-19 'Fuck the Classics' Season to a close with director/designer Jim Manning's unique reinterpretation of Shakespeare's Romeo and Juliet with Violent Delights, a dance-based retelling set to a score of music from emerging Nashville artists.
