BWW Review: THEBES LAND, Arcola Theatre
Gary Naylor sees an innovative and thought-provoking play from South America that has plenty to say about fathers, and about theatre too.
Gary Naylor - Page 46
BWW Review: PETER PAN, National Theatre, 2 December 2016
Gary Naylor sees a show soar, like Peter, beyond expectations - a delight for all the family.
BWW Review: THE WOMAN IN BLACK, Fortune Theatre, 1 December 2016
Gary Naylor sees a long-running West End haunted house mystery and revels in its unabashed theatricality
BWW Review: ANOTHER NIGHT BEFORE CHRISTMAS, Bridge House Theatre, 30 November 2016
Gary Naylor sees a magical Christmas show that sets up the festive season even for an old Bah Humbug! man like him.
BWW Review: BIANCO, Southbank Centre, 29 November 2016
Gary Naylor sees a show that he should like more than he does, possibly because it owes more to performance art than it does to theatre.
BWW Review: DR ANGELUS, Finborough Theatre, 28 November 2016
Gary Naylor sees a diverting, if not wholly convincing, revival of a dark comedy-thriller set in a 1920 GP practice in Glasgow.
BWW PANTO Q&A: Lee Mead
BWW catches up with one of Britain's pantomime favourites, currently appearing as Prince Charming in Cinderella at the London Palladium.
BWW Review: ALADDIN, Lyric Hammersmith, 26 November 2016
Gary Naylor sees a pantomime that pushes all the traditional panto buttons without distracting gimmicks.
BWW Review: SOHO CINDERS, Union Theatre, 27 November 2016
Gary Naylor sees a tremendous show full of great songs wonderfully well sung with the added bonus of great dancing too!
BWW Review: THE TEMPEST, Print Room at the Coronet, 25 November 2016
Gary Naylor sees a serious but rewarding take on one of Shakespeare's late plays that raises questions about power and control.
BWW Review: SWING BY AROUND 8, Theatre N16, 21 November 2016
Gary Naylor sees a piece of new theatre that has its roots in farce but gives it a contemporary twist with a young cast and first time creatives.
BWW Review: DISASTER!, Charing Cross Theatre, 20 November 2016
Gary Naylor sees a brilliantly executed musical spoof of the 70s disaster movie genre that needs to find a home in the West End soon.
BWW Review: PRINCESS - THE GOOD GIRLS GONE BAD, LOST Theatre, 16 November 2016
Gary Naylor sees an ambitious and challenging show that overstretches its resources and that of its audience.
BWW Review: IT IS EASY TO BE DEAD, Trafalgar Studios
Gary Naylor sees a wonderful tribute to a unique man amongst The Fallen of the First World War, whose story stands for him and for millions more.
BWW Review: THE BEGGAR'S OPERA, Brockley Jack Studio Theatre, 9 November 2016
Gary Naylor sees a young cast attack a classic play to update for today's world, a venture that succeeds partially, and is never less than interesting.
BWW Review: TRUMPAGEDDON, King's Head Theatre, 8 November 2016
Gary Naylor sees a show about, and I can hardly believe what I'm writing here, the 45th President of the United States of America.
BWW Review: BITS OF ME ARE FALLING APART, Soho Theatre, 7 November 2016
Gary Naylor sees an adaptation of William Leith's book that, for all the skilled work in the production, fails to engage its audience.
BWW Review: ST JOHN PASSION, Blackheath Halls, 6 November 2016
Gary Naylor sees an impassioned production of Bach's St John Passion, by and for, the people under the guidance of English Touring Opera
BWW Review: ORCA, Southwark Playhouse, 4 November 2016
Gary Naylor sees an accomplished, eerie play about a remote Scottish community that doesn't quite have the courage of its convictions.
BWW Review: THE LAST FIVE YEARS, St James Theatre, 2 November 2016
Gary Naylor sees a slick romcom musical about 90s New Yorkers that impresses but leaves him just a little cold.
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