So, after trashing Mormonism, and by implication most other faiths (since most have foundational myths about as likely-sounding as the LDS ones, and taboos that are no less but also no more sensible than those which restrain the Mormons), there are two natural places to end up.
Something happened involving those two and Mrs.
There's nonsense delivered in true Cantabridgian style, i.
You may know it as Here's Love.
This is probably the preeminent jukebox musical, beautifully presented.
The point of von Mahlsdorf was that she survived, and in doing so permitted her collection and the world it evoked to survive as well.
I cannot honestly report I saw much profundity in what was said here.
This is poetry, poetry for the mind to sink into and be overwhelmed.
I am not sure what Shepard is doing in Shepherdstown.
'Every good story's a war story,' says a character in Scott and Hem in the Garden of Allah, premiering at the Contemporary American Theater Festival.
All of them, then, have one foot in Muslim culture and one in the Western culture Muslim terrorists affect to despise, and that is part of the point author Jon Kern is making about them.
H2O will leave you dealing not only with your feelings about the characters, but also reconsidering art, life, and The Meaning of It All.
If George Bernard Shaw had taken it into his head to write a sequel to Arthur Miller's The Crucible, with an assist from William Shakespeare, he might have come up with something much like Liz Duffy Adams's A Discourse on the Wonders of the Invisible World.
In The Heights is not standard Maryland dinner theater fare, concerning, as it does, the residents of a largely Dominican and Puerto Rican barrio at the northern end (and highest part) of Manhattan.
This was an undergraduate audience, clearly, and they were rapt and engaged.
A first-rate production of a second-rate show.
We have not only laughed our heads off, not only witnessed the fulfillment, however temporary, of transgressive bachelor-in-paradise fantasies, but also been treated to something rarer: a visual reimmersion in the colors and sights of the most carefree part of an era: the coordinated uniforms and fl
The star in question is the in her own words "deliciously disgraceful" actress and celebrity Tallulah Bankhead, channeled, in a very interesting bit of casting, by Stefanie Powers.
What really puts the show across, however, is the songs.
