As I write this, I'm in a rehearsal room with an immensely talented group of creative people - people who have dedicated their lives to the study and creation of theatre - figuring out what it looks like to revive a fish from the dead.
Sherlock Holmes is arguably one of the world's most famous and beloved characters in literature and in our new musical, which updates the action to contemporary climate-crisis afflicted London, his neurodiversity is brought electrically to the fore.
When I read £1 Thursdays by Kat Rose-Martin, I was immediately drawn to the first thing in the script which says ‘none of the characters should be presented as rough.