BWW Review: LA TRAVIATA, Royal Opera House
Gary Naylor enjoys a treat for eyes and ears with music and singing and love and hate coming together in opera's unique alchemy.
Gary Naylor - Page 46
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BWW Review: ABIGAIL, The Bunker Theatre
Gary Naylor sees a play with a tricksy structure and a vagueness in its script that leaves the actors with few places to go.
BWW Review: BIRTHDAY SUIT, Old Red Lion Theatre
Gary Naylor sees a funny, contemporary comedy blessed with an Ayckbournesque script and some very fine acting.
BWW Review: LA LA LAND
Gary Naylor sees La La Land, a film that hits you as hard in the heart as it does in the head.
BWW Review: BRAINS, Theatre N16
Gary Naylor sees a show that generates laughs and shows potential, but doesn't make the most of the setup before the punchline arrives too soon.
BWW Review: THE KITE RUNNER, Wyndham's Theatre
Gary Naylor sees an adaptation of the celebrated novel, The Kite Runner, that loses some of its epic quality in transition to stage and ends up just a bit too generic for his tastes.
BWW Review: THREE SISTERS, Union Theatre
Gary Naylor sees a play that rewards repeated viewing, as relevant today as ever and, in this version, performed with subtlety and grace by an excellent cast.
2016 Year in Review: Gary Naylor's Best and Worst of Theatre
Gary Naylor looks back on 148 shows reviewed in 2016 and picks his Christmas turkeys and Christmas crackers.
BWW Review: KIKI'S DELIVERY SERVICE, Southwark Playhouse
Gary Naylor sees a show sure to enchant all the family, a theatrical production every bit as good as its celebrated animated predecessor.
BWW Review: THE SCREWTAPE LETTERS, Park Theatre
Gary Naylor sees a loyal, committed adaptation of CS Lewis's once celebrated novel that fails to ignite fully as drama, but works well as polemic.
BWW Review: SLEEPING BEAUTY, Richmond Theatre
Gary Naylor sees a show that delivers traditional Christmas laughs and spectacle from the modern master of the form, writer Eric Potts.
BWW Review: THIS MIGHT BE IT, Theatre N16
Gary Naylor sees a new play about an old problem turning up in new forms - loneliness.
BWW Review: THEBES LAND, Arcola Theatre
Gary Naylor sees an innovative and thought-provoking play from South America that has plenty to say about fathers, and about theatre too.
BWW Review: PETER PAN, National Theatre, 2 December 2016
Gary Naylor sees a show soar, like Peter, beyond expectations - a delight for all the family.
BWW Review: THE WOMAN IN BLACK, Fortune Theatre, 1 December 2016
Gary Naylor sees a long-running West End haunted house mystery and revels in its unabashed theatricality
BWW Review: ANOTHER NIGHT BEFORE CHRISTMAS, Bridge House Theatre, 30 November 2016
Gary Naylor sees a magical Christmas show that sets up the festive season even for an old Bah Humbug! man like him.
BWW Review: BIANCO, Southbank Centre, 29 November 2016
Gary Naylor sees a show that he should like more than he does, possibly because it owes more to performance art than it does to theatre.
BWW Review: DR ANGELUS, Finborough Theatre, 28 November 2016
Gary Naylor sees a diverting, if not wholly convincing, revival of a dark comedy-thriller set in a 1920 GP practice in Glasgow.
BWW PANTO Q&A: Lee Mead
BWW catches up with one of Britain's pantomime favourites, currently appearing as Prince Charming in Cinderella at the London Palladium.
BWW Review: ALADDIN, Lyric Hammersmith, 26 November 2016
Gary Naylor sees a pantomime that pushes all the traditional panto buttons without distracting gimmicks.
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