The great thing about radio drama is that we can paint complex scenes and invoke whole new worlds through the power of storytelling, using sound alone.
For me, The Shark is Broken - or The Shark, as we call it - is the realisation of a perennial ambition: to bring theatre work from a Fringe environment to the West End.
My observations at the time of writing and developing Rice was that stories about Asian and South Asian people, whether told through stage, screen or books, tended to focus on family narratives and also stories about the particular ethnic community the characters are from.
On 14 March, 2020, Rebecca Taichman's original production of Paula Vogel's Indecent played its second preview performance at the Menier Chocolate Factory.
Imagine, if you can, carrying a baby - or your partner carrying a baby - for nine months, and then one day, without any real reason or explanation, that baby dies.
Greenwich+Docklands International Festival (GDIF) is London's annual festival of outdoor theatre and performing arts, probably best known for staging large-scale spectaculars across Greenwich and East London.
It's my hope - after the year we’ve had - that audiences will get the kind of story that sets pulses racing, gets them thinking, talking, connects them.