BWW Review: Disorienting Play, Tour-de-Force Performance: THE OTHER PLACE at The REP
It is a tour-de-force for the actress who portrays Juliana.
Jack L. B. Gohn - Page 8
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BWW Review: Mean Girls, Primary Colors and Grand Guignol: HEATHERS at Red Branch
It is a safe bet that at every institution of secondary education with female students, there are Mean Girls.
BWW Review: Pennybags and Henny Penny: Financially Farcical CRASH AND BURN at Theatrical Mining Company
Such dramatic suspense as exists in Crash and Burn hangs on the question whether it is possible Financier Milty has outsmarted himself (perhaps out-stupided himself might be a better phrase) by retaining two such paragons of dimness, greed, and vanity as Lawyers Crash and Burn to represent him: Migh
BWW Review: Lush, Untranslated, and Disorienting: THE WEDDING GIFT at CATF
We watch as Doug takes stock of his situation, recognizes the failure of vision on the part of his captors, their inability to see him as a fellow-human, and recognizes what this means in terms of his power and his lack of power.
BWW Review: Boomers Considering What They Were and Are: 20th CENTURY BLUES at CATF
Perhaps most important, 20th Century Blues (notwithstanding its title) addresses, from the inside and the outside, the universal experience of aging, an experience common to all times and places.
BWW Review: Sloppy PEN/MAN/SHIP at CATF
Charles, the ship-charterer (Brian D.
BWW Review: A Working Kitchen in THE SECOND GIRL at CATF
What makes The Second Girl a comedy more than anything else is Cathryn Wake's electrifying performance as Cathleen, a confection of flashing eyes, red hair, a tell-the-truth-and-shame-the-devil attitude, and naked ambition.
BWW Review: Comparing Small Things To Great: NOT MEDEA at CATF
The great legends and myths have their roots in common human experience.
BWW Review: Feet Planted Firmly In The Air: HAIRSPRAY at Toby's
Hairspray is, in fact, a great raspberry blown in the face of realistic expectations, a visit to a fantasyland where cruelty and meanness and class pretensions stand no chance.
BWW Review: Love Story Heartthrobs in LOVE LETTERS Play
If you love Love Letters, if you want to Oliver and Jennifer again (sort of), or you just want to see two old professionals having gentle fun together, this show's for you.
BWW Review: Thrilling NEVERWHERE: A Signature Production for an Ambitious New Company
I know a gripping mythos when I see one.
BWW Review: Vagabonds' MOON OVER BUFFALO Keeps the Audience in Stitches
Driven to a frenzy by the thought that director film director Frank Capra is in the audience, the Hay family and their retinue get completely confused about the play to be performed for him.
BWW Review: Roundhouse CABARET Packs An Outsized Wallop
This Sally (Andrea Goss) is definitely British, definitely a waif and of limited talent, and has her eyes wide open to the hell her generation of revelers is headed toward in a handcart.
BWW Review: DETROIT '67 a Lot Like Baltimore '15
Morisseau's explanation of the Detroit riots makes a lot of sense, and resonates with my understanding of what happened last year in Baltimore.
BWW Review: Fever Dream: STREETCAR at Everyman
We in the audience are continually torn between cheering the gumption and the desire behind Blanche's lies and being appalled at the human cost the lies inflict, not least on the teller of them.
BWW: Review: Everyman Makes What Can Be Made of Miller's SALESMAN
The unresolvedness of social themes is a feature, not a bug, as far as Miller is concerned.
BWW Review: Love (and Anger) in a Time of Plague: THE NORMAL HEART at Vagabonds
But the play is not all philosophical argument, as important as this is: it also is a love story, a family tale, and an account of the 'band of brothers' that was Gay Men's Health Crisis.
BWW Review: Relatable HICK, Eleanor Roosevelt's Lesbian Love Story, at Theatre Project
This was a substantial play that dealt thoughtfully with a host of issues.
BWW Review: Secondary Characters, Set, and Songs Succeed While Direction Is Misdirected: Center Stage's AS YOU LIKE IT at Towson
There is no perfect way to realize Shakespeare's vision, but employing an all-female cast is apt to be among the less successful ways.
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